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author | Andree Buschmann <AndreeBuschmann@t-online.de> | 2010-04-14 19:44:07 +0000 |
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committer | Andree Buschmann <AndreeBuschmann@t-online.de> | 2010-04-14 19:44:07 +0000 |
commit | 53cf63fbbc3a8b0d41feb7b81c1ef0da652f616b (patch) | |
tree | d7ed17ccc83f6e61f77ebe7f34f333b1f74fd472 /manual/configure_rockbox | |
parent | d5caa1b2e623540d4ee7f2ed8fba8b9aea0ef7cd (diff) | |
download | rockbox-53cf63fbbc3a8b0d41feb7b81c1ef0da652f616b.tar.gz rockbox-53cf63fbbc3a8b0d41feb7b81c1ef0da652f616b.zip |
Consistent use of Hz, kHz, dB, dbFS, ms, s and min. Add spaces between number and unit -- e.g. '5 dB'.
git-svn-id: svn://svn.rockbox.org/rockbox/trunk@25648 a1c6a512-1295-4272-9138-f99709370657
Diffstat (limited to 'manual/configure_rockbox')
-rw-r--r-- | manual/configure_rockbox/display_options.tex | 13 | ||||
-rw-r--r-- | manual/configure_rockbox/playback_options.tex | 2 | ||||
-rw-r--r-- | manual/configure_rockbox/recording_settings.tex | 40 | ||||
-rw-r--r-- | manual/configure_rockbox/sound_settings.tex | 14 |
4 files changed, 35 insertions, 34 deletions
diff --git a/manual/configure_rockbox/display_options.tex b/manual/configure_rockbox/display_options.tex index 23673e2482..b4b6b662ab 100644 --- a/manual/configure_rockbox/display_options.tex +++ b/manual/configure_rockbox/display_options.tex | |||
@@ -32,14 +32,15 @@ | |||
32 | \item[Backlight Fade In.] | 32 | \item[Backlight Fade In.] |
33 | The amount of time that the backlight will take to fade from off to on | 33 | The amount of time that the backlight will take to fade from off to on |
34 | after a button is pressed. If set to \setting{Off} the backlight will | 34 | after a button is pressed. If set to \setting{Off} the backlight will |
35 | turn on immediately, with no fade in. Can also be set to \setting{500ms}, | 35 | turn on immediately, with no fade in. Can also be set to |
36 | \setting{1s} or \setting{2s}. | 36 | \setting{500 ms}, \setting{1 s} or \setting{2 s}. |
37 | \item[Backlight Fade Out.] | 37 | \item[Backlight Fade Out.] |
38 | Like Backlight fade in, this controls the amount of time that the | 38 | Like Backlight fade in, this controls the amount of time that the |
39 | backlight will take to fade from on to off after a button is pressed. If | 39 | backlight will take to fade from on to off after a button is pressed. If |
40 | set to \setting{Off} the backlight will turn off immediately, with no | 40 | set to \setting{Off} the backlight will turn off immediately, with no |
41 | fade out. Other valid values: \setting{500ms}, \setting{1s}, | 41 | fade out. Other valid values: \setting{500 ms}, \setting{1 s}, |
42 | \setting{2s}, \setting{3s}, \setting{4s}, \setting{5s} or \setting{10s}. | 42 | \setting{2 s}, \setting{3 s}, \setting{4 s}, \setting{5 s} or |
43 | \setting{10 s}. | ||
43 | } | 44 | } |
44 | \opt{backlight_fade_bool}{ | 45 | \opt{backlight_fade_bool}{ |
45 | \item[Backlight Fade In.] | 46 | \item[Backlight Fade In.] |
@@ -199,10 +200,10 @@ | |||
199 | \item[Peak Release.] | 200 | \item[Peak Release.] |
200 | This determines how fast the bar shrinks when the music becomes | 201 | This determines how fast the bar shrinks when the music becomes |
201 | softer. Lower values make the peak meter look smoother. | 202 | softer. Lower values make the peak meter look smoother. |
202 | Expressed in scale units per 10ms. | 203 | Expressed in scale units per 10 ms. |
203 | \item[Peak Hold Time.] | 204 | \item[Peak Hold Time.] |
204 | Specifies the time after which the peak indicator will reset. | 205 | Specifies the time after which the peak indicator will reset. |
205 | For example, if you set this value to 5s, the peak indicator displays | 206 | For example, if you set this value to 5 s, the peak indicator displays |
206 | the loudest volume value that occurred within the last 5 seconds. | 207 | the loudest volume value that occurred within the last 5 seconds. |
