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author | Andree Buschmann <AndreeBuschmann@t-online.de> | 2010-05-06 18:41:41 +0000 |
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committer | Andree Buschmann <AndreeBuschmann@t-online.de> | 2010-05-06 18:41:41 +0000 |
commit | ba0f8310bcec7dc631a6ce07c0c2c0c9059610f1 (patch) | |
tree | 373860650e6d72c6329326ccd344b524da694c91 /manual/configure_rockbox/recording_settings.tex | |
parent | 0a1d7c28b7e9da555d26d489cde2da26e2cc9ca0 (diff) | |
download | rockbox-ba0f8310bcec7dc631a6ce07c0c2c0c9059610f1.tar.gz rockbox-ba0f8310bcec7dc631a6ce07c0c2c0c9059610f1.zip |
Use correct spelling for 'dB'.
git-svn-id: svn://svn.rockbox.org/rockbox/trunk@25845 a1c6a512-1295-4272-9138-f99709370657
Diffstat (limited to 'manual/configure_rockbox/recording_settings.tex')
-rw-r--r-- | manual/configure_rockbox/recording_settings.tex | 118 |
1 files changed, 59 insertions, 59 deletions
diff --git a/manual/configure_rockbox/recording_settings.tex b/manual/configure_rockbox/recording_settings.tex index 14a53e9b4a..fe938496e5 100644 --- a/manual/configure_rockbox/recording_settings.tex +++ b/manual/configure_rockbox/recording_settings.tex | |||
@@ -34,7 +34,7 @@ | |||
34 | Choose which format to save your recording in. The available choices are | 34 | Choose which format to save your recording in. The available choices are |
35 | the two uncompressed formats \setting{PCM Wave} and \setting{AIFF}, the | 35 | the two uncompressed formats \setting{PCM Wave} and \setting{AIFF}, the |
36 | losslessly compressed \setting{WavPack} and the lossy | 36 | losslessly compressed \setting{WavPack} and the lossy |
37 | \setting{MPEG Layer 3}. | 37 | \setting{MPEG Layer 3}. |
38 | 38 | ||
39 | \section{Encoder Settings} | 39 | \section{Encoder Settings} |
40 | This sets the bitrate when using the \setting{MPEG Layer 3} format. And has | 40 | This sets the bitrate when using the \setting{MPEG Layer 3} format. And has |
@@ -163,75 +163,75 @@ | |||
163 | parameters to adapt its behaviour to the desired situation. | 163 | parameters to adapt its behaviour to the desired situation. |
164 | \begin{description} | 164 | \begin{description} |
165 | \item[Trigger.] | 165 | \item[Trigger.] |
166 | This parameter specifies the trigger mode. When set to \setting{Off} | 166 | This parameter specifies the trigger mode. When set to \setting{Off} |
167 | the recording must be started manually and apart from the Prerecord time no | 167 | the recording must be started manually and apart from the Prerecord time no |
168 | other parameter has any effect. \setting{Once} will have the trigger start | 168 | other parameter has any effect. \setting{Once} will have the trigger start |
169 | one recording only; after the recording has finished the input signal will | 169 | one recording only; after the recording has finished the input signal will |
170 | not start another recording. \setting{Repeat} will have the trigger start | 170 | not start another recording. \setting{Repeat} will have the trigger start |
171 | multiple recordings. | 171 | multiple recordings. |
172 | 172 | ||
173 | \item[Trigtype.] | 173 | \item[Trigtype.] |
174 | \fixme{Add description of Trigtype} | 174 | \fixme{Add description of Trigtype} |
175 | Options: \setting{Stop}, \setting{Pause}, \setting{New File}. | 175 | Options: \setting{Stop}, \setting{Pause}, \setting{New File}. |
176 | 176 | ||
177 | \item[Prerecord Time.] | 177 | \item[Prerecord Time.] |
178 | This specifies the time that is included into the recording before the | 178 | This specifies the time that is included into the recording before the |
179 | trigger event occurs. This is very useful if you record a signal that | 179 | trigger event occurs. This is very useful if you record a signal that |
180 | fades in. Usually you want to set the prerecord time greater than or | 180 | fades in. Usually you want to set the prerecord time greater than or |
181 | equal to the start duration. That ensures that you record the entire | 181 | equal to the start duration. That ensures that you record the entire |
182 | sound. Strictly speaking the prerecord time is not a special parameter | 182 | sound. Strictly speaking the prerecord time is not a special parameter |
183 | of the trigger. It is available during normal recordings too. | 183 | of the trigger. It is available during normal recordings too. |
184 | 184 | ||
185 | \item[Start Above.] | 185 | \item[Start Above.] |
186 | The start threshold defines the minimal volume a sound must have to start the | 186 | The start threshold defines the minimal volume a sound must have to start the |
187 | recording. It is displayed numerically in the line "Start Above". Note that | 187 | recording. It is displayed numerically in the line "Start Above". Note that |
188 | the unit of the threshold depends on the settings of the peak meter. (i.e. | 188 | the unit of the threshold depends on the settings of the peak meter. (i.e. |
189 | When the peak meter displays db you can adjust the level in db and when the | 189 | When the peak meter displays dB you can adjust the level in dB and when the |
190 | peak meter is set to linear the threshold is displayed as percentage.) In the | 190 | peak meter is set to linear the threshold is displayed as percentage.) In the |
191 | peak meter at the bottom of the screen the start threshold is displayed | 191 | peak meter at the bottom of the screen the start threshold is displayed |
192 | graphically by a little triangle pointing to the right. There are two special | 192 | graphically by a little triangle pointing to the right. There are two special |
