diff options
-rw-r--r-- | manual/appendix/appendix.tex | 2 | ||||
-rw-r--r-- | manual/appendix/config_file_options.tex | 60 | ||||
-rw-r--r-- | manual/appendix/wps_tags.tex | 4 | ||||
-rw-r--r-- | manual/configure_rockbox/display_options.tex | 16 | ||||
-rw-r--r-- | manual/configure_rockbox/playback_options.tex | 2 | ||||
-rw-r--r-- | manual/configure_rockbox/recording_settings.tex | 42 | ||||
-rw-r--r-- | manual/configure_rockbox/sound_settings.tex | 70 | ||||
-rw-r--r-- | manual/configure_rockbox/system_options.tex | 5 | ||||
-rw-r--r-- | manual/plugins/mpegplayer.tex | 2 | ||||
-rw-r--r-- | manual/plugins/split_editor.tex | 2 | ||||
-rw-r--r-- | manual/rockbox_interface/wps.tex | 4 |
11 files changed, 104 insertions, 105 deletions
diff --git a/manual/appendix/appendix.tex b/manual/appendix/appendix.tex index 99bc626cfa..fe0ffe97e8 100644 --- a/manual/appendix/appendix.tex +++ b/manual/appendix/appendix.tex | |||
@@ -73,7 +73,7 @@ The recording hardware (the MAS) does not allow us to do this | |||
73 | The mp3{}-decoding hardware cannot decode OGG. It can be reprogrammed, but | 73 | The mp3{}-decoding hardware cannot decode OGG. It can be reprogrammed, but |
74 | there is too little memory for OGG and we have no documentation on how to | 74 | there is too little memory for OGG and we have no documentation on how to |
75 | program the MAS' DSP. Doing the conversion with the CPU is impossible, since | 75 | program the MAS' DSP. Doing the conversion with the CPU is impossible, since |
76 | a 12 MHz SH1 is far too slow for this daunting task. | 76 | a 12~MHz SH1 is far too slow for this daunting task. |
77 | \item Archos Multimedia support.\\ | 77 | \item Archos Multimedia support.\\ |
78 | The Archos Multimedia is a completely different beast. It is an entirely | 78 | The Archos Multimedia is a completely different beast. It is an entirely |
79 | different architecture, different CPU and upgrading the software is done | 79 | different architecture, different CPU and upgrading the software is done |
diff --git a/manual/appendix/config_file_options.tex b/manual/appendix/config_file_options.tex index 17e9cb79b6..84bbdf30ab 100644 --- a/manual/appendix/config_file_options.tex +++ b/manual/appendix/config_file_options.tex | |||
@@ -45,7 +45,7 @@ | |||
45 | play selected & on, off & N/A\\ | 45 | play selected & on, off & N/A\\ |
46 | party mode & on, off & N/A\\ | 46 | party mode & on, off & N/A\\ |
47 | scan min step & 1, 2, 3, 4, 5, 6, 8, 10, 15, 20, 25, 30, 45, 60 | 47 | scan min step & 1, 2, 3, 4, 5, 6, 8, 10, 15, 20, 25, 30, 45, 60 |
48 | & seconds\\ | 48 | & s\\ |
49 | seek acceleration & very fast, fast, normal, slow, very slow & N/A\\ | 49 | seek acceleration & very fast, fast, normal, slow, very slow & N/A\\ |
50 | antiskip & 5s, 15s, 30s, 1min, 2min, 3min, 5min, 10min & N/A\\ | 50 | antiskip & 5s, 15s, 30s, 1min, 2min, 3min, 5min, 10min & N/A\\ |
51 | volume fade & on, off & N/A\\ | 51 | volume fade & on, off & N/A\\ |
@@ -76,15 +76,15 @@ | |||
76 | contrast & 0 to 63 & N/A\\ | 76 | contrast & 0 to 63 & N/A\\ |
77 | backlight timeout | 77 | backlight timeout |
78 | & off, on, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 15, 20, 25, 30, | 78 | & off, on, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 15, 20, 25, 30, |
79 | 45, 60, 90, 120 & seconds\\ | 79 | 45, 60, 90, 120 & s\\ |
80 | backlight timeout plugged | 80 | backlight timeout plugged |
81 | & off, on, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 15, 20, 25, 30, | 81 | & off, on, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 15, 20, 25, 30, |
82 | 45, 60, 90, 120 & seconds\\ | 82 | 45, 60, 90, 120 & s\\ |
83 | backlight filters first keypress & on, off & N/A\\ | 83 | backlight filters first keypress & on, off & N/A\\ |
84 | backlight on button hold & normal, off, on & N/A\\ | 84 | backlight on button hold & normal, off, on & N/A\\ |
85 | caption backlight & on, off & N/A\\ | 85 | caption backlight & on, off & N/A\\ |
86 | brightness & \fixme{devise a way to get ranges from config-*.h} & N/A\\ | 86 | brightness & \fixme{devise a way to get ranges from config-*.h} & N/A\\ |
87 | disk spindown & 3 to 254 & seconds\\ | 87 | disk spindown & 3 to 254 & s\\ |
88 | battery capacity & \fixme{devise a way to get ranges from config-*.h} & mAh\\ | 88 | battery capacity & \fixme{devise a way to get ranges from config-*.h} & mAh\\ |
89 | \opt{battery_types}{ | 89 | \opt{battery_types}{ |
90 | battery type & alkaline, nimh & N/A\\ | 90 | battery type & alkaline, nimh & N/A\\ |
@@ -101,7 +101,7 @@ | |||
101 | & multimedia, presentation, browser\opt{usb_hid_mouse}{, mouse}& N/A\\ | 101 | & multimedia, presentation, browser\opt{usb_hid_mouse}{, mouse}& N/A\\ |
102 | } | 102 | } |
103 | idle poweroff & off, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 15, 30, 45, 60 | 103 | idle poweroff & off, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 15, 30, 45, 60 |
104 | & minutes\\ | 104 | & min\\ |
105 | max files in playlist & 1000 - 32000 & N/A\\ | 105 | max files in playlist & 1000 - 32000 & N/A\\ |
106 | max files in dir & 50 - 10000 & N/A\\ | 106 | max files in dir & 50 - 10000 & N/A\\ |
107 | lang & /path/filename.lng & N/A\\ | 107 | lang & /path/filename.lng & N/A\\ |
@@ -113,7 +113,7 @@ | |||
113 | use most-recent-bookmarks | 113 | use most-recent-bookmarks |
114 | & off, on & N/A\\ | 114 | & off, on & N/A\\ |
115 | pause on headphone unplug & off, pause, pause and resume & N/A\\ | 115 | pause on headphone unplug & off, pause, pause and resume & N/A\\ |
