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authorAndree Buschmann <AndreeBuschmann@t-online.de>2010-04-14 19:44:07 +0000
committerAndree Buschmann <AndreeBuschmann@t-online.de>2010-04-14 19:44:07 +0000
commit53cf63fbbc3a8b0d41feb7b81c1ef0da652f616b (patch)
treed7ed17ccc83f6e61f77ebe7f34f333b1f74fd472 /manual/configure_rockbox/recording_settings.tex
parentd5caa1b2e623540d4ee7f2ed8fba8b9aea0ef7cd (diff)
downloadrockbox-53cf63fbbc3a8b0d41feb7b81c1ef0da652f616b.tar.gz
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Consistent use of Hz, kHz, dB, dbFS, ms, s and min. Add spaces between number and unit -- e.g. '5 dB'.
git-svn-id: svn://svn.rockbox.org/rockbox/trunk@25648 a1c6a512-1295-4272-9138-f99709370657
Diffstat (limited to 'manual/configure_rockbox/recording_settings.tex')
-rw-r--r--manual/configure_rockbox/recording_settings.tex40
1 files changed, 20 insertions, 20 deletions
diff --git a/manual/configure_rockbox/recording_settings.tex b/manual/configure_rockbox/recording_settings.tex
index bab9a7db7b..5b2c1d2d68 100644
--- a/manual/configure_rockbox/recording_settings.tex
+++ b/manual/configure_rockbox/recording_settings.tex
@@ -21,10 +21,10 @@
21 \begin{table}[h!] 21 \begin{table}[h!]
22 \begin{rbtabular}{0.75\textwidth}{lX}% 22 \begin{rbtabular}{0.75\textwidth}{lX}%
23 {\emph{Frequency} & \emph{Bitrate} (Kbit/s) -- quality 0$\rightarrow$7}{}{} 23 {\emph{Frequency} & \emph{Bitrate} (Kbit/s) -- quality 0$\rightarrow$7}{}{}
24 44100Hz stereo & 75, 80, 90, 100, 120, 140, 160, 170 \\ 24 44100 Hz stereo & 75, 80, 90, 100, 120, 140, 160, 170 \\
25 22050Hz stereo & 39, 41, 45, 50, 60, 80, 110, 130 \\ 25 22050 Hz stereo & 39, 41, 45, 50, 60, 80, 110, 130 \\
26 44100Hz mono & 65, 68, 73, 80, 90, 105, 125, 140 \\ 26 44100 Hz mono & 65, 68, 73, 80, 90, 105, 125, 140 \\
27 22050Hz mono & 35, 38, 40, 45, 50, 60, 75, 90 \\ 27 22050 Hz mono & 35, 38, 40, 45, 50, 60, 75, 90 \\
28 \end{rbtabular} 28 \end{rbtabular}
29 \end{table} 29 \end{table}
30} 30}
@@ -44,30 +44,30 @@
44 \section{Frequency} 44 \section{Frequency}
45 \nopt{sansa}{ 45 \nopt{sansa}{
46 Choose the recording frequency (sample rate). 46 Choose the recording frequency (sample rate).
47 \opt{masf}{48kHz, 44.1kHz, 32kHz, 24kHz, 22.05kHz, 16kHz} 47 \opt{masf}{48 kHz, 44.1 kHz, 32 kHz, 24 kHz, 22.05 kHz, 16 kHz}
48 \opt{h100,h300}{44.1kHz, 22.05kHz and 11.025kHz} 48 \opt{h100,h300}{44.1 kHz, 22.05 kHz and 11.025 kHz}
49 \opt{x5}{88.2kHz, 44.1kHz, 22.05kHz and 11.025kHz} 49 \opt{x5}{88.2 kHz, 44.1 kHz, 22.05 kHz and 11.025 kHz}
50 \opt{sansaAMS}{96kHz, 88.2kHz, 64kHz, 48kHz, 44.1kHz, 32kHz, 24kHz, % 50 \opt{sansaAMS}{96 kHz, 88.2 kHz, 64 kHz, 48 kHz, 44.1 kHz, 32 kHz, 24 kHz, %
51 22.05kHz, 16kHz, 12kHz, 11.025kHz and 8kHz} 51 22.05 kHz, 16 kHz, 12 kHz, 11.025 kHz and 8 kHz}
52 \opt{gigabeats}{48kHz, 44.1kHz, 32kHz, 24kHz, 22.05kHz, 16kHz, 12kHz, % 52 \opt{gigabeats}{48 kHz, 44.1 kHz, 32 kHz, 24 kHz, 22.05 kHz, 16 kHz, 12 kHz, %
53 11.025kHz and 8kHz} 53 11.025 kHz and 8 kHz}
54 are available. Higher sample rates use up more disk space, but give better 54 are available. Higher sample rates use up more disk space, but give better
55 sound quality. 55 sound quality.
