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author | Solomon Peachy <pizza@shaftnet.org> | 2020-07-26 08:56:22 -0400 |
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committer | Solomon Peachy <pizza@shaftnet.org> | 2020-07-27 13:10:27 -0400 |
commit | c81e1e1bf1addf05af62d14047fad3a3cfb4c76c (patch) | |
tree | 7c2dc80dec411e1d961803e8b999921e8e05e56f /manual/configure_rockbox/recording_settings.tex | |
parent | aee6459d7fee84074dc3f0a12e7b1ba6132ba9bd (diff) | |
download | rockbox-c81e1e1bf1addf05af62d14047fad3a3cfb4c76c.tar.gz rockbox-c81e1e1bf1addf05af62d14047fad3a3cfb4c76c.zip |
manual: Strip out a few more archos-specific chunks
Change-Id: If875fc86888491d8b26d9090ae3ae778dc32aa31
Diffstat (limited to 'manual/configure_rockbox/recording_settings.tex')
-rw-r--r-- | manual/configure_rockbox/recording_settings.tex | 38 |
1 files changed, 0 insertions, 38 deletions
diff --git a/manual/configure_rockbox/recording_settings.tex b/manual/configure_rockbox/recording_settings.tex index 09b5b76b3c..9a5ddb30a6 100644 --- a/manual/configure_rockbox/recording_settings.tex +++ b/manual/configure_rockbox/recording_settings.tex | |||
@@ -6,29 +6,6 @@ | |||
6 | where you want to store them in the \setting{File Browser} and select | 6 | where you want to store them in the \setting{File Browser} and select |
7 | \setting{Set As Recording Directory}.} | 7 | \setting{Set As Recording Directory}.} |
8 | 8 | ||
9 | \opt{masf}{ | ||
10 | \section{Quality} | ||
11 | Choose the quality here (0 to 7). Default is 5, best quality is 7, | ||
12 | smallest file size is 0. This setting affects how much your sound | ||
13 | sample will be compressed. Higher quality settings result in larger | ||
14 | MP3 files. | ||
15 | |||
16 | The quality setting is just a way of selecting an average bit rate, | ||
17 | or number of bits per second, for a recording. When this setting | ||
18 | is lowered, recordings are compressed more (meaning worse sound quality), | ||
19 | and the average bitrate changes as follows. | ||
20 | |||
21 | \begin{table}[h!] | ||
22 | \begin{rbtabular}{0.75\textwidth}{lX}% | ||
23 | {\emph{Frequency} & \emph{Bitrate} (Kbit/s) -- quality 0$\rightarrow$7}{}{} | ||
24 | 44100~Hz stereo & 75, 80, 90, 100, 120, 140, 160, 170 \\ | ||
25 | 22050~Hz stereo & 39, 41, 45, 50, 60, 80, 110, 130 \\ | ||
26 | 44100~Hz mono & 65, 68, 73, 80, 90, 105, 125, 140 \\ | ||
27 | 22050~Hz mono & 35, 38, 40, 45, 50, 60, 75, 90 \\ | ||
28 | \end{rbtabular} | ||
29 | \end{table} | ||
30 | } | ||
31 | |||
32 | \opt{swcodec}{ | 9 | \opt{swcodec}{ |
33 | \section{Format} | 10 | \section{Format} |
34 | Choose which format to save your recording in. The available choices are | 11 | Choose which format to save your recording in. The available choices are |
@@ -49,8 +26,6 @@ | |||
49 | {44.1~kHz, 22.05~kHz and 11.025~kHz} | 26 | {44.1~kHz, 22.05~kHz and 11.025~kHz} |
50 | \opt{iaudiom3,iaudiom5,iaudiox5,vibe500} | 27 | \opt{iaudiom3,iaudiom5,iaudiox5,vibe500} |
51 | {88.2~kHz, 44.1~kHz, 22.05~kHz and 11.025~kHz} | 28 | {88.2~kHz, 44.1~kHz, 22.05~kHz and 11.025~kHz} |
52 | \opt{masf} | ||
53 | {48~kHz, 44.1~kHz, 32~kHz, 24~kHz, 22.05~kHz and 16~kHz} | ||
54 | \opt{iriverh10} | 29 | \opt{iriverh10} |
55 | {96~kHz, 88.2~kHz, 48~kHz, 44.1~kHz, 32~kHz and 8~kHz} | 30 | {96~kHz, 88.2~kHz, 48~kHz, 44.1~kHz, 32~kHz and 8~kHz} |
56 | \opt{samsungyh} | 31 | \opt{samsungyh} |
@@ -67,12 +42,6 @@ | |||
67 | \opt{swcodec}{\note{The 11.025~kHz setting is not available when using % | 42 | \opt{swcodec}{\note{The 11.025~kHz setting is not available when using % |
68 | \setting{MPEG Layer~3} format.} | 43 | \setting{MPEG Layer~3} format.} |
69 | } | 44 | } |
70 | \opt{masf}{ | ||
71 | The frequency setting also determines which version of the MPEG standard | ||
72 | the sound is recorded using:\\ | ||
73 | MPEG~1 for 48~kHz, 44.1~kHz and 32~kHz.\\ | ||
74 | MPEG~2 for 24~kHz, 22.05~kHz and 16~kHz.\\ | ||
75 | } | ||
76 | \opt{recording_digital} | 45 | \opt{recording_digital} |
77 | {\note{You cannot change the sample rate for digital recordings.} | 46 | {\note{You cannot change the sample rate for digital recordings.} |
78 | } | 47 | } |
@@ -117,13 +86,6 @@ | |||
117 | setting to configure how the mono signal is created. Options are L, R and L+R. | 86 | setting to configure how the mono signal is created. Options are L, R and L+R. |
118 | } | 87 | } |
119 | 88 | ||
120 | \opt{masf}{ | ||
121 | \section{Independent Frames} | ||
122 | The independent frames option tells the \dap{} to encode with the bit | ||
123 | reservoir disabled, so the frames are independent of each other. This | ||
124 | makes a file easier to edit. | ||
125 | } | ||
126 | |||
127 | \section{File Split Options} | 89 | \section{File Split Options} |
128 | This sub menu contains options for file splitting, which can be used to split | 90 | This sub menu contains options for file splitting, which can be used to split |
129 | up long recordings into manageable pieces. The splits are seamless (frame | 91 | up long recordings into manageable pieces. The splits are seamless (frame |