116 | rewind duration on pause & 0 to 15 & seconds\\ | 116 | rewind duration on pause & 0 to 15 & s\\ |
117 | disable autoresume if phones not present & off, on & N/A\\ | 117 | disable autoresume if phones not present & off, on & N/A\\ |
118 | Last.fm Logging & off, on & N/A\\ | 118 | Last.fm Logging & off, on & N/A\\ |
119 | talk dir & off, number, spell& N/A\\ | 119 | talk dir & off, number, spell& N/A\\ |
@@ -141,14 +141,14 @@ | |||
141 | 90s, 2min, 3min, 5min, 10min, 15min & N/A\\ | 141 | 90s, 2min, 3min, 5min, 10min, 15min & N/A\\ |
142 | prevent track skip | 142 | prevent track skip |
143 | & on, off & N/A\\ | 143 | & on, off & N/A\\ |
144 | start in screen & previous, root, files, db, wps, menu, | 144 | start in screen & previous, root, files, dB, wps, menu, |
145 | \opt{recording}{recording, } | 145 | \opt{recording}{recording, } |
146 | \opt{radio}{radio, } | 146 | \opt{radio}{radio, } |
147 | bookmarks & N/A\\ | 147 | bookmarks & N/A\\ |
148 | playlist catalog directory & /path/to/dir & N/A\\ | 148 | playlist catalog directory & /path/to/dir & N/A\\ |
149 | \nopt{wheel_acceleration}{ | 149 | \nopt{wheel_acceleration}{ |
150 | list\_accel\_start\_delay & 0 to 10 & ms\\ | 150 | list\_accel\_start\_delay & 0 to 10 & ms\\ |
151 | list\_accel\_wait & 1 to 10 & seconds\\ | 151 | list\_accel\_wait & 1 to 10 & s\\ |
152 | } | 152 | } |
153 | % | 153 | % |
154 | \opt{swcodec}{ | 154 | \opt{swcodec}{ |
@@ -158,36 +158,36 @@ | |||
158 | replaygain noclip | 158 | replaygain noclip |
159 | & on, off & N/A\\ | 159 | & on, off & N/A\\ |
160 | replaygain preamp | 160 | replaygain preamp |
161 | & -120 to 120 & 0.1 dB\\ | 161 | & -120 to 120 & 0.1~dB\\ |
162 | % | 162 | % |
163 | \opt{crossfade}{ | 163 | \opt{crossfade}{ |
164 | crossfade & off, auto track change, man track skip, shuffle, | 164 | crossfade & off, auto track change, man track skip, shuffle, |
165 | shuffle or man track skip, always | 165 | shuffle or man track skip, always |
166 | & N/A\\ | 166 | & N/A\\ |
167 | crossfade fade in delay | 167 | crossfade fade in delay |
168 | & 0 to 7 & seconds\\ | 168 | & 0 to 7 & s\\ |
169 | crossfade fade out delay | 169 | crossfade fade out delay |
170 | & 0 to 7 & seconds\\ | 170 | & 0 to 7 & s\\ |
171 | crossfade fade in duration | 171 | crossfade fade in duration |
172 | & 0 to 15 & seconds\\ | 172 | & 0 to 15 & s\\ |
173 | crossfade fade out duration | 173 | crossfade fade out duration |
174 | & 0 to 15 & seconds\\ | 174 | & 0 to 15 & s\\ |
175 | crossfade fade out mode | 175 | crossfade fade out mode |
176 | & crossfade, mix & N/A\\ | 176 | & crossfade, mix & N/A\\ |
177 | } | 177 | } |
178 | % | 178 | % |
179 | crossfeed & on, off & N/A\\ | 179 | crossfeed & on, off & N/A\\ |
180 | crossfeed direct gain | 180 | crossfeed direct gain |
181 | & 0 to 60 & 0.1 dB\\ | 181 | & 0 to 60 & 0.1~dB\\ |
182 | crossfeed cross gain | 182 | crossfeed cross gain |
183 | & 30 to 120 & 0.1 dB\\ | 183 | & 30 to 120 & 0.1~dB\\ |
184 | crossfeed hf attenuation | 184 | crossfeed hf attenuation |
185 | & 60 to 240 & 0.1 dB\\ | 185 | & 60 to 240 & 0.1~dB\\ |
186 | crossfeed hf cutoff | 186 | crossfeed hf cutoff |
187 | & 500 to 2000 & Hz\\ | 187 | & 500 to 2000 & Hz\\ |
188 | % | 188 | % |
189 | eq enabled & on, off & N/A\\ | 189 | eq enabled & on, off & N/A\\ |
190 | eq precut & 0 to 240 & 0.1 dB\\ | 190 | eq precut & 0 to 240 & 0.1~dB\\ |
191 | eq band 0 cutoff & 0 to 32768 & Hz\\ | 191 | eq band 0 cutoff & 0 to 32768 & Hz\\ |
192 | eq band 1 cutoff & 0 to 32768 & Hz\\ | 192 | eq band 1 cutoff & 0 to 32768 & Hz\\ |
193 | eq band 2 cutoff & 0 to 32768 & Hz\\ | 193 | eq band 2 cutoff & 0 to 32768 & Hz\\ |
@@ -198,23 +198,23 @@ | |||
198 | eq band 2 q & 0 to 64 & N/A\\ | 198 | eq band 2 q & 0 to 64 & N/A\\ |
199 | eq band 3 q & 0 to 64 & N/A\\ | 199 | eq band 3 q & 0 to 64 & N/A\\ |
200 | eq band 4 q & 0 to 64 & N/A\\ | 200 | eq band 4 q & 0 to 64 & N/A\\ |
201 | eq band 0 gain & -240 to 240 & 0.1 dB\\ | 201 | eq band 0 gain & -240 to 240 & 0.1~dB\\ |
202 | eq band 1 gain & -240 to 240 & 0.1 dB\\ | 202 | eq band 1 gain & -240 to 240 & 0.1~dB\\ |
203 | eq band 2 gain & -240 to 240 & 0.1 dB\\ | 203 | eq band 2 gain & -240 to 240 & 0.1~dB\\ |
204 | eq band 3 gain & -240 to 240 & 0.1 dB\\ | 204 | eq band 3 gain & -240 to 240 & 0.1~dB\\ |
205 | eq band 4 gain & -240 to 240 & 0.1 dB\\ | 205 | eq band 4 gain & -240 to 240 & 0.1~dB\\ |
206 | % | 206 | % |
207 | dithering enabled & on, off & N/A\\ | 207 | dithering enabled & on, off & N/A\\ |
208 | % | 208 | % |
209 | timestretch enabled & on, off & N/A\\ | 209 | timestretch enabled & on, off & N/A\\ |
210 | % | 210 | % |
211 | compressor threshold & 0 to -24 & -3dB\\ | 211 | compressor threshold & 0 to -24 & -3~dB\\ |
212 | compressor makeup gain & off, auto & N/A\\ | 212 | compressor makeup gain & off, auto & N/A\\ |
213 | compressor ratio & 2:1, 4:1, 6:1, 10:1, limit | 213 | compressor ratio & 2:1, 4:1, 6:1, 10:1, limit |
214 | & N/A\\ | 214 | & N/A\\ |
215 | compressor knee & hard knee, soft knee | 215 | compressor knee & hard knee, soft knee |
216 | & N/A\\ | 216 | & N/A\\ |
217 | compressor release time & 100 to 1000 & 100 ms\\ | 217 | compressor release time & 100 to 1000 & 100~ms\\ |
218 | % | 218 | % |
219 | beep & off, weak, moderate, strong & N/A\\ | 219 | beep & off, weak, moderate, strong & N/A\\ |
220 | keyclick & off, weak, moderate, strong & N/A\\ | 220 | keyclick & off, weak, moderate, strong & N/A\\ |
@@ -226,8 +226,8 @@ | |||
226 | \opt{masf}{ | 226 | \opt{masf}{ |
227 | loudness & 0 to 17 & N/A\\ | 227 | loudness & 0 to 17 & N/A\\ |
228 | superbass & on, off & N/A\\ | 228 | superbass & on, off & N/A\\ |
