diff options
Diffstat (limited to 'manual/configure_rockbox')
-rw-r--r-- | manual/configure_rockbox/display_options.tex | 16 | ||||
-rw-r--r-- | manual/configure_rockbox/playback_options.tex | 2 | ||||
-rw-r--r-- | manual/configure_rockbox/recording_settings.tex | 42 | ||||
-rw-r--r-- | manual/configure_rockbox/sound_settings.tex | 70 | ||||
-rw-r--r-- | manual/configure_rockbox/system_options.tex | 5 |
5 files changed, 67 insertions, 68 deletions
diff --git a/manual/configure_rockbox/display_options.tex b/manual/configure_rockbox/display_options.tex index b4b6b662ab..b78a155b82 100644 --- a/manual/configure_rockbox/display_options.tex +++ b/manual/configure_rockbox/display_options.tex | |||
@@ -33,14 +33,14 @@ | |||
33 | The amount of time that the backlight will take to fade from off to on | 33 | The amount of time that the backlight will take to fade from off to on |
34 | after a button is pressed. If set to \setting{Off} the backlight will | 34 | after a button is pressed. If set to \setting{Off} the backlight will |
35 | turn on immediately, with no fade in. Can also be set to | 35 | turn on immediately, with no fade in. Can also be set to |
36 | \setting{500 ms}, \setting{1 s} or \setting{2 s}. | 36 | \setting{500ms}, \setting{1s} or \setting{2s}. |
37 | \item[Backlight Fade Out.] | 37 | \item[Backlight Fade Out.] |
38 | Like Backlight fade in, this controls the amount of time that the | 38 | Like Backlight fade in, this controls the amount of time that the |
39 | backlight will take to fade from on to off after a button is pressed. If | 39 | backlight will take to fade from on to off after a button is pressed. If |
40 | set to \setting{Off} the backlight will turn off immediately, with no | 40 | set to \setting{Off} the backlight will turn off immediately, with no |
41 | fade out. Other valid values: \setting{500 ms}, \setting{1 s}, | 41 | fade out. Other valid values: \setting{500ms}, \setting{1s}, |
42 | \setting{2 s}, \setting{3 s}, \setting{4 s}, \setting{5 s} or | 42 | \setting{2s}, \setting{3s}, \setting{4s}, \setting{5s} or |
43 | \setting{10 s}. | 43 | \setting{10s}. |
44 | } | 44 | } |
45 | \opt{backlight_fade_bool}{ | 45 | \opt{backlight_fade_bool}{ |
46 | \item[Backlight Fade In.] | 46 | \item[Backlight Fade In.] |
@@ -200,10 +200,10 @@ | |||
200 | \item[Peak Release.] | 200 | \item[Peak Release.] |
201 | This determines how fast the bar shrinks when the music becomes | 201 | This determines how fast the bar shrinks when the music becomes |
202 | softer. Lower values make the peak meter look smoother. | 202 | softer. Lower values make the peak meter look smoother. |
203 | Expressed in scale units per 10 ms. | 203 | Expressed in scale units per 10~ms. |
204 | \item[Peak Hold Time.] | 204 | \item[Peak Hold Time.] |
205 | Specifies the time after which the peak indicator will reset. | 205 | Specifies the time after which the peak indicator will reset. |
206 | For example, if you set this value to 5 s, the peak indicator displays | 206 | For example, if you set this value to 5~s, the peak indicator displays |
207 | the loudest volume value that occurred within the last 5 seconds. | 207 | the loudest volume value that occurred within the last 5 seconds. |
208 | Larger values are useful if you want to find the peak level of a song, | 208 | Larger values are useful if you want to find the peak level of a song, |
209 | which might be of interest when copying music from the \dap\ via the | 209 | which might be of interest when copying music from the \dap\ via the |
@@ -229,8 +229,8 @@ | |||
229 | \item[Minimum and maximum range.] | 229 | \item[Minimum and maximum range.] |
230 | These two options define the full value range that the peak meter | 230 | These two options define the full value range that the peak meter |
