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author | Andree Buschmann <AndreeBuschmann@t-online.de> | 2010-04-14 20:38:21 +0000 |
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committer | Andree Buschmann <AndreeBuschmann@t-online.de> | 2010-04-14 20:38:21 +0000 |
commit | 1248e9c6de7687ee7bb76e43dcebac2e0575ecc7 (patch) | |
tree | 38d33f19065b92d52f0617f9cca228ee3e4c3bf9 /manual/configure_rockbox/recording_settings.tex | |
parent | 53cf63fbbc3a8b0d41feb7b81c1ef0da652f616b (diff) | |
download | rockbox-1248e9c6de7687ee7bb76e43dcebac2e0575ecc7.tar.gz rockbox-1248e9c6de7687ee7bb76e43dcebac2e0575ecc7.zip |
More work on consistent usage of units in the manual. Use non-breaking spaces if applicable.
git-svn-id: svn://svn.rockbox.org/rockbox/trunk@25649 a1c6a512-1295-4272-9138-f99709370657
Diffstat (limited to 'manual/configure_rockbox/recording_settings.tex')
-rw-r--r-- | manual/configure_rockbox/recording_settings.tex | 42 |
1 files changed, 21 insertions, 21 deletions
diff --git a/manual/configure_rockbox/recording_settings.tex b/manual/configure_rockbox/recording_settings.tex index 5b2c1d2d68..aa469aca03 100644 --- a/manual/configure_rockbox/recording_settings.tex +++ b/manual/configure_rockbox/recording_settings.tex | |||
@@ -21,10 +21,10 @@ | |||
21 | \begin{table}[h!] | 21 | \begin{table}[h!] |
22 | \begin{rbtabular}{0.75\textwidth}{lX}% | 22 | \begin{rbtabular}{0.75\textwidth}{lX}% |
23 | {\emph{Frequency} & \emph{Bitrate} (Kbit/s) -- quality 0$\rightarrow$7}{}{} | 23 | {\emph{Frequency} & \emph{Bitrate} (Kbit/s) -- quality 0$\rightarrow$7}{}{} |
24 | 44100 Hz stereo & 75, 80, 90, 100, 120, 140, 160, 170 \\ | 24 | 44100~Hz stereo & 75, 80, 90, 100, 120, 140, 160, 170 \\ |
25 | 22050 Hz stereo & 39, 41, 45, 50, 60, 80, 110, 130 \\ | 25 | 22050~Hz stereo & 39, 41, 45, 50, 60, 80, 110, 130 \\ |
26 | 44100 Hz mono & 65, 68, 73, 80, 90, 105, 125, 140 \\ | 26 | 44100~Hz mono & 65, 68, 73, 80, 90, 105, 125, 140 \\ |
27 | 22050 Hz mono & 35, 38, 40, 45, 50, 60, 75, 90 \\ | 27 | 22050~Hz mono & 35, 38, 40, 45, 50, 60, 75, 90 \\ |
28 | \end{rbtabular} | 28 | \end{rbtabular} |
29 | \end{table} | 29 | \end{table} |
30 | } | 30 | } |
@@ -44,30 +44,30 @@ | |||
44 | \section{Frequency} | 44 | \section{Frequency} |
45 | \nopt{sansa}{ | 45 | \nopt{sansa}{ |
46 | Choose the recording frequency (sample rate). | 46 | Choose the recording frequency (sample rate). |
47 | \opt{masf}{48 kHz, 44.1 kHz, 32 kHz, 24 kHz, 22.05 kHz, 16 kHz} | 47 | \opt{masf}{48~kHz, 44.1~kHz, 32~kHz, 24~kHz, 22.05~kHz, 16~kHz} |
48 | \opt{h100,h300}{44.1 kHz, 22.05 kHz and 11.025 kHz} | 48 | \opt{h100,h300}{44.1~kHz, 22.05~kHz and 11.025~kHz} |
49 | \opt{x5}{88.2 kHz, 44.1 kHz, 22.05 kHz and 11.025 kHz} | 49 | \opt{x5}{88.2~kHz, 44.1~kHz, 22.05~kHz and 11.025~kHz} |
50 | \opt{sansaAMS}{96 kHz, 88.2 kHz, 64 kHz, 48 kHz, 44.1 kHz, 32 kHz, 24 kHz, % | 50 | \opt{sansaAMS}{96~kHz, 88.2~kHz, 64~kHz, 48~kHz, 44.1~kHz, 32~kHz, 24~kHz, % |
51 | 22.05 kHz, 16 kHz, 12 kHz, 11.025 kHz and 8 kHz} | 51 | 22.05~kHz, 16~kHz, 12~kHz, 11.025~kHz and 8~kHz} |
52 | \opt{gigabeats}{48 kHz, 44.1 kHz, 32 kHz, 24 kHz, 22.05 kHz, 16 kHz, 12 kHz, % | 52 | \opt{gigabeats}{48~kHz, 44.1~kHz, 32~kHz, 24~kHz, 22.05~kHz, 16~kHz, 12~kHz, % |
53 | 11.025 kHz and 8 kHz} | 53 | 11.025~kHz and 8~kHz} |
54 | are available. Higher sample rates use up more disk space, but give better | 54 | are available. Higher sample rates use up more disk space, but give better |
55 | sound quality. | 55 | sound quality. |
56 | \opt{swcodec}{\note{The 11.025 kHz setting is not available when using % | 56 | \opt{swcodec}{\note{The 11.025~kHz setting is not available when using % |
57 | \setting{MPEG Layer 3} format.} | 57 | \setting{MPEG Layer 3} format.} |
58 | }% | 58 | }% |
59 | \opt{masf}{ | 59 | \opt{masf}{ |
60 | The frequency setting also determines which version of the MPEG standard | 60 | The frequency setting also determines which version of the MPEG standard |