229 | auto volume & off, 20 ms, 2 s, 4 s, 8 s | 229 | auto volume & off, 20ms, 2s, 4s, 8s |
230 | & seconds\\ | 230 | & N/A\\ |
231 | mdb enable & on,off & N/A\\ | 231 | mdb enable & on,off & N/A\\ |
232 | mdb strength & 0 to 127 & dB\\ | 232 | mdb strength & 0 to 127 & dB\\ |
233 | mdb harmonics & 0 to 100 & \%\\ | 233 | mdb harmonics & 0 to 100 & \%\\ |
@@ -301,10 +301,10 @@ | |||
301 | & on, off & N/A\\ | 301 | & on, off & N/A\\ |
302 | remote backlight timeout | 302 | remote backlight timeout |
303 | & off, on, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 15, 20, 25, | 303 | & off, on, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 15, 20, 25, |
304 | 30, 45, 60, 90 & seconds\\ | 304 | 30, 45, 60, 90 & s\\ |
305 | remote backlight timeout plugged | 305 | remote backlight timeout plugged |
306 | & off, on, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 15, 20, 25, | 306 | & off, on, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 15, 20, 25, |
307 | 30, 45, 60, 90 & seconds\\ | 307 | 30, 45, 60, 90 & s\\ |
308 | remote caption backlight | 308 | remote caption backlight |
309 | & on, off & N/A\\ | 309 | & on, off & N/A\\ |
310 | remote scroll speed | 310 | remote scroll speed |
@@ -343,7 +343,7 @@ | |||
343 | & off, 0:05, 0:10, 0:15, 0:30, 1:00, 2:00, 4:00, 6:00, | 343 | & off, 0:05, 0:10, 0:15, 0:30, 1:00, 2:00, 4:00, 6:00, |
344 | 8:00, 16:00, 24:00 & h:mm\\ | 344 | 8:00, 16:00, 24:00 & h:mm\\ |
345 | pre-recording time | 345 | pre-recording time |
346 | & off, 1 to 30 & seconds\\ | 346 | & off, 1 to 30 & s\\ |
347 | rec directory & /path/to/dir & N/A\\ | 347 | rec directory & /path/to/dir & N/A\\ |
348 | }% | 348 | }% |
349 | \opt{spdif_power}{ | 349 | \opt{spdif_power}{ |
@@ -357,7 +357,7 @@ | |||
357 | jump scroll | 357 | jump scroll |
358 | & 0 to 5 & N/A\\ | 358 | & 0 to 5 & N/A\\ |
359 | jump scroll delay | 359 | jump scroll delay |
360 | & 0 to 250 & 0.01 s\\ | 360 | & 0 to 250 & 0.01~s\\ |
361 | }% | 361 | }% |
362 | 362 | ||
363 | \bottomrule | 363 | \bottomrule |
diff --git a/manual/appendix/wps_tags.tex b/manual/appendix/wps_tags.tex index a35c973200..0b4c5f3e6e 100644 --- a/manual/appendix/wps_tags.tex +++ b/manual/appendix/wps_tags.tex | |||
@@ -164,7 +164,7 @@ produce the information for the next file to be played. | |||
164 | \opt{swcodec}{ | 164 | \opt{swcodec}{ |
165 | \config{\%xf} & Crossfade setting, in the order: Off, Auto Skip, Man Skip, | 165 | \config{\%xf} & Crossfade setting, in the order: Off, Auto Skip, Man Skip, |
166 | Shuffle, Shuffle and Man Skip, Always\\ | 166 | Shuffle, Shuffle and Man Skip, Always\\ |
167 | \config{\%rg} & ReplayGain value in use (x.y dB). If used as a conditional, | 167 | \config{\%rg} & ReplayGain value in use (x.y~dB). If used as a conditional, |
168 | Replaygain type in use: \config{\%?rg{\textless}Off{\textbar}Track% | 168 | Replaygain type in use: \config{\%?rg{\textless}Off{\textbar}Track% |
169 | {\textbar}Album{\textbar}TrackShuffle{\textbar}AlbumShuffle% | 169 | {\textbar}Album{\textbar}TrackShuffle{\textbar}AlbumShuffle% |
170 | {\textbar}No tag{\textgreater}}\\ | 170 | {\textbar}No tag{\textgreater}}\\ |
@@ -255,7 +255,7 @@ when used with conditional viewports. | |||
255 | Example: \config{\%?mv2.5{\textless}Volume changing{\textbar}\%pv{\textgreater}} | 255 | Example: \config{\%?mv2.5{\textless}Volume changing{\textbar}\%pv{\textgreater}} |
256 | 256 | ||
257 | The example above will display the text ``Volume changing'' if the volume is | 257 | The example above will display the text ``Volume changing'' if the volume is |
258 | being changed and 2.5 secs after the volume button has been released. After | 258 | being changed and 2.5 seconds after the volume button has been released. After |
259 | that, it will display the volume value. | 259 | that, it will display the volume value. |
260 | 260 | ||
261 | \section{Settings} | 261 | \section{Settings} |
diff --git a/manual/configure_rockbox/display_options.tex b/manual/configure_rockbox/display_options.tex index b4b6b662ab..b78a155b82 100644 --- a/manual/configure_rockbox/display_options.tex +++ b/manual/configure_rockbox/display_options.tex | |||
@@ -33,14 +33,14 @@ | |||
33 | The amount of time that the backlight will take to fade from off to on | 33 | The amount of time that the backlight will take to fade from off to on |
34 | after a button is pressed. If set to \setting{Off} the backlight will | 34 | after a button is pressed. If set to \setting{Off} the backlight will |
35 | turn on immediately, with no fade in. Can also be set to | 35 | turn on immediately, with no fade in. Can also be set to |
36 | \setting{500 ms}, \setting{1 s} or \setting{2 s}. | 36 | \setting{500ms}, \setting{1s} or \setting{2s}. |
37 | \item[Backlight Fade Out.] | 37 | \item[Backlight Fade Out.] |
38 | Like Backlight fade in, this controls the amount of time that the | 38 | Like Backlight fade in, this controls the amount of time that the |
39 | backlight will take to fade from on to off after a button is pressed. If | 39 | backlight will take to fade from on to off after a button is pressed. If |
40 | set to \setting{Off} the backlight will turn off immediately, with no | 40 | set to \setting{Off} the backlight will turn off immediately, with no |
41 | fade out. Other valid values: \setting{500 ms}, \setting{1 s}, | 41 | fade out. Other valid values: \setting{500ms}, \setting{1s}, |
42 | \setting{2 s}, \setting{3 s}, \setting{4 s}, \setting{5 s} or | 42 | \setting{2s}, \setting{3s}, \setting{4s}, \setting{5s} or |
43 | \setting{10 s}. | 43 | \setting{10s}. |
44 | } | 44 | } |
