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author | Andree Buschmann <AndreeBuschmann@t-online.de> | 2010-04-14 19:44:07 +0000 |
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committer | Andree Buschmann <AndreeBuschmann@t-online.de> | 2010-04-14 19:44:07 +0000 |
commit | 53cf63fbbc3a8b0d41feb7b81c1ef0da652f616b (patch) | |
tree | d7ed17ccc83f6e61f77ebe7f34f333b1f74fd472 /manual/configure_rockbox/sound_settings.tex | |
parent | d5caa1b2e623540d4ee7f2ed8fba8b9aea0ef7cd (diff) | |
download | rockbox-53cf63fbbc3a8b0d41feb7b81c1ef0da652f616b.tar.gz rockbox-53cf63fbbc3a8b0d41feb7b81c1ef0da652f616b.zip |
Consistent use of Hz, kHz, dB, dbFS, ms, s and min. Add spaces between number and unit -- e.g. '5 dB'.
git-svn-id: svn://svn.rockbox.org/rockbox/trunk@25648 a1c6a512-1295-4272-9138-f99709370657
Diffstat (limited to 'manual/configure_rockbox/sound_settings.tex')
-rw-r--r-- | manual/configure_rockbox/sound_settings.tex | 14 |
1 files changed, 7 insertions, 7 deletions
diff --git a/manual/configure_rockbox/sound_settings.tex b/manual/configure_rockbox/sound_settings.tex index bbfbd5b97a..13577b2db1 100644 --- a/manual/configure_rockbox/sound_settings.tex +++ b/manual/configure_rockbox/sound_settings.tex | |||
@@ -24,7 +24,7 @@ change to customise your listening experience. | |||
24 | \opt{ipodnano}{minimum of -72 dB to a maximum of +6 dB.}% | 24 | \opt{ipodnano}{minimum of -72 dB to a maximum of +6 dB.}% |
25 | \opt{ipodvideo}{minimum of -89 dB to a maximum of +6 dB.}% | 25 | \opt{ipodvideo}{minimum of -89 dB to a maximum of +6 dB.}% |
26 | \opt{ipodnano2g,ipodcolor,ipod1g2g,h10,h10_5gb,sansa,sansaAMS}{minimum of | 26 | \opt{ipodnano2g,ipodcolor,ipod1g2g,h10,h10_5gb,sansa,sansaAMS}{minimum of |
27 | -74 dB to a maximum of +6 db.}% | 27 | -74 dB to a maximum of +6 dB.}% |
28 | \opt{gigabeats}{minimum of -90 dB to a maximum of +6 dB.}% | 28 | \opt{gigabeats}{minimum of -90 dB to a maximum of +6 dB.}% |
29 | \opt{gigabeatf}{minimum of -74 dB to a maximum of +6 dB.}% | 29 | \opt{gigabeatf}{minimum of -74 dB to a maximum of +6 dB.}% |
30 | \opt{ipodvideo}{\\Remark: Lowering the volume below -57 dB will also affect the line-out | 30 | \opt{ipodvideo}{\\Remark: Lowering the volume below -57 dB will also affect the line-out |
@@ -138,7 +138,7 @@ change to customise your listening experience. | |||
138 | Auto volume is a feature that automatically lowers the volume on loud parts, | 138 | Auto volume is a feature that automatically lowers the volume on loud parts, |
139 | and then slowly restores the volume to the previous level over a time | 139 | and then slowly restores the volume to the previous level over a time |
140 | interval. This setting allows this time interval to be configured. Short | 140 | interval. This setting allows this time interval to be configured. Short |
141 | values like 20ms are useful for ensuring a constant volume for in-car use and | 141 | values like 20 ms are useful for ensuring a constant volume for in-car use and |
142 | other applications where background noise makes a constant loudness desirable. | 142 | other applications where background noise makes a constant loudness desirable. |
143 | A longer timeout means that the change in volume back to the previous level | 143 | A longer timeout means that the change in volume back to the previous level |
144 | will be smoother, so there will be fewer sharp changes in volume level. | 144 | will be smoother, so there will be fewer sharp changes in volume level. |
@@ -149,7 +149,7 @@ change to customise your listening experience. | |||
149 | This setting changes the threshold at which bass frequencies are affected by | 149 | This setting changes the threshold at which bass frequencies are affected by |
150 | the \setting{Loudness} setting, making the sound of drums and bass guitar | 150 | the \setting{Loudness} setting, making the sound of drums and bass guitar |
151 | louder in comparison to the rest of the sound. This setting only has an | 151 | louder in comparison to the rest of the sound. This setting only has an |
152 | effect if \setting{Loudness} is set to a value larger than 0dB. | 152 | effect if \setting{Loudness} is set to a value larger than 0 dB. |
153 | } | 153 | } |
154 | 154 | ||
155 | \opt{masf}{ | 155 | \opt{masf}{ |
@@ -199,10 +199,10 @@ change to customise your listening experience. | |||
199 | % | 199 | % |
200 | \begin{table}[h!] | 200 | \begin{table}[h!] |
201 | \begin{rbtabular}{0.5\textwidth}{Xc}{Setting & Value}{}{} | 201 | \begin{rbtabular}{0.5\textwidth}{Xc}{Setting & Value}{}{} |
202 | MDB Strength & 50dB \\ | 202 | MDB Strength & 50 dB \\ |
203 | MDB Harmonics & 48\% \\ | 203 | MDB Harmonics & 48\% \\ |
204 | MDB Centre Frequency & 60Hz \\ | 204 | MDB Centre Frequency & 60 Hz \\ |
205 | MDB Shape & 90Hz \\ | 205 | MDB Shape & 90 Hz \\ |
206 | \end{rbtabular} | 206 | \end{rbtabular} |
207 | \end{table} | 207 | \end{table} |
208 | 208 | ||
@@ -496,5 +496,5 @@ compressed. Once the compressor determines that compression is necessary, | |||
496 | the input signal is reduced appropriately, but the gain isn't allowed to | 496 | the input signal is reduced appropriately, but the gain isn't allowed to |
497 | immediately return to normal levels. This is necessary to reduce artifacts | 497 | immediately return to normal levels. This is necessary to reduce artifacts |
498 | such as "pumping." Instead, the gain is allowed to return to normal at the | 498 | such as "pumping." Instead, the gain is allowed to return to normal at the |
499 | chosen rate. Release Time is the time for the gain to recover by 10dB. | 499 | chosen rate. Release Time is the time for the gain to recover by 10 dB. |
500 | } | 500 | } |