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-rw-r--r--manual/configure_rockbox/bookmarking.tex6
-rwxr-xr-xmanual/configure_rockbox/display_options.tex117
-rw-r--r--manual/configure_rockbox/main.tex4
-rw-r--r--manual/configure_rockbox/playback_options.tex234
-rw-r--r--manual/configure_rockbox/recording_settings.tex27
-rw-r--r--manual/configure_rockbox/sound_settings.tex16
-rwxr-xr-xmanual/configure_rockbox/system_options.tex40
-rw-r--r--manual/configure_rockbox/theme_settings.tex52
8 files changed, 226 insertions, 270 deletions
diff --git a/manual/configure_rockbox/bookmarking.tex b/manual/configure_rockbox/bookmarking.tex
index 8147715ace..a429b63d21 100644
--- a/manual/configure_rockbox/bookmarking.tex
+++ b/manual/configure_rockbox/bookmarking.tex
@@ -1,9 +1,9 @@
1% $Id$ % 1% $Id$ %
2\section{\label{ref:Bookmarkconfigactual}Bookmarking} 2\section{\label{ref:Bookmarkconfigactual}Bookmarking}
3 Bookmarks allow you to save your current position within a track so that 3 Bookmarks allow you to save your current position within a track so that
4 you can return to it at a later time. \opt{swcodec}{Bookmarks also store 4 you can return to it at a later time. Bookmarks also store rate, pitch
5 rate, pitch and speed information from the \setting{Pitch Screen} (see 5 and speed information from the \setting{Pitch Screen} (see
6 \reference{sec:pitchscreen}).} Bookmarks are saved on a per directory 6 \reference{sec:pitchscreen}). Bookmarks are saved on a per directory
7 basis or for individual (saved) playlists. You can store multiple bookmarks, 7 basis or for individual (saved) playlists. You can store multiple bookmarks,
8 even for the same track. When there's already a bookmark for a directory or 8 even for the same track. When there's already a bookmark for a directory or
9 playlist, new bookmarks are added before existing ones. 9 playlist, new bookmarks are added before existing ones.
diff --git a/manual/configure_rockbox/display_options.tex b/manual/configure_rockbox/display_options.tex
index 33ddc3e18c..f00b0a2da9 100755
--- a/manual/configure_rockbox/display_options.tex
+++ b/manual/configure_rockbox/display_options.tex
@@ -173,11 +173,9 @@
173 \item[Scroll Start Delay.] 173 \item[Scroll Start Delay.]
174 Controls how many milliseconds Rockbox should wait before a new 174 Controls how many milliseconds Rockbox should wait before a new
175 text begins automatically scrolling. 175 text begins automatically scrolling.
176 \opt{lcd_bitmap}{
177 \item[Scroll Step Size.] 176 \item[Scroll Step Size.]
178 Defines the number of pixels the text should move for each step, as used 177 Defines the number of pixels the text should move for each step, as used
179 by the Scroll Speed setting. 178 by the Scroll Speed setting.
180 }
181 \opt{remote}{ 179 \opt{remote}{
182 \item[Remote Scrolling Options.] 180 \item[Remote Scrolling Options.]
183 The options here have the same effect on the remote LCD as the options 181 The options here have the same effect on the remote LCD as the options
@@ -191,22 +189,20 @@
191 Rockbox chooses which method it should use depending of how much it has to 189 Rockbox chooses which method it should use depending of how much it has to
192 scroll to the left. This setting lets you tell Rockbox where that limit 190 scroll to the left. This setting lets you tell Rockbox where that limit
193 is, expressed in percentage of the line length. 191 is, expressed in percentage of the line length.
194 \opt{lcd_bitmap}{ 192 \item[Screen Scrolls Out of View.]
