From ba0f8310bcec7dc631a6ce07c0c2c0c9059610f1 Mon Sep 17 00:00:00 2001 From: Andree Buschmann Date: Thu, 6 May 2010 18:41:41 +0000 Subject: Use correct spelling for 'dB'. git-svn-id: svn://svn.rockbox.org/rockbox/trunk@25845 a1c6a512-1295-4272-9138-f99709370657 --- manual/configure_rockbox/recording_settings.tex | 118 ++++++++++++------------ 1 file changed, 59 insertions(+), 59 deletions(-) (limited to 'manual/configure_rockbox/recording_settings.tex') diff --git a/manual/configure_rockbox/recording_settings.tex b/manual/configure_rockbox/recording_settings.tex index 14a53e9b4a..fe938496e5 100644 --- a/manual/configure_rockbox/recording_settings.tex +++ b/manual/configure_rockbox/recording_settings.tex @@ -34,7 +34,7 @@ Choose which format to save your recording in. The available choices are the two uncompressed formats \setting{PCM Wave} and \setting{AIFF}, the losslessly compressed \setting{WavPack} and the lossy - \setting{MPEG Layer 3}. + \setting{MPEG Layer 3}. \section{Encoder Settings} This sets the bitrate when using the \setting{MPEG Layer 3} format. And has @@ -163,75 +163,75 @@ parameters to adapt its behaviour to the desired situation. \begin{description} \item[Trigger.] - This parameter specifies the trigger mode. When set to \setting{Off} - the recording must be started manually and apart from the Prerecord time no - other parameter has any effect. \setting{Once} will have the trigger start - one recording only; after the recording has finished the input signal will - not start another recording. \setting{Repeat} will have the trigger start - multiple recordings. - + This parameter specifies the trigger mode. When set to \setting{Off} + the recording must be started manually and apart from the Prerecord time no + other parameter has any effect. \setting{Once} will have the trigger start + one recording only; after the recording has finished the input signal will + not start another recording. \setting{Repeat} will have the trigger start + multiple recordings. + \item[Trigtype.] \fixme{Add description of Trigtype} - Options: \setting{Stop}, \setting{Pause}, \setting{New File}. - + Options: \setting{Stop}, \setting{Pause}, \setting{New File}. + \item[Prerecord Time.] This specifies the time that is included into the recording before the - trigger event occurs. This is very useful if you record a signal that - fades in. Usually you want to set the prerecord time greater than or - equal to the start duration. That ensures that you record the entire - sound. Strictly speaking the prerecord time is not a special parameter - of the trigger. It is available during normal recordings too. - + trigger event occurs. This is very useful if you record a signal that + fades in. Usually you want to set the prerecord time greater than or + equal to the start duration. That ensures that you record the entire + sound. Strictly speaking the prerecord time is not a special parameter + of the trigger. It is available during normal recordings too. + \item[Start Above.] - The start threshold defines the minimal volume a sound must have to start the - recording. It is displayed numerically in the line "Start Above". Note that - the unit of the threshold depends on the settings of the peak meter. (i.e. - When the peak meter displays db you can adjust the level in db and when the - peak meter is set to linear the threshold is displayed as percentage.) In the - peak meter at the bottom of the screen the start threshold is displayed - graphically by a little triangle pointing to the right. There are two special - values. The value \setting{Off} turns the start condition off. With this - setting you have to start the recording manually and the trigger only stops - the recording according to the stop condition. The setting \setting{-inf} - sets the trigger to the absolute minimum. This setting only makes sense when - you record via a digital input as even the noise of the device itself would - exceed this threshold immediately. - + The start threshold defines the minimal volume a sound must have to start the + recording. It is displayed numerically in the line "Start Above". Note that + the unit of the threshold depends on the settings of the peak meter. (i.e. + When the peak meter displays dB you can adjust the level in dB and when the + peak meter is set to linear the threshold is displayed as percentage.) In the + peak meter at the bottom of the screen the start threshold is displayed + graphically by a little triangle pointing to the right. There are two special + values. The value \setting{Off} turns the start condition off. With this + setting you have to start the recording manually and the trigger only stops + the recording according to the stop condition. The setting \setting{-inf} + sets the trigger to the absolute minimum. This setting only makes sense when + you record via a digital input as even the noise of the device itself would + exceed this threshold immediately. + \item[for at least.] - The start duration defines the minimal duration that a signal must exceed the - start threshold to start the recording. Depending on your situation you may - want to set this setting to 0 (e.g. when copying a song from a commercial - medium) or to quite big values. Because sound is not continuous by nature - (think of percussion) neglectable dropouts are tolerated during this start - duration. - + The start duration defines the minimal duration that a signal must exceed the + start threshold to start the recording. Depending on your situation you may + want to set this setting to 0 (e.g. when copying a song from a commercial + medium) or to quite big values. Because sound is not continuous by nature + (think of percussion) neglectable dropouts are tolerated during this start + duration. + \item[Stop Below.] - When the sound level drops below the stop threshold the recording is stopped. - It is displayed numerically in the line "Stop Below". Just like the start - threshold the unit of the stop threshold depends on the settings of the peak - meter. There's also a small triangular marker in the peak meter at the bottom - of the screen. In contrast to the start threshold marker it points to the - left. The value \setting{Off} turns the stop condition off. With this setting you - have to stop the recording manually. - + When the sound level drops below the stop threshold the recording is stopped. + It is displayed numerically in the line "Stop Below". Just like the start + threshold the unit of the stop threshold depends on the settings of the peak + meter. There's also a small triangular marker in the peak meter at the bottom + of the screen. In contrast to the start threshold marker it points to the + left. The value \setting{Off} turns the stop condition off. With this setting you + have to stop the recording manually. + \item[for at least.] This time specifies the duration the signal must drop below the stop - threshold to stop the recording. By selecting high values you can ensure - that, for example, trailing fade-outs are recorded entirely. - + threshold to stop the recording. By selecting high values you can ensure + that, for example, trailing fade-outs are recorded entirely. + \item[Presplit Gap.] When the signal drops below the stop threshold for the time specified by the - presplit gap a new recording may be started when the signal raises above the - start threshold. Thus the value of the presplit gap should be smaller than - the stop hold time. Otherwise the recording would stop anyway and the - presplit gap has no effect. For most uses I recommend to set this parameter - equal to the stop hold time. Sometimes you may encounter a sound source (e.g. - a CD) where the songs have fade outs and hardly any gaps between the tracks. - Here you can set the stop hold time to long values to ensure that all fade - outs are recorded completely. By specifying a short presplit gap you still - can split the recording into seperate tracks whenever the trigger start - condition is met. - + presplit gap a new recording may be started when the signal raises above the + start threshold. Thus the value of the presplit gap should be smaller than + the stop hold time. Otherwise the recording would stop anyway and the + presplit gap has no effect. For most uses I recommend to set this parameter + equal to the stop hold time. Sometimes you may encounter a sound source (e.g. + a CD) where the songs have fade outs and hardly any gaps between the tracks. + Here you can set the stop hold time to long values to ensure that all fade + outs are recorded completely. By specifying a short presplit gap you still + can split the recording into seperate tracks whenever the trigger start + condition is met. + \end{description} More information can be found at \wikilink{VolumeTriggeredRecording}. -- cgit v1.2.3