193 | values. The value \setting{Off} turns the start condition off. With this | 193 | values. The value \setting{Off} turns the start condition off. With this |
194 | setting you have to start the recording manually and the trigger only stops | 194 | setting you have to start the recording manually and the trigger only stops |
195 | the recording according to the stop condition. The setting \setting{-inf} | 195 | the recording according to the stop condition. The setting \setting{-inf} |
196 | sets the trigger to the absolute minimum. This setting only makes sense when | 196 | sets the trigger to the absolute minimum. This setting only makes sense when |
197 | you record via a digital input as even the noise of the device itself would | 197 | you record via a digital input as even the noise of the device itself would |
198 | exceed this threshold immediately. | 198 | exceed this threshold immediately. |
199 | 199 | ||
200 | \item[for at least.] | 200 | \item[for at least.] |
201 | The start duration defines the minimal duration that a signal must exceed the | 201 | The start duration defines the minimal duration that a signal must exceed the |
202 | start threshold to start the recording. Depending on your situation you may | 202 | start threshold to start the recording. Depending on your situation you may |
203 | want to set this setting to 0 (e.g. when copying a song from a commercial | 203 | want to set this setting to 0 (e.g. when copying a song from a commercial |
204 | medium) or to quite big values. Because sound is not continuous by nature | 204 | medium) or to quite big values. Because sound is not continuous by nature |
205 | (think of percussion) neglectable dropouts are tolerated during this start | 205 | (think of percussion) neglectable dropouts are tolerated during this start |
206 | duration. | 206 | duration. |
207 | 207 | ||
208 | \item[Stop Below.] | 208 | \item[Stop Below.] |
209 | When the sound level drops below the stop threshold the recording is stopped. | 209 | When the sound level drops below the stop threshold the recording is stopped. |
210 | It is displayed numerically in the line "Stop Below". Just like the start | 210 | It is displayed numerically in the line "Stop Below". Just like the start |
211 | threshold the unit of the stop threshold depends on the settings of the peak | 211 | threshold the unit of the stop threshold depends on the settings of the peak |
212 | meter. There's also a small triangular marker in the peak meter at the bottom | 212 | meter. There's also a small triangular marker in the peak meter at the bottom |
213 | of the screen. In contrast to the start threshold marker it points to the | 213 | of the screen. In contrast to the start threshold marker it points to the |
214 | left. The value \setting{Off} turns the stop condition off. With this setting you | 214 | left. The value \setting{Off} turns the stop condition off. With this setting you |
215 | have to stop the recording manually. | 215 | have to stop the recording manually. |
216 | 216 | ||
217 | \item[for at least.] | 217 | \item[for at least.] |
218 | This time specifies the duration the signal must drop below the stop | 218 | This time specifies the duration the signal must drop below the stop |
219 | threshold to stop the recording. By selecting high values you can ensure | 219 | threshold to stop the recording. By selecting high values you can ensure |
220 | that, for example, trailing fade-outs are recorded entirely. | 220 | that, for example, trailing fade-outs are recorded entirely. |
221 | 221 | ||
222 | \item[Presplit Gap.] | 222 | \item[Presplit Gap.] |
223 | When the signal drops below the stop threshold for the time specified by the | 223 | When the signal drops below the stop threshold for the time specified by the |
224 | presplit gap a new recording may be started when the signal raises above the | 224 | presplit gap a new recording may be started when the signal raises above the |
225 | start threshold. Thus the value of the presplit gap should be smaller than | 225 | start threshold. Thus the value of the presplit gap should be smaller than |
226 | the stop hold time. Otherwise the recording would stop anyway and the | 226 | the stop hold time. Otherwise the recording would stop anyway and the |
227 | presplit gap has no effect. For most uses I recommend to set this parameter | 227 | presplit gap has no effect. For most uses I recommend to set this parameter |
228 | equal to the stop hold time. Sometimes you may encounter a sound source (e.g. | 228 | equal to the stop hold time. Sometimes you may encounter a sound source (e.g. |
229 | a CD) where the songs have fade outs and hardly any gaps between the tracks. | 229 | a CD) where the songs have fade outs and hardly any gaps between the tracks. |
230 | Here you can set the stop hold time to long values to ensure that all fade | 230 | Here you can set the stop hold time to long values to ensure that all fade |
231 | outs are recorded completely. By specifying a short presplit gap you still | 231 | outs are recorded completely. By specifying a short presplit gap you still |
232 | can split the recording into seperate tracks whenever the trigger start | 232 | can split the recording into seperate tracks whenever the trigger start |
233 | condition is met. | 233 | condition is met. |
234 | 234 | ||
235 | \end{description} | 235 | \end{description} |
236 | 236 | ||
237 | More information can be found at \wikilink{VolumeTriggeredRecording}. | 237 | More information can be found at \wikilink{VolumeTriggeredRecording}. |