195 \item[Screen Scrolls Out of View.] 193 Screens can be manually scrolled horizontally by pressing
196 Screens can be manually scrolled horizontally by pressing 194 \opt{IRIVER_H10_PAD}{Long \ButtonRew/\ButtonFF}%
197 \opt{IRIVER_H10_PAD}{Long \ButtonRew/\ButtonFF}% 195 \opt{IRIVER_H10_PAD,XDUOO_X3_PAD}{Long \ButtonPrev/\ButtonNext}%
198 \opt{IRIVER_H10_PAD,XDUOO_X3_PAD}{Long \ButtonPrev/\ButtonNext}% 196 \nopt{IRIVER_H10_PAD,MPIO_HD200_PAD,MPIO_HD300_PAD,XDUOO_X3_PAD%
199 \nopt{IRIVER_H10_PAD,MPIO_HD200_PAD,MPIO_HD300_PAD,XDUOO_X3_PAD% 197 ,touchscreen}{%
200 ,touchscreen}{% 198 Long \ButtonRight/\ButtonLeft}.
201 Long \ButtonRight/\ButtonLeft}. 199 Setting this option to \setting{Yes}
202 Setting this option to \setting{Yes} 200 will keep the list entries at their fixed positions and allow them to be
203 will keep the list entries at their fixed positions and allow them to be 201 scrolled out of view, whereas \setting{No} will only scroll those entries
204 scrolled out of view, whereas \setting{No} will only scroll those entries 202 which surpass the right margin.
205 which surpass the right margin. 203 \item[Screen Scroll Step Size.]
206 \item[Screen Scroll Step Size.] 204 Defines the number of pixels the horizontal manual screen scroll should move
207 Defines the number of pixels the horizontal manual screen scroll should move 205 for each step.
208 for each step.
209 }
210 \item[Paged Scrolling.] 206 \item[Paged Scrolling.]
211 When set to \setting{Yes} scrolling vertically on pages that surpass the 207 When set to \setting{Yes} scrolling vertically on pages that surpass the
212 screen size will page up/down instead of simply changing lines. This can be 208 screen size will page up/down instead of simply changing lines. This can be
@@ -227,50 +223,49 @@
227 } 223 }
228 \end{description} 224 \end{description}
229% 225%
230 \opt{lcd_bitmap}{ 226 \item[Peak Meter.]
231 \item[Peak Meter.] 227 The peak meter can be configured with a number of parameters.
232 The peak meter can be configured with a number of parameters. 228 \begin{description}
233 \begin{description} 229 \item[Peak Release.]
234 \item[Peak Release.] 230 This determines how fast the bar shrinks when the music becomes
235 This determines how fast the bar shrinks when the music becomes 231 softer. Lower values make the peak meter look smoother.
236 softer. Lower values make the peak meter look smoother. 232 Expressed in scale units per 10~ms.
237 Expressed in scale units per 10~ms. 233 \item[Peak Hold Time.]
238 \item[Peak Hold Time.] 234 Specifies the time after which the peak indicator will reset.
239 Specifies the time after which the peak indicator will reset. 235 For example, if you set this value to 5~s, the peak indicator displays
240 For example, if you set this value to 5~s, the peak indicator displays 236 the loudest volume value that occurred within the last 5 seconds.
241 the loudest volume value that occurred within the last 5 seconds. 237 Larger values are useful if you want to find the peak level of a song,
242 Larger values are useful if you want to find the peak level of a song, 238 which might be of interest when copying music from the \dap\ via the
243 which might be of interest when copying music from the \dap\ via the 239 analogue output to some other recording device.
244 analogue output to some other recording device. 240 \item[Clip Hold Time.]
245 \item[Clip Hold Time.] 241 The number of seconds that the clipping indicator will be visible
246 The number of seconds that the clipping indicator will be visible 242 after clipping is detected.
247 after clipping is detected. 243 \opt{recording}{
248 \opt{recording}{ 244 \item[Clip Counter.]
249 \item[Clip Counter.] 245 Show the number of times the clip indicator went active during
250 Show the number of times the clip indicator went active during 246 recording in front of the peak meters.
251 recording in front of the peak meters.
252 }
253 \item[\label{ref:Peakmetersetting}Scale.]
254 Select whether the peak meter displays linear or logarithmic values.
255 The human ear perceives loudness on a logarithmic scale. If the Scale
256 setting is set to \setting{Logarithmic} (dB) scale, the volume values
257 are scaled logarithmically. The volume meters of digital audio
258 devices usually are scaled this way. On the other hand, if you
259 are interested in the power level that is applied to your headphones
260 you should choose \setting{Linear} display. This setting cannot be
261 displayed in units like volts or watts because such units depend
262 on your headphones.