231 | displays. Recommended values for the \setting{Logarithmic} (dB) setting | 231 | displays. Recommended values for the \setting{Logarithmic} (dB) setting |
232 | are {}-40 dB for minimum and 0 dB for maximum. Recommended values | 232 | are {}-40~dB for minimum and 0~dB for maximum. Recommended values |
233 | for \setting{Linear} display are 0 and 100\%. Note that {}-40 dB is | 233 | for \setting{Linear} display are 0 and 100\%. Note that {}-40~dB is |
234 | approximately 1\% in linear value, but if you change the minimum | 234 | approximately 1\% in linear value, but if you change the minimum |
235 | setting in linear mode slightly and then change to the dB scale, | 235 | setting in linear mode slightly and then change to the dB scale, |
236 | there will be a large change. You can use these values for `zooming' | 236 | there will be a large change. You can use these values for `zooming' |
diff --git a/manual/configure_rockbox/playback_options.tex b/manual/configure_rockbox/playback_options.tex index 3aa22fd950..d9e8e78426 100644 --- a/manual/configure_rockbox/playback_options.tex +++ b/manual/configure_rockbox/playback_options.tex | |||
@@ -194,7 +194,7 @@ you to configure settings related to audio playback. | |||
194 | much, so here you can compensate for that. Please note that a | 194 | much, so here you can compensate for that. Please note that a |
195 | (large) positive pre-amp setting can cause clipping, unless | 195 | (large) positive pre-amp setting can cause clipping, unless |
196 | prevent clipping is enabled. The pre-amp can be set to any | 196 | prevent clipping is enabled. The pre-amp can be set to any |
197 | decibel (dB) value between -12 dB and +12 dB, in increments of 0.5 dB. | 197 | decibel (dB) value between -12~dB and +12~dB, in increments of 0.5~dB. |
198 | \end{description} | 198 | \end{description} |
199 | 199 | ||
200 | \section{Track Skip Beep} | 200 | \section{Track Skip Beep} |
diff --git a/manual/configure_rockbox/recording_settings.tex b/manual/configure_rockbox/recording_settings.tex index 5b2c1d2d68..aa469aca03 100644 --- a/manual/configure_rockbox/recording_settings.tex +++ b/manual/configure_rockbox/recording_settings.tex | |||
@@ -21,10 +21,10 @@ | |||
21 | \begin{table}[h!] | 21 | \begin{table}[h!] |
22 | \begin{rbtabular}{0.75\textwidth}{lX}% | 22 | \begin{rbtabular}{0.75\textwidth}{lX}% |
23 | {\emph{Frequency} & \emph{Bitrate} (Kbit/s) -- quality 0$\rightarrow$7}{}{} | 23 | {\emph{Frequency} & \emph{Bitrate} (Kbit/s) -- quality 0$\rightarrow$7}{}{} |
24 | 44100 Hz stereo & 75, 80, 90, 100, 120, 140, 160, 170 \\ | 24 | 44100~Hz stereo & 75, 80, 90, 100, 120, 140, 160, 170 \\ |
25 | 22050 Hz stereo & 39, 41, 45, 50, 60, 80, 110, 130 \\ | 25 | 22050~Hz stereo & 39, 41, 45, 50, 60, 80, 110, 130 \\ |
26 | 44100 Hz mono & 65, 68, 73, 80, 90, 105, 125, 140 \\ | 26 | 44100~Hz mono & 65, 68, 73, 80, 90, 105, 125, 140 \\ |
27 | 22050 Hz mono & 35, 38, 40, 45, 50, 60, 75, 90 \\ | 27 | 22050~Hz mono & 35, 38, 40, 45, 50, 60, 75, 90 \\ |
28 | \end{rbtabular} | 28 | \end{rbtabular} |
29 | \end{table} | 29 | \end{table} |
30 | } | 30 | } |
@@ -44,30 +44,30 @@ | |||
44 | \section{Frequency} | 44 | \section{Frequency} |
45 | \nopt{sansa}{ | 45 | \nopt{sansa}{ |
46 | Choose the recording frequency (sample rate). | 46 | Choose the recording frequency (sample rate). |
47 | \opt{masf}{48 kHz, 44.1 kHz, 32 kHz, 24 kHz, 22.05 kHz, 16 kHz} | 47 | \opt{masf}{48~kHz, 44.1~kHz, 32~kHz, 24~kHz, 22.05~kHz, 16~kHz} |
48 | \opt{h100,h300}{44.1 kHz, 22.05 kHz and 11.025 kHz} | 48 | \opt{h100,h300}{44.1~kHz, 22.05~kHz and 11.025~kHz} |
49 | \opt{x5}{88.2 kHz, 44.1 kHz, 22.05 kHz and 11.025 kHz} | 49 | \opt{x5}{88.2~kHz, 44.1~kHz, 22.05~kHz and 11.025~kHz} |