45 | \opt{backlight_fade_bool}{ | 45 | \opt{backlight_fade_bool}{ |
46 | \item[Backlight Fade In.] | 46 | \item[Backlight Fade In.] |
@@ -200,10 +200,10 @@ | |||
200 | \item[Peak Release.] | 200 | \item[Peak Release.] |
201 | This determines how fast the bar shrinks when the music becomes | 201 | This determines how fast the bar shrinks when the music becomes |
202 | softer. Lower values make the peak meter look smoother. | 202 | softer. Lower values make the peak meter look smoother. |
203 | Expressed in scale units per 10 ms. | 203 | Expressed in scale units per 10~ms. |
204 | \item[Peak Hold Time.] | 204 | \item[Peak Hold Time.] |
205 | Specifies the time after which the peak indicator will reset. | 205 | Specifies the time after which the peak indicator will reset. |
206 | For example, if you set this value to 5 s, the peak indicator displays | 206 | For example, if you set this value to 5~s, the peak indicator displays |
207 | the loudest volume value that occurred within the last 5 seconds. | 207 | the loudest volume value that occurred within the last 5 seconds. |
208 | Larger values are useful if you want to find the peak level of a song, | 208 | Larger values are useful if you want to find the peak level of a song, |
209 | which might be of interest when copying music from the \dap\ via the | 209 | which might be of interest when copying music from the \dap\ via the |
@@ -229,8 +229,8 @@ | |||
229 | \item[Minimum and maximum range.] | 229 | \item[Minimum and maximum range.] |
230 | These two options define the full value range that the peak meter | 230 | These two options define the full value range that the peak meter |
231 | displays. Recommended values for the \setting{Logarithmic} (dB) setting | 231 | displays. Recommended values for the \setting{Logarithmic} (dB) setting |
232 | are {}-40 dB for minimum and 0 dB for maximum. Recommended values | 232 | are {}-40~dB for minimum and 0~dB for maximum. Recommended values |
233 | for \setting{Linear} display are 0 and 100\%. Note that {}-40 dB is | 233 | for \setting{Linear} display are 0 and 100\%. Note that {}-40~dB is |
234 | approximately 1\% in linear value, but if you change the minimum | 234 | approximately 1\% in linear value, but if you change the minimum |
235 | setting in linear mode slightly and then change to the dB scale, | 235 | setting in linear mode slightly and then change to the dB scale, |
236 | there will be a large change. You can use these values for `zooming' | 236 | there will be a large change. You can use these values for `zooming' |
diff --git a/manual/configure_rockbox/playback_options.tex b/manual/configure_rockbox/playback_options.tex index 3aa22fd950..d9e8e78426 100644 --- a/manual/configure_rockbox/playback_options.tex +++ b/manual/configure_rockbox/playback_options.tex | |||
@@ -194,7 +194,7 @@ you to configure settings related to audio playback. | |||
194 | much, so here you can compensate for that. Please note that a | 194 | much, so here you can compensate for that. Please note that a |
195 | (large) positive pre-amp setting can cause clipping, unless | 195 | (large) positive pre-amp setting can cause clipping, unless |
196 | prevent clipping is enabled. The pre-amp can be set to any | 196 | prevent clipping is enabled. The pre-amp can be set to any |
197 | decibel (dB) value between -12 dB and +12 dB, in increments of 0.5 dB. | 197 | decibel (dB) value between -12~dB and +12~dB, in increments of 0.5~dB. |
198 | \end{description} | 198 | \end{description} |
199 | 199 | ||
200 | \section{Track Skip Beep} | 200 | \section{Track Skip Beep} |
diff --git a/manual/configure_rockbox/recording_settings.tex b/manual/configure_rockbox/recording_settings.tex index 5b2c1d2d68..aa469aca03 100644 --- a/manual/configure_rockbox/recording_settings.tex +++ b/manual/configure_rockbox/recording_settings.tex | |||
@@ -21,10 +21,10 @@ | |||
21 | \begin{table}[h!] | 21 | \begin{table}[h!] |
22 | \begin{rbtabular}{0.75\textwidth}{lX}% | 22 | \begin{rbtabular}{0.75\textwidth}{lX}% |
23 | {\emph{Frequency} & \emph{Bitrate} (Kbit/s) -- quality 0$\rightarrow$7}{}{} | 23 | {\emph{Frequency} & \emph{Bitrate} (Kbit/s) -- quality 0$\rightarrow$7}{}{} |
24 | 44100 Hz stereo & 75, 80, 90, 100, 120, 140, 160, 170 \\ | 24 | 44100~Hz stereo & 75, 80, 90, 100, 120, 140, 160, 170 \\ |
25 | 22050 Hz stereo & 39, 41, 45, 50, 60, 80, 110, 130 \\ | 25 | 22050~Hz stereo & 39, 41, 45, 50, 60, 80, 110, 130 \\ |
26 | 44100 Hz mono & 65, 68, 73, 80, 90, 105, 125, 140 \\ | 26 | 44100~Hz mono & 65, 68, 73, 80, 90, 105, 125, 140 \\ |
27 | 22050 Hz mono & 35, 38, 40, 45, 50, 60, 75, 90 \\ | 27 | 22050~Hz mono & 35, 38, 40, 45, 50, 60, 75, 90 \\ |
28 | \end{rbtabular} | 28 | \end{rbtabular} |
29 | \end{table} | 29 | \end{table} |
30 | } | 30 | } |
@@ -44,30 +44,30 @@ | |||
44 | \section{Frequency} | 44 | \section{Frequency} |
45 | \nopt{sansa}{ | 45 | \nopt{sansa}{ |
46 | Choose the recording frequency (sample rate). | 46 | Choose the recording frequency (sample rate). |
47 | \opt{masf}{48 kHz, 44.1 kHz, 32 kHz, 24 kHz, 22.05 kHz, 16 kHz} | 47 | \opt{masf}{48~kHz, 44.1~kHz, 32~kHz, 24~kHz, 22.05~kHz, 16~kHz} |
48 | \opt{h100,h300}{44.1 kHz, 22.05 kHz and 11.025 kHz} | 48 | \opt{h100,h300}{44.1~kHz, 22.05~kHz and 11.025~kHz} |
49 | \opt{x5}{88.2 kHz, 44.1 kHz, 22.05 kHz and 11.025 kHz} | 49 | \opt{x5}{88.2~kHz, 44.1~kHz, 22.05~kHz and 11.025~kHz} |
50 | \opt{sansaAMS}{96 kHz, 88.2 kHz, 64 kHz, 48 kHz, 44.1 kHz, 32 kHz, 24 kHz, % | 50 | \opt{sansaAMS}{96~kHz, 88.2~kHz, 64~kHz, 48~kHz, 44.1~kHz, 32~kHz, 24~kHz, % |