263 \item[Minimum and maximum range.]
264 These two options define the full value range that the peak meter
265 displays. Recommended values for the \setting{Logarithmic} (dB) setting
266 are {}-40~dB for minimum and 0~dB for maximum. Recommended values
267 for \setting{Linear} display are 0 and 100\%. Note that {}-40~dB is
268 approximately 1\% in linear value, but if you change the minimum
269 setting in linear mode slightly and then change to the dB scale,
270 there will be a large change. You can use these values for `zooming'
271 into the peak meter.
272 \end{description}
273 } 247 }
248 \item[\label{ref:Peakmetersetting}Scale.]
249 Select whether the peak meter displays linear or logarithmic values.
250 The human ear perceives loudness on a logarithmic scale. If the Scale
251 setting is set to \setting{Logarithmic} (dB) scale, the volume values
252 are scaled logarithmically. The volume meters of digital audio
253 devices usually are scaled this way. On the other hand, if you
254 are interested in the power level that is applied to your headphones
255 you should choose \setting{Linear} display. This setting cannot be
256 displayed in units like volts or watts because such units depend
257 on your headphones.
258 \item[Minimum and maximum range.]
259 These two options define the full value range that the peak meter
260 displays. Recommended values for the \setting{Logarithmic} (dB) setting
261 are {}-40~dB for minimum and 0~dB for maximum. Recommended values
262 for \setting{Linear} display are 0 and 100\%. Note that {}-40~dB is
263 approximately 1\% in linear value, but if you change the minimum
264 setting in linear mode slightly and then change to the dB scale,
265 there will be a large change. You can use these values for `zooming'
266 into the peak meter.
267 \end{description}
268
274 \item[\label{ref:Defaultcodepage}Default Codepage.] 269 \item[\label{ref:Defaultcodepage}Default Codepage.]
275 A codepage describes the way extended characters that are not available 270 A codepage describes the way extended characters that are not available
276 within the ASCII character set are encoded. ID3v1 tags do not have a 271 within the ASCII character set are encoded. ID3v1 tags do not have a
diff --git a/manual/configure_rockbox/main.tex b/manual/configure_rockbox/main.tex
index 83089b6d4e..b0711e5b71 100644
--- a/manual/configure_rockbox/main.tex
+++ b/manual/configure_rockbox/main.tex
@@ -16,9 +16,9 @@
16 \input{configure_rockbox/system_options.tex} 16 \input{configure_rockbox/system_options.tex}
17 \input{configure_rockbox/startup_shutdown_options.tex} 17 \input{configure_rockbox/startup_shutdown_options.tex}
18 \input{configure_rockbox/bookmarking.tex} 18 \input{configure_rockbox/bookmarking.tex}
19\opt{tagcache}{\opt{swcodec}{ 19\opt{tagcache}{
20 \input{configure_rockbox/autoresume.tex} 20 \input{configure_rockbox/autoresume.tex}
21}} 21}
22 \input{configure_rockbox/language.tex} 22 \input{configure_rockbox/language.tex}
23 \input{configure_rockbox/voice.tex} 23 \input{configure_rockbox/voice.tex}
24 \input{configure_rockbox/wps_context_plugin.tex} 24 \input{configure_rockbox/wps_context_plugin.tex}
diff --git a/manual/configure_rockbox/playback_options.tex b/manual/configure_rockbox/playback_options.tex
index 87f974800d..7ddd3c6907 100644
--- a/manual/configure_rockbox/playback_options.tex
+++ b/manual/configure_rockbox/playback_options.tex
@@ -68,10 +68,8 @@ you to configure settings related to audio playback.
68 This can happen if the \dap{} is knocked, shaken or jogged heavily while 68 This can happen if the \dap{} is knocked, shaken or jogged heavily while
69 Rockbox is trying to read the hard drive. 69 Rockbox is trying to read the hard drive.
70 70
71 \opt{swcodec}{ 71 The anti-skip buffer can be set to various values between
72 The anti-skip buffer can be set to various values between 72 5 seconds and 10 minutes.\\
73 5 seconds and 10 minutes.\\
74 }
75 73
76 \note{Having a large anti-skip buffer tends to use more power, and may 74 \note{Having a large anti-skip buffer tends to use more power, and may
77 reduce your battery life. It is recommended to always use the lowest 75 reduce your battery life. It is recommended to always use the lowest
@@ -90,110 +88,108 @@ you to configure settings related to audio playback.