56 \opt{swcodec}{\note{The 11.025kHz setting is not available when using % 56 \opt{swcodec}{\note{The 11.025 kHz setting is not available when using %
57 \setting{MPEG Layer 3} format.} 57 \setting{MPEG Layer 3} format.}
58 }% 58 }%
59 \opt{masf}{ 59 \opt{masf}{
60 The frequency setting also determines which version of the MPEG standard 60 The frequency setting also determines which version of the MPEG standard
61 the sound is recorded using:\\ 61 the sound is recorded using:\\
62 MPEG v1 for 48, 44.1 and 32\\ 62 MPEG v1 for 48 kHz, 44.1 kHz and 32 kHz.\\
63 MPEG v2 for 24, 22.05 and 16\\ 63 MPEG v2 for 24 kHz, 22.05 kHz and 16 kHz.\\
64 } 64 }
65 \opt{recorder,recorderv2fm,h100} 65 \opt{recorder,recorderv2fm,h100}
66 {\note{You cannot change the sample rate for digital recordings.} 66 {\note{You cannot change the sample rate for digital recordings.}
67 } 67 }
68 } % nopt sansa 68 } % nopt sansa
69 \opt{sansa}{ 69 \opt{sansa}{
70 Recordings can only be made at a 22.05kHz frequency (sample rate) 70 Recordings can only be made at a 22.05 kHz frequency (sample rate)
71 on this \dap. 71 on this \dap.
72 } % opt sansa 72 } % opt sansa
73 73
@@ -242,25 +242,25 @@ More information can be found at \wikilink{VolumeTriggeredRecording}.
242 automatically controlling the gain while recording. 242 automatically controlling the gain while recording.
243 \begin{description} 243 \begin{description}
244 \item[Safety (clip).] 244 \item[Safety (clip).]
245 This preset will lower the gain when the levels get too high (-1dB) 245 This preset will lower the gain when the levels get too high (-1 dB)
246 and will never increase gain. 246 and will never increase gain.
247 247
248 \item[Live (slow).] 248 \item[Live (slow).]
249 This preset is designed to be used for recording of live shows and has 249 This preset is designed to be used for recording of live shows and has
250 quite large headroom for loud parts. It heads for a nominal target peak 250 quite large headroom for loud parts. It heads for a nominal target peak
251 level of -9dB and will slowly increase or decrease gain to reach it. 251 level of -9 dB and will slowly increase or decrease gain to reach it.
252 252
253 \item[DJ-Set (slow).] 253 \item[DJ-Set (slow).]
254 This preset heads for a nominal target peak level of -5dB and will 254 This preset heads for a nominal target peak level of -5 dB and will
255 slowly increase or decrease gain to reach it. 255 slowly increase or decrease gain to reach it.
256 256
257 \item[Medium.] 257 \item[Medium.]
258 This preset heads for a nominal target peak level of -6dB and will 258 This preset heads for a nominal target peak level of -6 dB and will
259 increase or decrease gain to reach it. 259 increase or decrease gain to reach it.
260 260
261 \item[Voice (fast).] 261 \item[Voice (fast).]
262 This preset is designed to be used for voice recording and heads for a 262 This preset is designed to be used for voice recording and heads for a
263 nominal target peak level of -7dB and will quickly increase or 263 nominal target peak level of -7 dB and will quickly increase or
264 decrease gain to reach it. 264 decrease gain to reach it.
265 \end{description} 265 \end{description}
266 266