207 | Larger values are useful if you want to find the peak level of a song, | 208 | Larger values are useful if you want to find the peak level of a song, |
208 | which might be of interest when copying music from the \dap\ via the | 209 | which might be of interest when copying music from the \dap\ via the |
diff --git a/manual/configure_rockbox/playback_options.tex b/manual/configure_rockbox/playback_options.tex index b483109671..3aa22fd950 100644 --- a/manual/configure_rockbox/playback_options.tex +++ b/manual/configure_rockbox/playback_options.tex | |||
@@ -194,7 +194,7 @@ you to configure settings related to audio playback. | |||
194 | much, so here you can compensate for that. Please note that a | 194 | much, so here you can compensate for that. Please note that a |
195 | (large) positive pre-amp setting can cause clipping, unless | 195 | (large) positive pre-amp setting can cause clipping, unless |
196 | prevent clipping is enabled. The pre-amp can be set to any | 196 | prevent clipping is enabled. The pre-amp can be set to any |
197 | decibel (dB) value between -12dB and +12dB, in increments of 0.5dB. | 197 | decibel (dB) value between -12 dB and +12 dB, in increments of 0.5 dB. |
198 | \end{description} | 198 | \end{description} |
199 | 199 | ||
200 | \section{Track Skip Beep} | 200 | \section{Track Skip Beep} |
diff --git a/manual/configure_rockbox/recording_settings.tex b/manual/configure_rockbox/recording_settings.tex index bab9a7db7b..5b2c1d2d68 100644 --- a/manual/configure_rockbox/recording_settings.tex +++ b/manual/configure_rockbox/recording_settings.tex | |||
@@ -21,10 +21,10 @@ | |||
21 | \begin{table}[h!] | 21 | \begin{table}[h!] |
22 | \begin{rbtabular}{0.75\textwidth}{lX}% | 22 | \begin{rbtabular}{0.75\textwidth}{lX}% |
23 | {\emph{Frequency} & \emph{Bitrate} (Kbit/s) -- quality 0$\rightarrow$7}{}{} | 23 | {\emph{Frequency} & \emph{Bitrate} (Kbit/s) -- quality 0$\rightarrow$7}{}{} |
24 | 44100Hz stereo & 75, 80, 90, 100, 120, 140, 160, 170 \\ | 24 | 44100 Hz stereo & 75, 80, 90, 100, 120, 140, 160, 170 \\ |
25 | 22050Hz stereo & 39, 41, 45, 50, 60, 80, 110, 130 \\ | 25 | 22050 Hz stereo & 39, 41, 45, 50, 60, 80, 110, 130 \\ |
26 | 44100Hz mono & 65, 68, 73, 80, 90, 105, 125, 140 \\ | 26 | 44100 Hz mono & 65, 68, 73, 80, 90, 105, 125, 140 \\ |
27 | 22050Hz mono & 35, 38, 40, 45, 50, 60, 75, 90 \\ | 27 | 22050 Hz mono & 35, 38, 40, 45, 50, 60, 75, 90 \\ |
28 | \end{rbtabular} | 28 | \end{rbtabular} |
29 | \end{table} | 29 | \end{table} |
30 | } | 30 | } |
@@ -44,30 +44,30 @@ | |||
44 | \section{Frequency} | 44 | \section{Frequency} |
45 | \nopt{sansa}{ | 45 | \nopt{sansa}{ |
46 | Choose the recording frequency (sample rate). | 46 | Choose the recording frequency (sample rate). |
47 | \opt{masf}{48kHz, 44.1kHz, 32kHz, 24kHz, 22.05kHz, 16kHz} | 47 | \opt{masf}{48 kHz, 44.1 kHz, 32 kHz, 24 kHz, 22.05 kHz, 16 kHz} |
48 | \opt{h100,h300}{44.1kHz, 22.05kHz and 11.025kHz} | 48 | \opt{h100,h300}{44.1 kHz, 22.05 kHz and 11.025 kHz} |
49 | \opt{x5}{88.2kHz, 44.1kHz, 22.05kHz and 11.025kHz} | 49 | \opt{x5}{88.2 kHz, 44.1 kHz, 22.05 kHz and 11.025 kHz} |
50 | \opt{sansaAMS}{96kHz, 88.2kHz, 64kHz, 48kHz, 44.1kHz, 32kHz, 24kHz, % | 50 | \opt{sansaAMS}{96 kHz, 88.2 kHz, 64 kHz, 48 kHz, 44.1 kHz, 32 kHz, 24 kHz, % |
51 | 22.05kHz, 16kHz, 12kHz, 11.025kHz and 8kHz} | 51 | 22.05 kHz, 16 kHz, 12 kHz, 11.025 kHz and 8 kHz} |
52 | \opt{gigabeats}{48kHz, 44.1kHz, 32kHz, 24kHz, 22.05kHz, 16kHz, 12kHz, % | 52 | \opt{gigabeats}{48 kHz, 44.1 kHz, 32 kHz, 24 kHz, 22.05 kHz, 16 kHz, 12 kHz, % |
53 | 11.025kHz and 8kHz} | 53 | 11.025 kHz and 8 kHz} |
54 | are available. Higher sample rates use up more disk space, but give better | 54 | are available. Higher sample rates use up more disk space, but give better |
55 | sound quality. | 55 | sound quality. |
56 | \opt{swcodec}{\note{The 11.025kHz setting is not available when using % | 56 | \opt{swcodec}{\note{The 11.025 kHz setting is not available when using % |
57 | \setting{MPEG Layer 3} format.} | 57 | \setting{MPEG Layer 3} format.} |