90 instead of being played immediately. Pausing and stopping playback is 88 instead of being played immediately. Pausing and stopping playback is
91 disabled as well as skipping songs and launching plugins. 89 disabled as well as skipping songs and launching plugins.
92 90
93\opt{swcodec}{ 91\opt{crossfade}{
94 \opt{crossfade}{ 92\section{Crossfade}
95 \section{Crossfade} 93 This section controls the behavior of the crossfader. The crossfader, when
96 This section controls the behavior of the crossfader. The crossfader, when 94 enabled, smoothly fades one track into the next. This can occur in two
97 enabled, smoothly fades one track into the next. This can occur in two 95 situations: an automatic track change or a manual track skip. An automatic
98 situations: an automatic track change or a manual track skip. An automatic 96 track change occurs at the end of the track, moving to the next track in the
99 track change occurs at the end of the track, moving to the next track in the 97 playlist without user intervention. A manual track skip goes to the next
100 playlist without user intervention. A manual track skip goes to the next 98 track immediately when the appropriate button is pressed.\\
101 track immediately when the appropriate button is pressed.\\
102 99
103 Options for crossfade settings are: 100 Options for crossfade settings are:
104 \begin{description} 101 \begin{description}
105 \item[Enable Crossfade.] If set to \setting{Off}, crossfade is disabled 102 \item[Enable Crossfade.] If set to \setting{Off}, crossfade is disabled
106 and all track changes are gapless. If set to 103 and all track changes are gapless. If set to
107 \setting{Automatic Track Change Only}, crossfade occurs for automatic 104 \setting{Automatic Track Change Only}, crossfade occurs for automatic
108 track changes, but not for manual track skips. The next setting, 105 track changes, but not for manual track skips. The next setting,
109 \setting{Manual Track Skip Only}, is the opposite: tracks will only 106 \setting{Manual Track Skip Only}, is the opposite: tracks will only
110 crossfade when manually skipped. If set to \setting{Shuffle}, crossfade 107 crossfade when manually skipped. If set to \setting{Shuffle}, crossfade
111 is enabled for all track changes, automatic or manual, when the shuffle 108 is enabled for all track changes, automatic or manual, when the shuffle
112 feature is set to \setting{Yes}, but disabled otherwise. If set to 109 feature is set to \setting{Yes}, but disabled otherwise. If set to
113 \setting{Shuffle or Manual Track Skip} then crossfade will be active 110 \setting{Shuffle or Manual Track Skip} then crossfade will be active
114 either when shuffle is set to \setting{Yes} or the track is manually 111 either when shuffle is set to \setting{Yes} or the track is manually
115 skipped. If set to \setting{Always}, tracks will always crossfade into 112 skipped. If set to \setting{Always}, tracks will always crossfade into
116 one another. 113 one another.
117 % 114 %
118 \item[Fade In Delay.] The ``fade in delay'' is the length of time between 115 \item[Fade In Delay.] The ``fade in delay'' is the length of time between
119 when the crossfade process begins and when the new track begins to fade 116 when the crossfade process begins and when the new track begins to fade
120 in. 117 in.
121 % 118 %
122 \item[Fade In Duration.] The length of time, in seconds, that it takes 119 \item[Fade In Duration.] The length of time, in seconds, that it takes
123 your music to fade in once the \setting{Fade In Delay} has ended. 120 your music to fade in once the \setting{Fade In Delay} has ended.
124 % 121 %
125 \item[Fade Out Delay.] The ``fade out delay'' is the length of time 122 \item[Fade Out Delay.] The ``fade out delay'' is the length of time
126 between when the crossfade process begins and when the old track begins 123 between when the crossfade process begins and when the old track begins
127 to fade out. 124 to fade out.