50 | \opt{sansaAMS}{96 kHz, 88.2 kHz, 64 kHz, 48 kHz, 44.1 kHz, 32 kHz, 24 kHz, % | 50 | \opt{sansaAMS}{96~kHz, 88.2~kHz, 64~kHz, 48~kHz, 44.1~kHz, 32~kHz, 24~kHz, % |
51 | 22.05 kHz, 16 kHz, 12 kHz, 11.025 kHz and 8 kHz} | 51 | 22.05~kHz, 16~kHz, 12~kHz, 11.025~kHz and 8~kHz} |
52 | \opt{gigabeats}{48 kHz, 44.1 kHz, 32 kHz, 24 kHz, 22.05 kHz, 16 kHz, 12 kHz, % | 52 | \opt{gigabeats}{48~kHz, 44.1~kHz, 32~kHz, 24~kHz, 22.05~kHz, 16~kHz, 12~kHz, % |
53 | 11.025 kHz and 8 kHz} | 53 | 11.025~kHz and 8~kHz} |
54 | are available. Higher sample rates use up more disk space, but give better | 54 | are available. Higher sample rates use up more disk space, but give better |
55 | sound quality. | 55 | sound quality. |
56 | \opt{swcodec}{\note{The 11.025 kHz setting is not available when using % | 56 | \opt{swcodec}{\note{The 11.025~kHz setting is not available when using % |
57 | \setting{MPEG Layer 3} format.} | 57 | \setting{MPEG Layer 3} format.} |
58 | }% | 58 | }% |
59 | \opt{masf}{ | 59 | \opt{masf}{ |
60 | The frequency setting also determines which version of the MPEG standard | 60 | The frequency setting also determines which version of the MPEG standard |
61 | the sound is recorded using:\\ | 61 | the sound is recorded using:\\ |
62 | MPEG v1 for 48 kHz, 44.1 kHz and 32 kHz.\\ | 62 | MPEG v1 for 48~kHz, 44.1~kHz and 32~kHz.\\ |
63 | MPEG v2 for 24 kHz, 22.05 kHz and 16 kHz.\\ | 63 | MPEG v2 for 24~kHz, 22.05~kHz and 16~kHz.\\ |
64 | } | 64 | } |
65 | \opt{recorder,recorderv2fm,h100} | 65 | \opt{recorder,recorderv2fm,h100} |
66 | {\note{You cannot change the sample rate for digital recordings.} | 66 | {\note{You cannot change the sample rate for digital recordings.} |
67 | } | 67 | } |
68 | } % nopt sansa | 68 | } % nopt sansa |
69 | \opt{sansa}{ | 69 | \opt{sansa}{ |
70 | Recordings can only be made at a 22.05 kHz frequency (sample rate) | 70 | Recordings can only be made at a 22.05~kHz frequency (sample rate) |
71 | on this \dap. | 71 | on this \dap. |
72 | } % opt sansa | 72 | } % opt sansa |
73 | 73 | ||
@@ -121,7 +121,7 @@ | |||
121 | Set the time to record between each split, if time is used as | 121 | Set the time to record between each split, if time is used as |
122 | \setting{Split Measure}.\\ | 122 | \setting{Split Measure}.\\ |
123 | Options (hours:minutes between splits): Off, 00:05, 00:10, 00:15, 00:30, | 123 | Options (hours:minutes between splits): Off, 00:05, 00:10, 00:15, 00:30, |
124 | 1:00, 1:14 (74 minute CD), 1:20 (80 minute CD), 2:00, 4:00, 8:00, 10:00, | 124 | 1:00, 1:14 (74 minute CD), 1:20 (80 minute CD), 2:00, 4:00, 8:00, 10:00, |
125 | 12:00, 18:00, 24:00. | 125 | 12:00, 18:00, 24:00. |
126 | 126 | ||
127 | \item[Split Filesize.] | 127 | \item[Split Filesize.] |
@@ -242,25 +242,25 @@ More information can be found at \wikilink{VolumeTriggeredRecording}. | |||
242 | automatically controlling the gain while recording. | 242 | automatically controlling the gain while recording. |
243 | \begin{description} | 243 | \begin{description} |
244 | \item[Safety (clip).] | 244 | \item[Safety (clip).] |
245 | This preset will lower the gain when the levels get too high (-1 dB) | 245 | This preset will lower the gain when the levels get too high (-1~dB) |
246 | and will never increase gain. | 246 | and will never increase gain. |
247 | 247 | ||
248 | \item[Live (slow).] | 248 | \item[Live (slow).] |
249 | This preset is designed to be used for recording of live shows and has | 249 | This preset is designed to be used for recording of live shows and has |
250 | quite large headroom for loud parts. It heads for a nominal target peak | 250 | quite large headroom for loud parts. It heads for a nominal target peak |