58 | }% | 58 | }% |
59 | \opt{masf}{ | 59 | \opt{masf}{ |
60 | The frequency setting also determines which version of the MPEG standard | 60 | The frequency setting also determines which version of the MPEG standard |
61 | the sound is recorded using:\\ | 61 | the sound is recorded using:\\ |
62 | MPEG v1 for 48, 44.1 and 32\\ | 62 | MPEG v1 for 48 kHz, 44.1 kHz and 32 kHz.\\ |
63 | MPEG v2 for 24, 22.05 and 16\\ | 63 | MPEG v2 for 24 kHz, 22.05 kHz and 16 kHz.\\ |
64 | } | 64 | } |
65 | \opt{recorder,recorderv2fm,h100} | 65 | \opt{recorder,recorderv2fm,h100} |
66 | {\note{You cannot change the sample rate for digital recordings.} | 66 | {\note{You cannot change the sample rate for digital recordings.} |
67 | } | 67 | } |
68 | } % nopt sansa | 68 | } % nopt sansa |
69 | \opt{sansa}{ | 69 | \opt{sansa}{ |
70 | Recordings can only be made at a 22.05kHz frequency (sample rate) | 70 | Recordings can only be made at a 22.05 kHz frequency (sample rate) |
71 | on this \dap. | 71 | on this \dap. |
72 | } % opt sansa | 72 | } % opt sansa |
73 | 73 | ||
@@ -242,25 +242,25 @@ More information can be found at \wikilink{VolumeTriggeredRecording}. | |||
242 | automatically controlling the gain while recording. | 242 | automatically controlling the gain while recording. |
243 | \begin{description} | 243 | \begin{description} |
244 | \item[Safety (clip).] | 244 | \item[Safety (clip).] |
245 | This preset will lower the gain when the levels get too high (-1dB) | 245 | This preset will lower the gain when the levels get too high (-1 dB) |
246 | and will never increase gain. | 246 | and will never increase gain. |
247 | 247 | ||
248 | \item[Live (slow).] | 248 | \item[Live (slow).] |
249 | This preset is designed to be used for recording of live shows and has | 249 | This preset is designed to be used for recording of live shows and has |
250 | quite large headroom for loud parts. It heads for a nominal target peak | 250 | quite large headroom for loud parts. It heads for a nominal target peak |
251 | level of -9dB and will slowly increase or decrease gain to reach it. | 251 | level of -9 dB and will slowly increase or decrease gain to reach it. |
252 | 252 | ||
253 | \item[DJ-Set (slow).] | 253 | \item[DJ-Set (slow).] |
254 | This preset heads for a nominal target peak level of -5dB and will | 254 | This preset heads for a nominal target peak level of -5 dB and will |
255 | slowly increase or decrease gain to reach it. | 255 | slowly increase or decrease gain to reach it. |
256 | 256 | ||
257 | \item[Medium.] | 257 | \item[Medium.] |
258 | This preset heads for a nominal target peak level of -6dB and will | 258 | This preset heads for a nominal target peak level of -6 dB and will |
259 | increase or decrease gain to reach it. | 259 | increase or decrease gain to reach it. |
260 | 260 | ||
261 | \item[Voice (fast).] | 261 | \item[Voice (fast).] |
262 | This preset is designed to be used for voice recording and heads for a | 262 | This preset is designed to be used for voice recording and heads for a |
263 | nominal target peak level of -7dB and will quickly increase or | 263 | nominal target peak level of -7 dB and will quickly increase or |
264 | decrease gain to reach it. | 264 | decrease gain to reach it. |
265 | \end{description} | 265 | \end{description} |
266 | 266 | ||
diff --git a/manual/configure_rockbox/sound_settings.tex b/manual/configure_rockbox/sound_settings.tex index bbfbd5b97a..13577b2db1 100644 --- a/manual/configure_rockbox/sound_settings.tex +++ b/manual/configure_rockbox/sound_settings.tex | |||
@@ -24,7 +24,7 @@ change to customise your listening experience. | |||
24 | \opt{ipodnano}{minimum of -72 dB to a maximum of +6 dB.}% | 24 | \opt{ipodnano}{minimum of -72 dB to a maximum of +6 dB.}% |
25 | \opt{ipodvideo}{minimum of -89 dB to a maximum of +6 dB.}% | 25 | \opt{ipodvideo}{minimum of -89 dB to a maximum of +6 dB.}% |
26 | \opt{ipodnano2g,ipodcolor,ipod1g2g,h10,h10_5gb,sansa,sansaAMS}{minimum of | 26 | \opt{ipodnano2g,ipodcolor,ipod1g2g,h10,h10_5gb,sansa,sansaAMS}{minimum of |