128 % 125 %
129 \item[Fade Out Duration.] The length of time, in seconds, that it takes 126 \item[Fade Out Duration.] The length of time, in seconds, that it takes
130 your music to fade out once the \setting{Fade Out Delay} has ended. 127 your music to fade out once the \setting{Fade Out Delay} has ended.
131 % 128 %
132 \item[Fade Out Mode.] If set to \setting{Crossfade}, one song will fade 129 \item[Fade Out Mode.] If set to \setting{Crossfade}, one song will fade
133 out and the next song will simultaneously fade in. If set to 130 out and the next song will simultaneously fade in. If set to
134 \setting{Mix}, the ending song will not fade out at all, and will 131 \setting{Mix}, the ending song will not fade out at all, and will
135 continue to play as normal until its end with the starting song fading 132 continue to play as normal until its end with the starting song fading
136 in from under it. \setting{Mix} mode is not used for manual track skips, 133 in from under it. \setting{Mix} mode is not used for manual track skips,
137 even if it is selected here. 134 even if it is selected here.
138 \end{description} 135 \end{description}
139 136
140 \note{The rules above apply except in the instance where 137 \note{The rules above apply except in the instance where
141 \setting{Fade Out Delay} plus \setting{Fade Out Duration} is less then 138 \setting{Fade Out Delay} plus \setting{Fade Out Duration} is less then
142 \setting{Fade In Delay} (which would create a gap in the audio). In this case, 139 \setting{Fade In Delay} (which would create a gap in the audio). In this case,
143 the \setting{Fade In Delay} is reduced to eliminate the gap.\\} 140 the \setting{Fade In Delay} is reduced to eliminate the gap.\\}
144 141
145 The graphic below illustrates how the different settings work in practice. 142 The graphic below illustrates how the different settings work in practice.
146 143
147 \includegraphics[width=14cm]{configure_rockbox/images/crossfade_graphic.png} 144 \includegraphics[width=14cm]{configure_rockbox/images/crossfade_graphic.png}
148 }%\opt{crossfade} 145 }%\opt{crossfade}
149 146
150 \section{\label{ref:ReplayGain}Replaygain} 147\section{\label{ref:ReplayGain}Replaygain}
151 This allows you to control the replaygain function. 148 This allows you to control the replaygain function.
152 The purpose of replaygain is to adjust the volume of the music played 149 The purpose of replaygain is to adjust the volume of the music played
153 so that all songs (or albums, depending on your settings) have the 150 so that all songs (or albums, depending on your settings) have the
154 same apparent volume. This prevents sudden changes in volume when 151 same apparent volume. This prevents sudden changes in volume when
155 changing between songs recorded at different volume levels. 152 changing between songs recorded at different volume levels.
156 For replaygain to work, the songs must have been processed by a program 153 For replaygain to work, the songs must have been processed by a program
157 that adds replaygain information to the ID3 tags (or Vorbis tags).\\ 154 that adds replaygain information to the ID3 tags (or Vorbis tags).\\
158 155
159 Options for replaygain are: 156 Options for replaygain are:
160 \begin{description} 157 \begin{description}
161 \item[Replaygain Type.] Choose the type of replaygain to apply: 158 \item[Replaygain Type.] Choose the type of replaygain to apply:
162 \begin{description} 159 \begin{description}
163 \item[Album Gain.] Maintain a constant volume level between 160 \item[Album Gain.] Maintain a constant volume level between
164 albums, but keep any intentional volume variations between 161 albums, but keep any intentional volume variations between
165 songs in an album. (If album gain value is not available, 162 songs in an album. (If album gain value is not available,
166 uses track gain information). 163 uses track gain information).
167 %
168 \item[Track Gain.] Maintain a constant volume level between
169 tracks. If track gain value is not available, no replaygain
170 is applied.
171 %
172 \item[Track Gain If Shuffling.] Maintains a constant volume
173 between tracks if \setting{Shuffle} is set to \setting{Yes}.
174 Reverts to album mode if \setting{Shuffle} is set to \setting{No}.
175 %
176 \item[Off.] Do not process replaygain information, i.e. turn off
177 the replaygain function.
