From c81e1e1bf1addf05af62d14047fad3a3cfb4c76c Mon Sep 17 00:00:00 2001
From: Solomon Peachy <pizza@shaftnet.org>
Date: Sun, 26 Jul 2020 08:56:22 -0400
Subject: manual:  Strip out a few more archos-specific chunks

Change-Id: If875fc86888491d8b26d9090ae3ae778dc32aa31
---
 manual/configure_rockbox/recording_settings.tex | 38 -------------------------
 1 file changed, 38 deletions(-)

(limited to 'manual/configure_rockbox/recording_settings.tex')

diff --git a/manual/configure_rockbox/recording_settings.tex b/manual/configure_rockbox/recording_settings.tex
index 09b5b76b3c..9a5ddb30a6 100644
--- a/manual/configure_rockbox/recording_settings.tex
+++ b/manual/configure_rockbox/recording_settings.tex
@@ -6,29 +6,6 @@
       where you want to store them in the \setting{File Browser} and select
       \setting{Set As Recording Directory}.}
 
-\opt{masf}{
-  \section{Quality}
-    Choose the quality here (0 to 7). Default is 5, best quality is 7,
-    smallest file size is 0. This setting affects how much your sound
-    sample will be compressed. Higher quality settings result in larger
-    MP3 files.
-    
-    The quality setting is just a way of selecting an average bit rate,
-    or number of  bits per second, for a recording.  When  this setting
-    is lowered, recordings are compressed more (meaning worse sound quality),
-    and the average bitrate changes as follows.
-  
-  \begin{table}[h!]
-      \begin{rbtabular}{0.75\textwidth}{lX}%
-        {\emph{Frequency} & \emph{Bitrate} (Kbit/s) -- quality 0$\rightarrow$7}{}{}
-        44100~Hz stereo   & 75, 80, 90, 100, 120, 140, 160, 170 \\
-        22050~Hz stereo   & 39, 41, 45, 50,  60,  80,  110, 130 \\
-        44100~Hz mono     & 65, 68, 73, 80,  90,  105, 125, 140 \\
-        22050~Hz mono     & 35, 38, 40, 45,  50,  60,  75,  90 \\
-      \end{rbtabular}
-  \end{table}
-}
-
 \opt{swcodec}{
   \section{Format}
     Choose which format to save your recording in. The available choices are
@@ -49,8 +26,6 @@
         {44.1~kHz, 22.05~kHz and 11.025~kHz}
     \opt{iaudiom3,iaudiom5,iaudiox5,vibe500}
         {88.2~kHz, 44.1~kHz, 22.05~kHz and 11.025~kHz}
-    \opt{masf}
-        {48~kHz, 44.1~kHz, 32~kHz, 24~kHz, 22.05~kHz and 16~kHz}
     \opt{iriverh10}
         {96~kHz, 88.2~kHz, 48~kHz, 44.1~kHz, 32~kHz and 8~kHz}
     \opt{samsungyh}
@@ -67,12 +42,6 @@
     \opt{swcodec}{\note{The 11.025~kHz setting is not available when using %
       \setting{MPEG Layer~3} format.}
     }
-    \opt{masf}{
-      The frequency setting also determines which version of the MPEG standard
-      the sound is recorded using:\\
-      MPEG~1 for 48~kHz, 44.1~kHz and 32~kHz.\\
-      MPEG~2 for 24~kHz, 22.05~kHz and 16~kHz.\\
-    }
     \opt{recording_digital}
       {\note{You cannot change the sample rate for digital recordings.}
     }
@@ -117,13 +86,6 @@
     setting to configure how the mono signal is created. Options are L, R and L+R.
 }
 
-\opt{masf}{
-  \section{Independent Frames}
-    The independent frames option tells the \dap{} to encode with the bit
-    reservoir disabled, so the frames are independent of each other. This
-    makes a file easier to edit.
-}
-      
 \section{File Split Options}
   This sub menu contains options for file splitting, which can be used to split
   up long recordings into manageable pieces. The splits are seamless (frame
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