From ba0f8310bcec7dc631a6ce07c0c2c0c9059610f1 Mon Sep 17 00:00:00 2001
From: Andree Buschmann <AndreeBuschmann@t-online.de>
Date: Thu, 6 May 2010 18:41:41 +0000
Subject: Use correct spelling for 'dB'.

git-svn-id: svn://svn.rockbox.org/rockbox/trunk@25845 a1c6a512-1295-4272-9138-f99709370657
---
 manual/configure_rockbox/recording_settings.tex | 118 ++++++++++++------------
 1 file changed, 59 insertions(+), 59 deletions(-)

(limited to 'manual/configure_rockbox/recording_settings.tex')

diff --git a/manual/configure_rockbox/recording_settings.tex b/manual/configure_rockbox/recording_settings.tex
index 14a53e9b4a..fe938496e5 100644
--- a/manual/configure_rockbox/recording_settings.tex
+++ b/manual/configure_rockbox/recording_settings.tex
@@ -34,7 +34,7 @@
     Choose which format to save your recording in. The available choices are
     the two uncompressed formats \setting{PCM Wave} and \setting{AIFF}, the
     losslessly compressed \setting{WavPack} and the lossy
-	\setting{MPEG Layer 3}.
+    \setting{MPEG Layer 3}.
 