178 \end{description}
179 % 164 %
180 \item[Prevent Clipping.] Avoid clipping of a song's waveform. 165 \item[Track Gain.] Maintain a constant volume level between
181 If a song would clip during playback, the volume is lowered for 166 tracks. If track gain value is not available, no replaygain
182 that song. Replaygain information is needed for this to work. 167 is applied.
183 % 168 %
184 \item[Pre-amp.] This allows you to adjust the volume when replaygain 169 \item[Track Gain If Shuffling.] Maintains a constant volume
185 is applied. Replaygain often lowers the volume, sometimes quite 170 between tracks if \setting{Shuffle} is set to \setting{Yes}.
186 much, so here you can compensate for that. Please note that a 171 Reverts to album mode if \setting{Shuffle} is set to \setting{No}.
187 (large) positive pre-amp setting can cause clipping, unless 172 %
188 prevent clipping is enabled. The pre-amp can be set to any 173 \item[Off.] Do not process replaygain information, i.e. turn off
189 decibel (dB) value between -12~dB and +12~dB, in increments of 0.5~dB. 174 the replaygain function.
190 \end{description} 175 \end{description}
176 %
177 \item[Prevent Clipping.] Avoid clipping of a song's waveform.
178 If a song would clip during playback, the volume is lowered for
179 that song. Replaygain information is needed for this to work.
180 %
181 \item[Pre-amp.] This allows you to adjust the volume when replaygain
182 is applied. Replaygain often lowers the volume, sometimes quite
183 much, so here you can compensate for that. Please note that a
184 (large) positive pre-amp setting can cause clipping, unless
185 prevent clipping is enabled. The pre-amp can be set to any
186 decibel (dB) value between -12~dB and +12~dB, in increments of 0.5~dB.
187 \end{description}
191 188
192 \section{Track Skip Beep} 189\section{Track Skip Beep}
193 Controls the volume of the beep that is heard when 190 Controls the volume of the beep that is heard when
194 skipping forward or backward between tracks. The beep is disabled when 191 skipping forward or backward between tracks. The beep is disabled when
195 set to \setting{Off}. 192 set to \setting{Off}.
196}%\opt{swcodec}
197 193
198\opt{spdif_power}{ 194\opt{spdif_power}{
199 \section{\label{ref:SPDIF_OnOff}Optical Output} 195 \section{\label{ref:SPDIF_OnOff}Optical Output}
@@ -294,32 +290,28 @@ you to configure settings related to audio playback.
294 if a track ends, which can be achieved by combining this option with 290 if a track ends, which can be achieved by combining this option with
295 \setting{Repeat} set to \setting{One} 291 \setting{Repeat} set to \setting{One}
296 292
297\opt{swcodec}{ 293\section{Rewind Before Resume}\index{Rewind Before Resume}
298 \section{Rewind Before Resume}\index{Rewind Before Resume} 294 When restarting a track or a bookmark, a short rewind can be done before the
299 When restarting a track or a bookmark, a short rewind can be done before the 295 playback is started. This can be useful when listening to speech material,
300 playback is started. This can be useful when listening to speech material, 296 to help remember what was being said just before playback was stopped.
301 to help remember what was being said just before playback was stopped. 297 The size of the rewind can be set to various values between 0 (off) and
302 The size of the rewind can be set to various values between 0 (off) and 298 60 seconds.
303 60 seconds. 299 \note{This option does not apply to resuming a paused track. Use
304 \note{This option does not apply to resuming a paused track. Use 300 the next option for rewinding on pause.}
305 the next option for rewinding on pause.} 301 \note{The actual rewind distance may differ a little from the requested
306 \note{The actual rewind distance may differ a little from the requested 302 value, depending on the file in question.}
307 value, depending on the file in question.}
308}%\opt{swcodec}
309 303
310\section{Rewind on Pause}\index{Rewind on Pause} 304\section{Rewind on Pause}\index{Rewind on Pause}
311 This option rewinds the current track by a small amount whenever it is 305 This option rewinds the current track by a small amount whenever it is
312 paused (not stopped). The amount to rewind can be set between 0 and 306 paused (not stopped). The amount to rewind can be set between 0 and
313 15 seconds. 307 15 seconds.