51 | 22.05 kHz, 16 kHz, 12 kHz, 11.025 kHz and 8 kHz} | 51 | 22.05~kHz, 16~kHz, 12~kHz, 11.025~kHz and 8~kHz} |
52 | \opt{gigabeats}{48 kHz, 44.1 kHz, 32 kHz, 24 kHz, 22.05 kHz, 16 kHz, 12 kHz, % | 52 | \opt{gigabeats}{48~kHz, 44.1~kHz, 32~kHz, 24~kHz, 22.05~kHz, 16~kHz, 12~kHz, % |
53 | 11.025 kHz and 8 kHz} | 53 | 11.025~kHz and 8~kHz} |
54 | are available. Higher sample rates use up more disk space, but give better | 54 | are available. Higher sample rates use up more disk space, but give better |
55 | sound quality. | 55 | sound quality. |
56 | \opt{swcodec}{\note{The 11.025 kHz setting is not available when using % | 56 | \opt{swcodec}{\note{The 11.025~kHz setting is not available when using % |
57 | \setting{MPEG Layer 3} format.} | 57 | \setting{MPEG Layer 3} format.} |
58 | }% | 58 | }% |
59 | \opt{masf}{ | 59 | \opt{masf}{ |
60 | The frequency setting also determines which version of the MPEG standard | 60 | The frequency setting also determines which version of the MPEG standard |
61 | the sound is recorded using:\\ | 61 | the sound is recorded using:\\ |
62 | MPEG v1 for 48 kHz, 44.1 kHz and 32 kHz.\\ | 62 | MPEG v1 for 48~kHz, 44.1~kHz and 32~kHz.\\ |
63 | MPEG v2 for 24 kHz, 22.05 kHz and 16 kHz.\\ | 63 | MPEG v2 for 24~kHz, 22.05~kHz and 16~kHz.\\ |
64 | } | 64 | } |
65 | \opt{recorder,recorderv2fm,h100} | 65 | \opt{recorder,recorderv2fm,h100} |
66 | {\note{You cannot change the sample rate for digital recordings.} | 66 | {\note{You cannot change the sample rate for digital recordings.} |
67 | } | 67 | } |
68 | } % nopt sansa | 68 | } % nopt sansa |
69 | \opt{sansa}{ | 69 | \opt{sansa}{ |
70 | Recordings can only be made at a 22.05 kHz frequency (sample rate) | 70 | Recordings can only be made at a 22.05~kHz frequency (sample rate) |
71 | on this \dap. | 71 | on this \dap. |
72 | } % opt sansa | 72 | } % opt sansa |
73 | 73 | ||
@@ -121,7 +121,7 @@ | |||
121 | Set the time to record between each split, if time is used as | 121 | Set the time to record between each split, if time is used as |
122 | \setting{Split Measure}.\\ | 122 | \setting{Split Measure}.\\ |
123 | Options (hours:minutes between splits): Off, 00:05, 00:10, 00:15, 00:30, | 123 | Options (hours:minutes between splits): Off, 00:05, 00:10, 00:15, 00:30, |
124 | 1:00, 1:14 (74 minute CD), 1:20 (80 minute CD), 2:00, 4:00, 8:00, 10:00, | 124 | 1:00, 1:14 (74 minute CD), 1:20 (80 minute CD), 2:00, 4:00, 8:00, 10:00, |
125 | 12:00, 18:00, 24:00. | 125 | 12:00, 18:00, 24:00. |
126 | 126 | ||
127 | \item[Split Filesize.] | 127 | \item[Split Filesize.] |
@@ -242,25 +242,25 @@ More information can be found at \wikilink{VolumeTriggeredRecording}. | |||
242 | automatically controlling the gain while recording. | 242 | automatically controlling the gain while recording. |
243 | \begin{description} | 243 | \begin{description} |
244 | \item[Safety (clip).] | 244 | \item[Safety (clip).] |
245 | This preset will lower the gain when the levels get too high (-1 dB) | 245 | This preset will lower the gain when the levels get too high (-1~dB) |
246 | and will never increase gain. | 246 | and will never increase gain. |
247 | 247 | ||
248 | \item[Live (slow).] | 248 | \item[Live (slow).] |
249 | This preset is designed to be used for recording of live shows and has | 249 | This preset is designed to be used for recording of live shows and has |
250 | quite large headroom for loud parts. It heads for a nominal target peak | 250 | quite large headroom for loud parts. It heads for a nominal target peak |
251 | level of -9 dB and will slowly increase or decrease gain to reach it. | 251 | level of -9~dB and will slowly increase or decrease gain to reach it. |
252 | 252 | ||
253 | \item[DJ-Set (slow).] | 253 | \item[DJ-Set (slow).] |
254 | This preset heads for a nominal target peak level of -5 dB and will | 254 | This preset heads for a nominal target peak level of -5~dB and will |
255 | slowly increase or decrease gain to reach it. | 255 | slowly increase or decrease gain to reach it. |
256 | 256 | ||
257 | \item[Medium.] | 257 | \item[Medium.] |
258 | This preset heads for a nominal target peak level of -6 dB and will | 258 | This preset heads for a nominal target peak level of -6~dB and will |
259 | increase or decrease gain to reach it. | 259 | increase or decrease gain to reach it. |
260 | 260 | ||
261 | \item[Voice (fast).] | 261 | \item[Voice (fast).] |
262 | This preset is designed to be used for voice recording and heads for a | 262 | This preset is designed to be used for voice recording and heads for a |
263 | nominal target peak level of -7 dB and will quickly increase or | 263 | nominal target peak level of -7~dB and will quickly increase or |
264 | decrease gain to reach it. | 264 | decrease gain to reach it. |
265 | \end{description} | 265 | \end{description} |
266 | 266 | ||
diff --git a/manual/configure_rockbox/sound_settings.tex b/manual/configure_rockbox/sound_settings.tex index 13577b2db1..467a90c582 100644 --- a/manual/configure_rockbox/sound_settings.tex +++ b/manual/configure_rockbox/sound_settings.tex | |||
@@ -7,40 +7,40 @@ change to customise your listening experience. | |||
7 | \section{\label{ref:volume}Volume} | 7 | \section{\label{ref:volume}Volume} |
8 | This setting adjusts the volume of your music. Like most professional | 8 | This setting adjusts the volume of your music. Like most professional |
9 | audio gear and many consumer audio products, Rockbox uses a decibel scale | 9 | audio gear and many consumer audio products, Rockbox uses a decibel scale |