61 | the sound is recorded using:\\ | 61 | the sound is recorded using:\\ |
62 | MPEG v1 for 48 kHz, 44.1 kHz and 32 kHz.\\ | 62 | MPEG v1 for 48~kHz, 44.1~kHz and 32~kHz.\\ |
63 | MPEG v2 for 24 kHz, 22.05 kHz and 16 kHz.\\ | 63 | MPEG v2 for 24~kHz, 22.05~kHz and 16~kHz.\\ |
64 | } | 64 | } |
65 | \opt{recorder,recorderv2fm,h100} | 65 | \opt{recorder,recorderv2fm,h100} |
66 | {\note{You cannot change the sample rate for digital recordings.} | 66 | {\note{You cannot change the sample rate for digital recordings.} |
67 | } | 67 | } |
68 | } % nopt sansa | 68 | } % nopt sansa |
69 | \opt{sansa}{ | 69 | \opt{sansa}{ |
70 | Recordings can only be made at a 22.05 kHz frequency (sample rate) | 70 | Recordings can only be made at a 22.05~kHz frequency (sample rate) |
71 | on this \dap. | 71 | on this \dap. |
72 | } % opt sansa | 72 | } % opt sansa |
73 | 73 | ||
@@ -121,7 +121,7 @@ | |||
121 | Set the time to record between each split, if time is used as | 121 | Set the time to record between each split, if time is used as |
122 | \setting{Split Measure}.\\ | 122 | \setting{Split Measure}.\\ |
123 | Options (hours:minutes between splits): Off, 00:05, 00:10, 00:15, 00:30, | 123 | Options (hours:minutes between splits): Off, 00:05, 00:10, 00:15, 00:30, |
124 | 1:00, 1:14 (74 minute CD), 1:20 (80 minute CD), 2:00, 4:00, 8:00, 10:00, | 124 | 1:00, 1:14 (74 minute CD), 1:20 (80 minute CD), 2:00, 4:00, 8:00, 10:00, |
125 | 12:00, 18:00, 24:00. | 125 | 12:00, 18:00, 24:00. |
126 | 126 | ||
127 | \item[Split Filesize.] | 127 | \item[Split Filesize.] |
@@ -242,25 +242,25 @@ More information can be found at \wikilink{VolumeTriggeredRecording}. | |||
242 | automatically controlling the gain while recording. | 242 | automatically controlling the gain while recording. |
243 | \begin{description} | 243 | \begin{description} |
244 | \item[Safety (clip).] | 244 | \item[Safety (clip).] |
245 | This preset will lower the gain when the levels get too high (-1 dB) | 245 | This preset will lower the gain when the levels get too high (-1~dB) |
246 | and will never increase gain. | 246 | and will never increase gain. |
247 | 247 | ||
248 | \item[Live (slow).] | 248 | \item[Live (slow).] |
249 | This preset is designed to be used for recording of live shows and has | 249 | This preset is designed to be used for recording of live shows and has |
250 | quite large headroom for loud parts. It heads for a nominal target peak | 250 | quite large headroom for loud parts. It heads for a nominal target peak |
251 | level of -9 dB and will slowly increase or decrease gain to reach it. | 251 | level of -9~dB and will slowly increase or decrease gain to reach it. |
252 | 252 | ||
253 | \item[DJ-Set (slow).] | 253 | \item[DJ-Set (slow).] |
254 | This preset heads for a nominal target peak level of -5 dB and will | 254 | This preset heads for a nominal target peak level of -5~dB and will |
255 | slowly increase or decrease gain to reach it. | 255 | slowly increase or decrease gain to reach it. |
256 | 256 | ||
257 | \item[Medium.] | 257 | \item[Medium.] |
258 | This preset heads for a nominal target peak level of -6 dB and will | 258 | This preset heads for a nominal target peak level of -6~dB and will |
259 | increase or decrease gain to reach it. | 259 | increase or decrease gain to reach it. |
260 | 260 | ||
261 | \item[Voice (fast).] | 261 | \item[Voice (fast).] |
262 | This preset is designed to be used for voice recording and heads for a | 262 | This preset is designed to be used for voice recording and heads for a |
263 | nominal target peak level of -7 dB and will quickly increase or | 263 | nominal target peak level of -7~dB and will quickly increase or |
264 | decrease gain to reach it. | 264 | decrease gain to reach it. |
265 | \end{description} | 265 | \end{description} |
266 | 266 | ||