314 308
315\opt{swcodec}{ 309\opt{play_frequency}{
316 \opt{play_frequency}{ 310 \section{Frequency}\index{Frequency}
317 \section{Frequency}\index{Frequency} 311 This is the sampling frequency used for the rockbox playback engine. Audio
318 This is the sampling frequency used for the rockbox playback engine. Audio 312 at a different sampling rate will be converted to this sampling rate prior to
319 at a different sampling rate will be converted to this sampling rate prior to 313 mixing using a cubic Hermite polynomial resampler.
320 mixing using a cubic Hermite polynomial resampler. 314 \note{For best quality and battery life, select the sampling rate used by
321 \note{For best quality and battery life, select the sampling rate used by 315 your audio. This is typically 44.1kHz.}
322 your audio. This is typically 44.1kHz.} 316 \note{Opus files are always 48kHz.}
323 \note{Opus files are always 48kHz.} 317}
324 }
325}%\opt{swcodec}
diff --git a/manual/configure_rockbox/recording_settings.tex b/manual/configure_rockbox/recording_settings.tex
index 9a5ddb30a6..1abd38c536 100644
--- a/manual/configure_rockbox/recording_settings.tex
+++ b/manual/configure_rockbox/recording_settings.tex
@@ -6,16 +6,14 @@
6 where you want to store them in the \setting{File Browser} and select 6 where you want to store them in the \setting{File Browser} and select
7 \setting{Set As Recording Directory}.} 7 \setting{Set As Recording Directory}.}
8 8
9\opt{swcodec}{ 9\section{Format}
10 \section{Format} 10 Choose which format to save your recording in. The available choices are
11 Choose which format to save your recording in. The available choices are 11 the two uncompressed formats \setting{PCM Wave} and \setting{AIFF}, the
12 the two uncompressed formats \setting{PCM Wave} and \setting{AIFF}, the 12 losslessly compressed \setting{WavPack} and the lossy
13 losslessly compressed \setting{WavPack} and the lossy 13 \setting{MPEG Layer~3}.
14 \setting{MPEG Layer~3}.
15 14
16 \section{Encoder Settings (MP3 only)} 15\section{Encoder Settings (MP3 only)}
17 This sets the bitrate when using the \setting{MPEG Layer~3} format. 16 This sets the bitrate when using the \setting{MPEG Layer~3} format.
18}
19 17
20 \section{Frequency} 18 \section{Frequency}
21 \nopt{ipodnano,ipodcolor,ipod4g}{ 19 \nopt{ipodnano,ipodcolor,ipod4g}{
@@ -39,9 +37,8 @@
39 22.05~kHz, 16~kHz, 12~kHz, 11.025~kHz and 8~kHz} 37 22.05~kHz, 16~kHz, 12~kHz, 11.025~kHz and 8~kHz}
40 are available. Higher sample rates use up more disk space, but give better 38 are available. Higher sample rates use up more disk space, but give better
41 sound quality. 39 sound quality.
42 \opt{swcodec}{\note{The 11.025~kHz setting is not available when using % 40 \note{The 11.025~kHz setting is not available when using %
43 \setting{MPEG Layer~3} format.} 41 \setting{MPEG Layer~3} format.}
44 }
45 \opt{recording_digital} 42 \opt{recording_digital}
46 {\note{You cannot change the sample rate for digital recordings.} 43 {\note{You cannot change the sample rate for digital recordings.}
47 } 44 }
@@ -80,11 +77,9 @@
80 for mono recording, only the left channel is recorded. Mono recordings 77 for mono recording, only the left channel is recorded. Mono recordings
81 are usually somewhat smaller than stereo. 78 are usually somewhat smaller than stereo.
82 79
83\opt{swcodec}{ 80\section{Mono Mode}
84 \section{Mono Mode} 81 When configured to record to mono and the source is a stereo signal, use this
85 When configured to record to mono and the source is a stereo signal, use this 82 setting to configure how the mono signal is created. Options are L, R and L+R.
86 setting to configure how the mono signal is created. Options are L, R and L+R.