251 | level of -9 dB and will slowly increase or decrease gain to reach it. | 251 | level of -9~dB and will slowly increase or decrease gain to reach it. |
252 | 252 | ||
253 | \item[DJ-Set (slow).] | 253 | \item[DJ-Set (slow).] |
254 | This preset heads for a nominal target peak level of -5 dB and will | 254 | This preset heads for a nominal target peak level of -5~dB and will |
255 | slowly increase or decrease gain to reach it. | 255 | slowly increase or decrease gain to reach it. |
256 | 256 | ||
257 | \item[Medium.] | 257 | \item[Medium.] |
258 | This preset heads for a nominal target peak level of -6 dB and will | 258 | This preset heads for a nominal target peak level of -6~dB and will |
259 | increase or decrease gain to reach it. | 259 | increase or decrease gain to reach it. |
260 | 260 | ||
261 | \item[Voice (fast).] | 261 | \item[Voice (fast).] |
262 | This preset is designed to be used for voice recording and heads for a | 262 | This preset is designed to be used for voice recording and heads for a |
263 | nominal target peak level of -7 dB and will quickly increase or | 263 | nominal target peak level of -7~dB and will quickly increase or |
264 | decrease gain to reach it. | 264 | decrease gain to reach it. |
265 | \end{description} | 265 | \end{description} |
266 | 266 | ||
diff --git a/manual/configure_rockbox/sound_settings.tex b/manual/configure_rockbox/sound_settings.tex index 13577b2db1..467a90c582 100644 --- a/manual/configure_rockbox/sound_settings.tex +++ b/manual/configure_rockbox/sound_settings.tex | |||
@@ -7,40 +7,40 @@ change to customise your listening experience. | |||
7 | \section{\label{ref:volume}Volume} | 7 | \section{\label{ref:volume}Volume} |
8 | This setting adjusts the volume of your music. Like most professional | 8 | This setting adjusts the volume of your music. Like most professional |
9 | audio gear and many consumer audio products, Rockbox uses a decibel scale | 9 | audio gear and many consumer audio products, Rockbox uses a decibel scale |
10 | where 0 dB is a reference that indicates the maximum volume that the \dap{} | 10 | where 0~dB is a reference that indicates the maximum volume that the \dap{} |
11 | can produce without possible distortion (clipping). All values lower than | 11 | can produce without possible distortion (clipping). All values lower than |
12 | this reference will be negative and yield a progressively softer volume. | 12 | this reference will be negative and yield a progressively softer volume. |
13 | \opt{player,recorder,recorderv2fm,ondio,x5,m5,ipodnano,ipodnano2g,ipodvideo, | 13 | \opt{player,recorder,recorderv2fm,ondio,x5,m5,ipodnano,ipodnano2g,ipodvideo, |
14 | ipodcolor,ipod1g2g,h10,h10_5gb,sansa,sansaAMS,gigabeats,gigabeatf}{ | 14 | ipodcolor,ipod1g2g,h10,h10_5gb,sansa,sansaAMS,gigabeats,gigabeatf}{ |
15 | Values higher than 0 dB are available and can be used to raise the | 15 | Values higher than 0~dB are available and can be used to raise the |
16 | volume more than would otherwise be possible. These volume levels will | 16 | volume more than would otherwise be possible. These volume levels will |
17 | ordinarily lead to distorted sound, but might work nicely for music that has | 17 | ordinarily lead to distorted sound, but might work nicely for music that has |
18 | an otherwise low volume level.} | 18 | an otherwise low volume level.} |
19 | The volume can be adjusted from a | 19 | The volume can be adjusted from a |
20 | \opt{player}{minimum of -78 dB to a maximum of +18 dB.}% | 20 | \opt{player}{minimum of -78~dB to a maximum of +18~dB.}% |
21 | \opt{recorder,recorderv2fm,ondio}{minimum of -100 dB to a maximum of +12 dB.}% | 21 | \opt{recorder,recorderv2fm,ondio}{minimum of -100~dB to a maximum of +12~dB.}% |
22 | \opt{h100,h300}{minimum of -84 dB to a maximum of 0 dB.}% | 22 | \opt{h100,h300}{minimum of -84~dB to a maximum of 0~dB.}% |