27 | -74 dB to a maximum of +6 db.}% | 27 | -74 dB to a maximum of +6 dB.}% |
28 | \opt{gigabeats}{minimum of -90 dB to a maximum of +6 dB.}% | 28 | \opt{gigabeats}{minimum of -90 dB to a maximum of +6 dB.}% |
29 | \opt{gigabeatf}{minimum of -74 dB to a maximum of +6 dB.}% | 29 | \opt{gigabeatf}{minimum of -74 dB to a maximum of +6 dB.}% |
30 | \opt{ipodvideo}{\\Remark: Lowering the volume below -57 dB will also affect the line-out | 30 | \opt{ipodvideo}{\\Remark: Lowering the volume below -57 dB will also affect the line-out |
@@ -138,7 +138,7 @@ change to customise your listening experience. | |||
138 | Auto volume is a feature that automatically lowers the volume on loud parts, | 138 | Auto volume is a feature that automatically lowers the volume on loud parts, |
139 | and then slowly restores the volume to the previous level over a time | 139 | and then slowly restores the volume to the previous level over a time |
140 | interval. This setting allows this time interval to be configured. Short | 140 | interval. This setting allows this time interval to be configured. Short |
141 | values like 20ms are useful for ensuring a constant volume for in-car use and | 141 | values like 20 ms are useful for ensuring a constant volume for in-car use and |
142 | other applications where background noise makes a constant loudness desirable. | 142 | other applications where background noise makes a constant loudness desirable. |
143 | A longer timeout means that the change in volume back to the previous level | 143 | A longer timeout means that the change in volume back to the previous level |
144 | will be smoother, so there will be fewer sharp changes in volume level. | 144 | will be smoother, so there will be fewer sharp changes in volume level. |
@@ -149,7 +149,7 @@ change to customise your listening experience. | |||
149 | This setting changes the threshold at which bass frequencies are affected by | 149 | This setting changes the threshold at which bass frequencies are affected by |
150 | the \setting{Loudness} setting, making the sound of drums and bass guitar | 150 | the \setting{Loudness} setting, making the sound of drums and bass guitar |
151 | louder in comparison to the rest of the sound. This setting only has an | 151 | louder in comparison to the rest of the sound. This setting only has an |
152 | effect if \setting{Loudness} is set to a value larger than 0dB. | 152 | effect if \setting{Loudness} is set to a value larger than 0 dB. |
153 | } | 153 | } |
154 | 154 | ||
155 | \opt{masf}{ | 155 | \opt{masf}{ |
@@ -199,10 +199,10 @@ change to customise your listening experience. | |||
199 | % | 199 | % |
200 | \begin{table}[h!] | 200 | \begin{table}[h!] |
201 | \begin{rbtabular}{0.5\textwidth}{Xc}{Setting & Value}{}{} | 201 | \begin{rbtabular}{0.5\textwidth}{Xc}{Setting & Value}{}{} |
202 | MDB Strength & 50dB \\ | 202 | MDB Strength & 50 dB \\ |
203 | MDB Harmonics & 48\% \\ | 203 | MDB Harmonics & 48\% \\ |
204 | MDB Centre Frequency & 60Hz \\ | 204 | MDB Centre Frequency & 60 Hz \\ |
205 | MDB Shape & 90Hz \\ | 205 | MDB Shape & 90 Hz \\ |
206 | \end{rbtabular} | 206 | \end{rbtabular} |
207 | \end{table} | 207 | \end{table} |
208 | 208 | ||
@@ -496,5 +496,5 @@ compressed. Once the compressor determines that compression is necessary, | |||
496 | the input signal is reduced appropriately, but the gain isn't allowed to | 496 | the input signal is reduced appropriately, but the gain isn't allowed to |
497 | immediately return to normal levels. This is necessary to reduce artifacts | 497 | immediately return to normal levels. This is necessary to reduce artifacts |
498 | such as "pumping." Instead, the gain is allowed to return to normal at the | 498 | such as "pumping." Instead, the gain is allowed to return to normal at the |
499 | chosen rate. Release Time is the time for the gain to recover by 10dB. | 499 | chosen rate. Release Time is the time for the gain to recover by 10 dB. |
500 | } | 500 | } |