10 | where 0 dB is a reference that indicates the maximum volume that the \dap{} | 10 | where 0~dB is a reference that indicates the maximum volume that the \dap{} |
11 | can produce without possible distortion (clipping). All values lower than | 11 | can produce without possible distortion (clipping). All values lower than |
12 | this reference will be negative and yield a progressively softer volume. | 12 | this reference will be negative and yield a progressively softer volume. |
13 | \opt{player,recorder,recorderv2fm,ondio,x5,m5,ipodnano,ipodnano2g,ipodvideo, | 13 | \opt{player,recorder,recorderv2fm,ondio,x5,m5,ipodnano,ipodnano2g,ipodvideo, |
14 | ipodcolor,ipod1g2g,h10,h10_5gb,sansa,sansaAMS,gigabeats,gigabeatf}{ | 14 | ipodcolor,ipod1g2g,h10,h10_5gb,sansa,sansaAMS,gigabeats,gigabeatf}{ |
15 | Values higher than 0 dB are available and can be used to raise the | 15 | Values higher than 0~dB are available and can be used to raise the |
16 | volume more than would otherwise be possible. These volume levels will | 16 | volume more than would otherwise be possible. These volume levels will |
17 | ordinarily lead to distorted sound, but might work nicely for music that has | 17 | ordinarily lead to distorted sound, but might work nicely for music that has |
18 | an otherwise low volume level.} | 18 | an otherwise low volume level.} |
19 | The volume can be adjusted from a | 19 | The volume can be adjusted from a |
20 | \opt{player}{minimum of -78 dB to a maximum of +18 dB.}% | 20 | \opt{player}{minimum of -78~dB to a maximum of +18~dB.}% |
21 | \opt{recorder,recorderv2fm,ondio}{minimum of -100 dB to a maximum of +12 dB.}% | 21 | \opt{recorder,recorderv2fm,ondio}{minimum of -100~dB to a maximum of +12~dB.}% |
22 | \opt{h100,h300}{minimum of -84 dB to a maximum of 0 dB.}% | 22 | \opt{h100,h300}{minimum of -84~dB to a maximum of 0~dB.}% |
23 | \opt{x5,m5,ipod3g,ipod4g,gigabeatf,mrobe100}{minimum of -73 dB to a maximum of +6 dB.}% | 23 | \opt{x5,m5,ipod3g,ipod4g,gigabeatf,mrobe100}{minimum of -73~dB to a maximum of +6~dB.}% |
24 | \opt{ipodnano}{minimum of -72 dB to a maximum of +6 dB.}% | 24 | \opt{ipodnano}{minimum of -72~dB to a maximum of +6~dB.}% |
25 | \opt{ipodvideo}{minimum of -89 dB to a maximum of +6 dB.}% | 25 | \opt{ipodvideo}{minimum of -89~dB to a maximum of +6~dB.}% |
26 | \opt{ipodnano2g,ipodcolor,ipod1g2g,h10,h10_5gb,sansa,sansaAMS}{minimum of | 26 | \opt{ipodnano2g,ipodcolor,ipod1g2g,h10,h10_5gb,sansa,sansaAMS}{minimum of |
27 | -74 dB to a maximum of +6 dB.}% | 27 | -74~dB to a maximum of +6~dB.}% |
28 | \opt{gigabeats}{minimum of -90 dB to a maximum of +6 dB.}% | 28 | \opt{gigabeats}{minimum of -90~dB to a maximum of +6~dB.}% |
29 | \opt{gigabeatf}{minimum of -74 dB to a maximum of +6 dB.}% | 29 | \opt{gigabeatf}{minimum of -74~dB to a maximum of +6~dB.}% |
30 | \opt{ipodvideo}{\\Remark: Lowering the volume below -57 dB will also affect the line-out | 30 | \opt{ipodvideo}{\\Remark: Lowering the volume below -57~dB will also affect the line-out |
31 | and the recording gain.} | 31 | and the recording gain.} |
32 | 32 | ||
33 | \section{Bass} | 33 | \section{Bass} |
34 | This setting emphasises | 34 | This setting emphasises |
35 | \nopt{h100,h300}{or suppresses} | 35 | \nopt{h100,h300}{or suppresses} |
36 | the lower (bass) frequencies in the sound. A value of 0 dB means that bass | 36 | the lower (bass) frequencies in the sound. A value of 0~dB means that bass |
37 | sounds are unaltered (flat response). | 37 | sounds are unaltered (flat response). |
38 | \opt{masd}{The minimum setting is -15 dB and the maximum is 15 dB.}% | 38 | \opt{masd}{The minimum setting is -15~dB and the maximum is 15~dB.}% |
39 | \opt{masf}{The minimum setting is -12 dB and the maximum is 12 dB.}% | 39 | \opt{masf}{The minimum setting is -12~dB and the maximum is 12~dB.}% |
40 | \opt{h100,h300}{The minimum setting is 0 dB and the maximum is 24 dB.}% | 40 | \opt{h100,h300}{The minimum setting is 0~dB and the maximum is 24~dB.}% |
41 | \opt{ipodnano,ipodnano2g,ipodcolor}{The minimum setting is -6 dB and the maximum is 9 dB.}% | 41 | \opt{ipodnano,ipodnano2g,ipodcolor}{The minimum setting is -6~dB and the maximum is 9~dB.}% |
42 | \opt{ipodvideo}{The minimum setting is -12 dB and the maximum is 12 dB.}% | 42 | \opt{ipodvideo}{The minimum setting is -12~dB and the maximum is 12~dB.}% |
43 | \opt{x5,sansa,sansaAMS,h10,h10_5gb}{The minimum setting is -24 dB and the maximum is 24 dB.} | 43 | \opt{x5,sansa,sansaAMS,h10,h10_5gb}{The minimum setting is -24~dB and the maximum is 24~dB.} |
44 | 44 | ||
45 | \opt{ipodvideo}{ | 45 | \opt{ipodvideo}{ |
46 | \section{Bass Cutoff} | 46 | \section{Bass Cutoff} |
@@ -53,14 +53,14 @@ change to customise your listening experience. | |||
53 | \section{Treble} | 53 | \section{Treble} |
54 | This setting emphasises | 54 | This setting emphasises |
55 | \nopt{h100,h300}{or suppresses} | 55 | \nopt{h100,h300}{or suppresses} |
56 | the higher (treble) frequencies in the sound. A value of 0 dB means that | 56 | the higher (treble) frequencies in the sound. A value of 0~dB means that |
57 | treble sounds are unaltered (flat response). | 57 | treble sounds are unaltered (flat response). |
58 | \opt{masd}{The minimum setting is -15 dB and the maximum is 15 dB.}% | 58 | \opt{masd}{The minimum setting is -15~dB and the maximum is 15~dB.}% |
59 | \opt{masf}{The minimum setting is -12 dB and the maximum is 12 dB.}% | 59 | \opt{masf}{The minimum setting is -12~dB and the maximum is 12~dB.}% |
60 | \opt{h100,h300}{The minimum setting is 0 dB and the maximum is 6 dB.}% | 60 | \opt{h100,h300}{The minimum setting is 0~dB and the maximum is 6~dB.}% |