23 | \opt{x5,m5,ipod3g,ipod4g,gigabeatf,mrobe100}{minimum of -73 dB to a maximum of +6 dB.}% | 23 | \opt{x5,m5,ipod3g,ipod4g,gigabeatf,mrobe100}{minimum of -73~dB to a maximum of +6~dB.}% |
24 | \opt{ipodnano}{minimum of -72 dB to a maximum of +6 dB.}% | 24 | \opt{ipodnano}{minimum of -72~dB to a maximum of +6~dB.}% |
25 | \opt{ipodvideo}{minimum of -89 dB to a maximum of +6 dB.}% | 25 | \opt{ipodvideo}{minimum of -89~dB to a maximum of +6~dB.}% |
26 | \opt{ipodnano2g,ipodcolor,ipod1g2g,h10,h10_5gb,sansa,sansaAMS}{minimum of | 26 | \opt{ipodnano2g,ipodcolor,ipod1g2g,h10,h10_5gb,sansa,sansaAMS}{minimum of |
27 | -74 dB to a maximum of +6 dB.}% | 27 | -74~dB to a maximum of +6~dB.}% |
28 | \opt{gigabeats}{minimum of -90 dB to a maximum of +6 dB.}% | 28 | \opt{gigabeats}{minimum of -90~dB to a maximum of +6~dB.}% |
29 | \opt{gigabeatf}{minimum of -74 dB to a maximum of +6 dB.}% | 29 | \opt{gigabeatf}{minimum of -74~dB to a maximum of +6~dB.}% |
30 | \opt{ipodvideo}{\\Remark: Lowering the volume below -57 dB will also affect the line-out | 30 | \opt{ipodvideo}{\\Remark: Lowering the volume below -57~dB will also affect the line-out |
31 | and the recording gain.} | 31 | and the recording gain.} |
32 | 32 | ||
33 | \section{Bass} | 33 | \section{Bass} |
34 | This setting emphasises | 34 | This setting emphasises |
35 | \nopt{h100,h300}{or suppresses} | 35 | \nopt{h100,h300}{or suppresses} |
36 | the lower (bass) frequencies in the sound. A value of 0 dB means that bass | 36 | the lower (bass) frequencies in the sound. A value of 0~dB means that bass |
37 | sounds are unaltered (flat response). | 37 | sounds are unaltered (flat response). |
38 | \opt{masd}{The minimum setting is -15 dB and the maximum is 15 dB.}% | 38 | \opt{masd}{The minimum setting is -15~dB and the maximum is 15~dB.}% |
39 | \opt{masf}{The minimum setting is -12 dB and the maximum is 12 dB.}% | 39 | \opt{masf}{The minimum setting is -12~dB and the maximum is 12~dB.}% |
40 | \opt{h100,h300}{The minimum setting is 0 dB and the maximum is 24 dB.}% | 40 | \opt{h100,h300}{The minimum setting is 0~dB and the maximum is 24~dB.}% |
41 | \opt{ipodnano,ipodnano2g,ipodcolor}{The minimum setting is -6 dB and the maximum is 9 dB.}% | 41 | \opt{ipodnano,ipodnano2g,ipodcolor}{The minimum setting is -6~dB and the maximum is 9~dB.}% |
42 | \opt{ipodvideo}{The minimum setting is -12 dB and the maximum is 12 dB.}% | 42 | \opt{ipodvideo}{The minimum setting is -12~dB and the maximum is 12~dB.}% |
43 | \opt{x5,sansa,sansaAMS,h10,h10_5gb}{The minimum setting is -24 dB and the maximum is 24 dB.} | 43 | \opt{x5,sansa,sansaAMS,h10,h10_5gb}{The minimum setting is -24~dB and the maximum is 24~dB.} |
44 | 44 | ||
45 | \opt{ipodvideo}{ | 45 | \opt{ipodvideo}{ |
46 | \section{Bass Cutoff} | 46 | \section{Bass Cutoff} |
@@ -53,14 +53,14 @@ change to customise your listening experience. | |||
53 | \section{Treble} | 53 | \section{Treble} |
54 | This setting emphasises | 54 | This setting emphasises |
55 | \nopt{h100,h300}{or suppresses} | 55 | \nopt{h100,h300}{or suppresses} |
56 | the higher (treble) frequencies in the sound. A value of 0 dB means that | 56 | the higher (treble) frequencies in the sound. A value of 0~dB means that |
57 | treble sounds are unaltered (flat response). | 57 | treble sounds are unaltered (flat response). |
58 | \opt{masd}{The minimum setting is -15 dB and the maximum is 15 dB.}% | 58 | \opt{masd}{The minimum setting is -15~dB and the maximum is 15~dB.}% |
59 | \opt{masf}{The minimum setting is -12 dB and the maximum is 12 dB.}% | 59 | \opt{masf}{The minimum setting is -12~dB and the maximum is 12~dB.}% |