   \section{Encoder Settings}
     This sets the bitrate when using the \setting{MPEG Layer 3} format. And has
@@ -163,75 +163,75 @@
   parameters to adapt its behaviour to the desired situation.
   \begin{description}
   \item[Trigger.]
-	This parameter specifies the trigger mode.  When set to \setting{Off}
-	the recording must be started manually and apart from the Prerecord time no
-	other parameter has any effect.  \setting{Once} will have the trigger start
-	one recording only; after the recording has finished the input signal will
-	not start another recording. \setting{Repeat} will have the trigger start 
-	multiple recordings.
-	
+    This parameter specifies the trigger mode.  When set to \setting{Off}
+    the recording must be started manually and apart from the Prerecord time no
+    other parameter has any effect.  \setting{Once} will have the trigger start
+    one recording only; after the recording has finished the input signal will
+    not start another recording. \setting{Repeat} will have the trigger start 
+    multiple recordings.
+    
   \item[Trigtype.]
     \fixme{Add description of Trigtype}
-	Options: \setting{Stop}, \setting{Pause}, \setting{New File}.
-	
+    Options: \setting{Stop}, \setting{Pause}, \setting{New File}.
+    
   \item[Prerecord Time.]
     This specifies the time that is included into the recording before the
-	trigger event occurs. This is very useful if you record a signal that
-       fades in. Usually you want to set the prerecord time greater than or
-	equal to the start duration. That ensures that you record the entire
-	sound. Strictly speaking the prerecord time is not a special parameter
-	of the trigger. It is available during normal recordings too.
-	
+    trigger event occurs. This is very useful if you record a signal that
+    fades in. Usually you want to set the prerecord time greater than or
+    equal to the start duration. That ensures that you record the entire
+    sound. Strictly speaking the prerecord time is not a special parameter
+    of the trigger. It is available during normal recordings too.
+    
   \item[Start Above.]
-	The start threshold defines the minimal volume a sound must have to start the
-	recording. It is displayed numerically in the line "Start Above". Note that
-	the unit of the threshold depends on the settings of the peak meter. (i.e.
-	When the peak meter displays db you can adjust the level in db and when the
-	peak meter is set to linear the threshold is displayed as percentage.) In the
-	peak meter at the bottom of the screen the start threshold is displayed
-	graphically by a little triangle pointing to the right. There are two special
-	values. The value \setting{Off} turns the start condition off.  With this
-	setting you have to start the recording manually and the trigger only stops
-	the recording according to the stop condition. The setting \setting{-inf}
-	sets the trigger to the absolute minimum. This setting only makes sense when
-	you record via a digital input as even the noise of the device itself would
-	exceed this threshold immediately.
-	
+    The start threshold defines the minimal volume a sound must have to start the
+    recording. It is displayed numerically in the line "Start Above". Note that
+    the unit of the threshold depends on the settings of the peak meter. (i.e.
+    When the peak meter displays dB you can adjust the level in dB and when the
+    peak meter is set to linear the threshold is displayed as percentage.) In the
+    peak meter at the bottom of the screen the start threshold is displayed
+    graphically by a little triangle pointing to the right. There are two special
+    values. The value \setting{Off} turns the start condition off.  With this
+    setting you have to start the recording manually and the trigger only stops
+    the recording according to the stop condition. The setting \setting{-inf}
+    sets the trigger to the absolute minimum. This setting only makes sense when
+    you record via a digital input as even the noise of the device itself would
+    exceed this threshold immediately.
+    
   \item[for at least.]
-	The start duration defines the minimal duration that a signal must exceed the
-	start threshold to start the recording. Depending on your situation you may
-	want to set this setting to 0 (e.g. when copying a song from a commercial
-	medium) or to quite big values. Because sound is not continuous by nature
-	(think of percussion) neglectable dropouts are tolerated during this start
-	duration.
-	
+    The start duration defines the minimal duration that a signal must exceed the
+    start threshold to start the recording. Depending on your situation you may
+    want to set this setting to 0 (e.g. when copying a song from a commercial
+    medium) or to quite big values. Because sound is not continuous by nature
+    (think of percussion) neglectable dropouts are tolerated during this start
+    duration.
+    
   \item[Stop Below.]
-	When the sound level drops below the stop threshold the recording is stopped.
-	It is displayed numerically in the line "Stop Below". Just like the start
-	threshold the unit of the stop threshold depends on the settings of the peak
-	meter. There's also a small triangular marker in the peak meter at the bottom
-	of the screen. In contrast to the start threshold marker it points to the
-	left. The value \setting{Off} turns the stop condition off. With this setting you
-	have to stop the recording manually.
-	
+    When the sound level drops below the stop threshold the recording is stopped.
+    It is displayed numerically in the line "Stop Below". Just like the start
+    threshold the unit of the stop threshold depends on the settings of the peak
+    meter. There's also a small triangular marker in the peak meter at the bottom
+    of the screen. In contrast to the start threshold marker it points to the
+    left. The value \setting{Off} turns the stop condition off. With this setting you
+    have to stop the recording manually.
+    
   \item[for at least.]
     This time specifies the duration the signal must drop below the stop
-	threshold to stop the recording. By selecting high values you can ensure
-	that, for example, trailing fade-outs are recorded entirely.
-	
+    threshold to stop the recording. By selecting high values you can ensure
+    that, for example, trailing fade-outs are recorded entirely.
+    
   \item[Presplit Gap.]
     When the signal drops below the stop threshold for the time specified by the
-	presplit gap a new recording may be started when the signal raises above the
-	start threshold. Thus the value of the presplit gap should be smaller than
-	the stop hold time. Otherwise the recording would stop anyway and the
-	presplit gap has no effect. For most uses I recommend to set this parameter
-	equal to the stop hold time. Sometimes you may encounter a sound source (e.g.
-	a CD) where the songs have fade outs and hardly any gaps between the tracks.
-	Here you can set the stop hold time to long values to ensure that all fade
-	outs are recorded completely. By specifying a short presplit gap you still
-	can split the recording into seperate tracks whenever the trigger start
-	condition is met.
-	
+    presplit gap a new recording may be started when the signal raises above the
+    start threshold. Thus the value of the presplit gap should be smaller than
+    the stop hold time. Otherwise the recording would stop anyway and the
+    presplit gap has no effect. For most uses I recommend to set this parameter
+    equal to the stop hold time. Sometimes you may encounter a sound source (e.g.
+    a CD) where the songs have fade outs and hardly any gaps between the tracks.
+    Here you can set the stop hold time to long values to ensure that all fade
+    outs are recorded completely. By specifying a short presplit gap you still
+    can split the recording into seperate tracks whenever the trigger start
+    condition is met.
+    
   \end{description}
   
 More information can be found at \wikilink{VolumeTriggeredRecording}.
-- 
cgit v1.2.3