61 | \opt{ipodnano,ipodnano2g,ipodcolor}{The minimum setting is -6 dB and the maximum is 9 dB.}% | 61 | \opt{ipodnano,ipodnano2g,ipodcolor}{The minimum setting is -6~dB and the maximum is 9~dB.}% |
62 | \opt{ipodvideo}{The minimum setting is -12 dB and the maximum is 12 dB.}% | 62 | \opt{ipodvideo}{The minimum setting is -12~dB and the maximum is 12~dB.}% |
63 | \opt{x5,sansa,sansaAMS,h10,h10_5gb}{The minimum setting is -24 dB and the maximum is 24 dB.} | 63 | \opt{x5,sansa,sansaAMS,h10,h10_5gb}{The minimum setting is -24~dB and the maximum is 24~dB.} |
64 | 64 | ||
65 | \opt{ipodvideo}{ | 65 | \opt{ipodvideo}{ |
66 | \section{Treble Cutoff} | 66 | \section{Treble Cutoff} |
@@ -138,7 +138,7 @@ change to customise your listening experience. | |||
138 | Auto volume is a feature that automatically lowers the volume on loud parts, | 138 | Auto volume is a feature that automatically lowers the volume on loud parts, |
139 | and then slowly restores the volume to the previous level over a time | 139 | and then slowly restores the volume to the previous level over a time |
140 | interval. This setting allows this time interval to be configured. Short | 140 | interval. This setting allows this time interval to be configured. Short |
141 | values like 20 ms are useful for ensuring a constant volume for in-car use and | 141 | values like 20~ms are useful for ensuring a constant volume for in-car use and |
142 | other applications where background noise makes a constant loudness desirable. | 142 | other applications where background noise makes a constant loudness desirable. |
143 | A longer timeout means that the change in volume back to the previous level | 143 | A longer timeout means that the change in volume back to the previous level |
144 | will be smoother, so there will be fewer sharp changes in volume level. | 144 | will be smoother, so there will be fewer sharp changes in volume level. |
@@ -149,7 +149,7 @@ change to customise your listening experience. | |||
149 | This setting changes the threshold at which bass frequencies are affected by | 149 | This setting changes the threshold at which bass frequencies are affected by |
150 | the \setting{Loudness} setting, making the sound of drums and bass guitar | 150 | the \setting{Loudness} setting, making the sound of drums and bass guitar |
151 | louder in comparison to the rest of the sound. This setting only has an | 151 | louder in comparison to the rest of the sound. This setting only has an |
152 | effect if \setting{Loudness} is set to a value larger than 0 dB. | 152 | effect if \setting{Loudness} is set to a value larger than 0~dB. |
153 | } | 153 | } |
154 | 154 | ||
155 | \opt{masf}{ | 155 | \opt{masf}{ |
@@ -199,10 +199,10 @@ change to customise your listening experience. | |||
199 | % | 199 | % |
200 | \begin{table}[h!] | 200 | \begin{table}[h!] |
201 | \begin{rbtabular}{0.5\textwidth}{Xc}{Setting & Value}{}{} | 201 | \begin{rbtabular}{0.5\textwidth}{Xc}{Setting & Value}{}{} |
202 | MDB Strength & 50 dB \\ | 202 | MDB Strength & 50~dB \\ |
203 | MDB Harmonics & 48\% \\ | 203 | MDB Harmonics & 48\% \\ |
204 | MDB Centre Frequency & 60 Hz \\ | 204 | MDB Centre Frequency & 60~Hz \\ |
205 | MDB Shape & 90 Hz \\ | 205 | MDB Shape & 90~Hz \\ |
206 | \end{rbtabular} | 206 | \end{rbtabular} |
207 | \end{table} | 207 | \end{table} |
208 | 208 | ||
@@ -280,8 +280,8 @@ change to customise your listening experience. | |||
280 | frequency limit, much like what a ``bass'' control found on ordinary | 280 | frequency limit, much like what a ``bass'' control found on ordinary |
281 | stereo systems does. | 281 | stereo systems does. |
282 | Adjust the ``cutoff'' frequency parameter to decide where the shelving | 282 | Adjust the ``cutoff'' frequency parameter to decide where the shelving |
283 | starts to take effect. For example, a cutoff frequency of 50 Hz will | 283 | starts to take effect. For example, a cutoff frequency of 50~Hz will |
284 | adjust only very low frequencies. A cutoff frequency of 200 Hz, on the | 284 | adjust only very low frequencies. A cutoff frequency of 200~Hz, on the |
285 | other hand, will adjust a much wider range of bass frequencies. | 285 | other hand, will adjust a much wider range of bass frequencies. |
286 | The ``gain'' parameter controls how much the loudness of the band is | 286 | The ``gain'' parameter controls how much the loudness of the band is |
287 | adjusted. Positive numbers make the EQ band louder, while negative | 287 | adjusted. Positive numbers make the EQ band louder, while negative |
@@ -432,7 +432,7 @@ time-varying noise heard when not performing dithering. | |||
432 | 432 | ||
433 | After dithering, noise shaping is performed. This basically just pushes the | 433 | After dithering, noise shaping is performed. This basically just pushes the |
434 | dithering noise to the parts of the frequency spectrum humans cannot hear so | 434 | dithering noise to the parts of the frequency spectrum humans cannot hear so |
435 | easily. In Rockbox' case, some of the noise is pushed up to above 10 kHz. | 435 | easily. In Rockbox' case, some of the noise is pushed up to above 10~kHz. |
436 | 436 | ||
437 | This setting will be put to its best use when listening to dynamic music with | 437 | This setting will be put to its best use when listening to dynamic music with |
438 | frequently occuring quiet parts, classical music being a typical example. It is | 438 | frequently occuring quiet parts, classical music being a typical example. It is |
@@ -496,5 +496,5 @@ compressed. Once the compressor determines that compression is necessary, | |||