60 | \opt{h100,h300}{The minimum setting is 0 dB and the maximum is 6 dB.}% | 60 | \opt{h100,h300}{The minimum setting is 0~dB and the maximum is 6~dB.}% |
61 | \opt{ipodnano,ipodnano2g,ipodcolor}{The minimum setting is -6 dB and the maximum is 9 dB.}% | 61 | \opt{ipodnano,ipodnano2g,ipodcolor}{The minimum setting is -6~dB and the maximum is 9~dB.}% |
62 | \opt{ipodvideo}{The minimum setting is -12 dB and the maximum is 12 dB.}% | 62 | \opt{ipodvideo}{The minimum setting is -12~dB and the maximum is 12~dB.}% |
63 | \opt{x5,sansa,sansaAMS,h10,h10_5gb}{The minimum setting is -24 dB and the maximum is 24 dB.} | 63 | \opt{x5,sansa,sansaAMS,h10,h10_5gb}{The minimum setting is -24~dB and the maximum is 24~dB.} |
64 | 64 | ||
65 | \opt{ipodvideo}{ | 65 | \opt{ipodvideo}{ |
66 | \section{Treble Cutoff} | 66 | \section{Treble Cutoff} |
@@ -138,7 +138,7 @@ change to customise your listening experience. | |||
138 | Auto volume is a feature that automatically lowers the volume on loud parts, | 138 | Auto volume is a feature that automatically lowers the volume on loud parts, |
139 | and then slowly restores the volume to the previous level over a time | 139 | and then slowly restores the volume to the previous level over a time |
140 | interval. This setting allows this time interval to be configured. Short | 140 | interval. This setting allows this time interval to be configured. Short |
141 | values like 20 ms are useful for ensuring a constant volume for in-car use and | 141 | values like 20~ms are useful for ensuring a constant volume for in-car use and |
142 | other applications where background noise makes a constant loudness desirable. | 142 | other applications where background noise makes a constant loudness desirable. |
143 | A longer timeout means that the change in volume back to the previous level | 143 | A longer timeout means that the change in volume back to the previous level |
144 | will be smoother, so there will be fewer sharp changes in volume level. | 144 | will be smoother, so there will be fewer sharp changes in volume level. |
@@ -149,7 +149,7 @@ change to customise your listening experience. | |||
149 | This setting changes the threshold at which bass frequencies are affected by | 149 | This setting changes the threshold at which bass frequencies are affected by |
150 | the \setting{Loudness} setting, making the sound of drums and bass guitar | 150 | the \setting{Loudness} setting, making the sound of drums and bass guitar |
151 | louder in comparison to the rest of the sound. This setting only has an | 151 | louder in comparison to the rest of the sound. This setting only has an |
152 | effect if \setting{Loudness} is set to a value larger than 0 dB. | 152 | effect if \setting{Loudness} is set to a value larger than 0~dB. |
153 | } | 153 | } |
154 | 154 | ||
155 | \opt{masf}{ | 155 | \opt{masf}{ |
@@ -199,10 +199,10 @@ change to customise your listening experience. | |||
199 | % | 199 | % |
200 | \begin{table}[h!] | 200 | \begin{table}[h!] |
201 | \begin{rbtabular}{0.5\textwidth}{Xc}{Setting & Value}{}{} | 201 | \begin{rbtabular}{0.5\textwidth}{Xc}{Setting & Value}{}{} |
202 | MDB Strength & 50 dB \\ | 202 | MDB Strength & 50~dB \\ |
203 | MDB Harmonics & 48\% \\ | 203 | MDB Harmonics & 48\% \\ |
204 | MDB Centre Frequency & 60 Hz \\ | 204 | MDB Centre Frequency & 60~Hz \\ |
205 | MDB Shape & 90 Hz \\ | 205 | MDB Shape & 90~Hz \\ |
206 | \end{rbtabular} | 206 | \end{rbtabular} |
207 | \end{table} | 207 | \end{table} |
208 | 208 | ||
@@ -280,8 +280,8 @@ change to customise your listening experience. | |||
280 | frequency limit, much like what a ``bass'' control found on ordinary | 280 | frequency limit, much like what a ``bass'' control found on ordinary |
281 | stereo systems does. | 281 | stereo systems does. |