496 | the input signal is reduced appropriately, but the gain isn't allowed to | 496 | the input signal is reduced appropriately, but the gain isn't allowed to |
497 | immediately return to normal levels. This is necessary to reduce artifacts | 497 | immediately return to normal levels. This is necessary to reduce artifacts |
498 | such as "pumping." Instead, the gain is allowed to return to normal at the | 498 | such as "pumping." Instead, the gain is allowed to return to normal at the |
499 | chosen rate. Release Time is the time for the gain to recover by 10 dB. | 499 | chosen rate. Release Time is the time for the gain to recover by 10~dB. |
500 | } | 500 | } |
diff --git a/manual/configure_rockbox/system_options.tex b/manual/configure_rockbox/system_options.tex index af7695ed48..18209a87a2 100644 --- a/manual/configure_rockbox/system_options.tex +++ b/manual/configure_rockbox/system_options.tex | |||
@@ -95,9 +95,8 @@ Rockbox can be configured to turn off power after the unit has been idle for a | |||
95 | defined number of minutes. The \dap{} is idle when playback is stopped or | 95 | defined number of minutes. The \dap{} is idle when playback is stopped or |
96 | paused. It is not idle while the USB or charger is connected | 96 | paused. It is not idle while the USB or charger is connected |
97 | \opt{recording}{, or while recording}. | 97 | \opt{recording}{, or while recording}. |
98 | Settings are either \setting{Off} or \setting{1} to \setting{10} | 98 | Settings are either \setting{Off} or 1 to 10 minutes in 1 minute steps. Then |
99 | minutes in 1 minute steps. Then \setting{15,30,45} and \setting{60} minutes are | 99 | 15, 30, 45 or 60 minutes are available. |
100 | available. | ||
101 | 100 | ||
102 | 101 | ||
103 | \subsection{Limits} | 102 | \subsection{Limits} |
diff --git a/manual/plugins/mpegplayer.tex b/manual/plugins/mpegplayer.tex index 5e92df5ca0..e5d4cc90ab 100644 --- a/manual/plugins/mpegplayer.tex +++ b/manual/plugins/mpegplayer.tex | |||
@@ -81,7 +81,7 @@ Display Options Menu | |||
81 | video is full-screen this means it will get overwritten by the video and | 81 | video is full-screen this means it will get overwritten by the video and |
82 | appear to flash once per second) the average number of frames decoded per | 82 | appear to flash once per second) the average number of frames decoded per |
83 | second, the total number of frames skipped (see the Skip Frames option), | 83 | second, the total number of frames skipped (see the Skip Frames option), |
84 | the current time (in 100 Hz ticks) and the time the current frame is due to | 84 | the current time (in 100~Hz ticks) and the time the current frame is due to |
85 | be displayed. | 85 | be displayed. |
86 | \item[Limit FPS] (default: on) With this option disabled, mpegplayer will | 86 | \item[Limit FPS] (default: on) With this option disabled, mpegplayer will |
87 | display the video as fast as it can. Useful for benchmarking. | 87 | display the video as fast as it can. Useful for benchmarking. |
diff --git a/manual/plugins/split_editor.tex b/manual/plugins/split_editor.tex index a38a49d5a8..dad5ca0d70 100644 --- a/manual/plugins/split_editor.tex +++ b/manual/plugins/split_editor.tex | |||
@@ -179,7 +179,7 @@ The values in the waveform are scaled according to the settings of the | |||
179 | peak meter. These can be altered in the peak meter settings, | 179 | peak meter. These can be altered in the peak meter settings, |
180 | see \reference{ref:Peakmetersetting}. If extreme minimum or | 180 | see \reference{ref:Peakmetersetting}. If extreme minimum or |
181 | maximum values are set the waveform might be cut off. A minimum | 181 | maximum values are set the waveform might be cut off. A minimum |
182 | setting of {}-60 dB and a maximum setting of 0 dB are recommended. | 182 | setting of {}-60~dB and a maximum setting of 0~dB are recommended. |
183 | These settings should be capable of producing useful waveforms for very | 183 | These settings should be capable of producing useful waveforms for very |
184 | soft sounds in logarithmic mode (dB). When the editor is used on loud | 184 | soft sounds in logarithmic mode (dB). When the editor is used on loud |
185 | sounds (such as commercial rock or pop music) switching to the linear | 185 | sounds (such as commercial rock or pop music) switching to the linear |
diff --git a/manual/rockbox_interface/wps.tex b/manual/rockbox_interface/wps.tex index 0466e6e006..65c7cfd560 100644 --- a/manual/rockbox_interface/wps.tex +++ b/manual/rockbox_interface/wps.tex | |||
@@ -203,8 +203,8 @@ your WPS (While Playing Screen). | |||
203 | Between the indicators of the right and left channel there are little dots. | 203 | Between the indicators of the right and left channel there are little dots. |
204 | These dots represent important volume values. In linear mode each dot is a | 204 | These dots represent important volume values. In linear mode each dot is a |
205 | 10\% mark. In dBFS mode the dots represent the following values (from right | 205 | 10\% mark. In dBFS mode the dots represent the following values (from right |
206 | to left): 0 dB, {}-3 dB, {}-6 dB, {}-9 dB, {}-12 dB, {}-18 dB, {}-24 dB, {}-30 dB, | 206 | to left): 0~dB, {}-3~dB, {}-6~dB, {}-9~dB, {}-12~dB, {}-18~dB, {}-24~dB, {}-30~dB, |
207 | {}-40 dB, {}-50 dB, {}-60 dB. | 207 | {}-40~dB, {}-50~dB, {}-60~dB. |
208 | \end{description} | 208 | \end{description} |
209 | } | 209 | } |
210 | \subsection{\label{sec:contextmenu}The WPS Context Menu} | 210 | \subsection{\label{sec:contextmenu}The WPS Context Menu} |