282 | Adjust the ``cutoff'' frequency parameter to decide where the shelving | 282 | Adjust the ``cutoff'' frequency parameter to decide where the shelving |
283 | starts to take effect. For example, a cutoff frequency of 50 Hz will | 283 | starts to take effect. For example, a cutoff frequency of 50~Hz will |
284 | adjust only very low frequencies. A cutoff frequency of 200 Hz, on the | 284 | adjust only very low frequencies. A cutoff frequency of 200~Hz, on the |
285 | other hand, will adjust a much wider range of bass frequencies. | 285 | other hand, will adjust a much wider range of bass frequencies. |
286 | The ``gain'' parameter controls how much the loudness of the band is | 286 | The ``gain'' parameter controls how much the loudness of the band is |
287 | adjusted. Positive numbers make the EQ band louder, while negative | 287 | adjusted. Positive numbers make the EQ band louder, while negative |
@@ -432,7 +432,7 @@ time-varying noise heard when not performing dithering. | |||
432 | 432 | ||
433 | After dithering, noise shaping is performed. This basically just pushes the | 433 | After dithering, noise shaping is performed. This basically just pushes the |
434 | dithering noise to the parts of the frequency spectrum humans cannot hear so | 434 | dithering noise to the parts of the frequency spectrum humans cannot hear so |
435 | easily. In Rockbox' case, some of the noise is pushed up to above 10 kHz. | 435 | easily. In Rockbox' case, some of the noise is pushed up to above 10~kHz. |
436 | 436 | ||
437 | This setting will be put to its best use when listening to dynamic music with | 437 | This setting will be put to its best use when listening to dynamic music with |
438 | frequently occuring quiet parts, classical music being a typical example. It is | 438 | frequently occuring quiet parts, classical music being a typical example. It is |
@@ -496,5 +496,5 @@ compressed. Once the compressor determines that compression is necessary, | |||
496 | the input signal is reduced appropriately, but the gain isn't allowed to | 496 | the input signal is reduced appropriately, but the gain isn't allowed to |
497 | immediately return to normal levels. This is necessary to reduce artifacts | 497 | immediately return to normal levels. This is necessary to reduce artifacts |
498 | such as "pumping." Instead, the gain is allowed to return to normal at the | 498 | such as "pumping." Instead, the gain is allowed to return to normal at the |
499 | chosen rate. Release Time is the time for the gain to recover by 10 dB. | 499 | chosen rate. Release Time is the time for the gain to recover by 10~dB. |
500 | } | 500 | } |
diff --git a/manual/configure_rockbox/system_options.tex b/manual/configure_rockbox/system_options.tex index af7695ed48..18209a87a2 100644 --- a/manual/configure_rockbox/system_options.tex +++ b/manual/configure_rockbox/system_options.tex | |||
@@ -95,9 +95,8 @@ Rockbox can be configured to turn off power after the unit has been idle for a | |||
95 | defined number of minutes. The \dap{} is idle when playback is stopped or | 95 | defined number of minutes. The \dap{} is idle when playback is stopped or |
96 | paused. It is not idle while the USB or charger is connected | 96 | paused. It is not idle while the USB or charger is connected |
97 | \opt{recording}{, or while recording}. | 97 | \opt{recording}{, or while recording}. |
98 | Settings are either \setting{Off} or \setting{1} to \setting{10} | 98 | Settings are either \setting{Off} or 1 to 10 minutes in 1 minute steps. Then |
99 | minutes in 1 minute steps. Then \setting{15,30,45} and \setting{60} minutes are | 99 | 15, 30, 45 or 60 minutes are available. |
100 | available. | ||
101 | 100 | ||
102 | 101 | ||
103 | \subsection{Limits} | 102 | \subsection{Limits} |