87}
88 83
89\section{File Split Options} 84\section{File Split Options}
90 This sub menu contains options for file splitting, which can be used to split 85 This sub menu contains options for file splitting, which can be used to split
diff --git a/manual/configure_rockbox/sound_settings.tex b/manual/configure_rockbox/sound_settings.tex
index c4ef325689..63a5770c41 100644
--- a/manual/configure_rockbox/sound_settings.tex
+++ b/manual/configure_rockbox/sound_settings.tex
@@ -197,7 +197,6 @@ change to customise your listening experience.
197 }% 197 }%
198} 198}
199 199
200\opt{swcodec}{
201\section{Crossfeed} 200\section{Crossfeed}
202 Crossfeed attempts to make the experience of listening to music on 201 Crossfeed attempts to make the experience of listening to music on
203 headphones more similar to listening to music with stereo speakers. When you 202 headphones more similar to listening to music with stereo speakers. When you
@@ -250,9 +249,7 @@ change to customise your listening experience.
250 % http://www.ohl.to/interests-in-audio/crossfeed-and-eq-for-headphones/ 249 % http://www.ohl.to/interests-in-audio/crossfeed-and-eq-for-headphones/
251 Beware that the crossfeed function is capable of making the audio distort 250 Beware that the crossfeed function is capable of making the audio distort
252 if you choose settings which result in a too high output level. 251 if you choose settings which result in a too high output level.
253}
254 252
255\opt{swcodec}{
256\section{\label{ref:EQ}Equalizer} 253\section{\label{ref:EQ}Equalizer}
257 \screenshot{configure_rockbox/images/ss-equalizer}{The graphical equalizer}{} 254 \screenshot{configure_rockbox/images/ss-equalizer}{The graphical equalizer}{}
258 Rockbox features a parametric equalizer (EQ). In contrast to non-parametric 255 Rockbox features a parametric equalizer (EQ). In contrast to non-parametric
@@ -472,9 +469,7 @@ configure the EQ, or use the presets for designing their own custom EQ
472settings. 469settings.
473 470
474\end{description} 471\end{description}
475}
476 472
477\opt{swcodec}{
478\section{Dithering} 473\section{Dithering}
479This setting controls the dithering and noise shaping functionality of Rockbox. 474This setting controls the dithering and noise shaping functionality of Rockbox.
480 475
@@ -500,9 +495,7 @@ and not easily noticable.
500 495
501Rockbox uses highpass triangular distribution noise as the dithering noise 496Rockbox uses highpass triangular distribution noise as the dithering noise
502source, and a third order noise shaper. 497source, and a third order noise shaper.
503}
504 498
505\opt{swcodec}{%
506\opt{pitchscreen}{% 499\opt{pitchscreen}{%
507\section{Timestretch} 500\section{Timestretch}
508Enabling \setting{Timestretch} allows you to change the playback speed without 501Enabling \setting{Timestretch} allows you to change the playback speed without
@@ -512,9 +505,7 @@ intended for speech playback and may significantly dilute your listening
512experience with more complex audio. See \reference{sec:pitchscreen} for more 505experience with more complex audio. See \reference{sec:pitchscreen} for more
513details about how to use the feature. 506details about how to use the feature.
514} 507}
515}
516 508
517\opt{swcodec}{
518\section{Haas Surround} 509\section{Haas Surround}
519This setting implements the Haas effect with adjustable delay time to enhance 510This setting implements the Haas effect with adjustable delay time to enhance
520the stereo effect of the sound. A full range Haas effect creates the impression 511the stereo effect of the sound. A full range Haas effect creates the impression
@@ -526,25 +517,19 @@ and \setting{f(x2)} to set frequencies which are not affected. The \setting{SIDE
526setting uses mid-side processing to determine and apply effect to the side channel only. 517setting uses mid-side processing to determine and apply effect to the side channel only.
527Finally, the \setting{Dry/Wet Mix} setting adjusts the proportion mixed from the 518Finally, the \setting{Dry/Wet Mix} setting adjusts the proportion mixed from the
528original (dry) and 'effected' (wet) signals. 519original (dry) and 'effected' (wet) signals.
529}
530 520
531\opt{swcodec}{
532\section{Perceptual Bass Enhancement} 521\section{Perceptual Bass Enhancement}
533This setting implements a group delay correction and an additional biophonic EQ to 522This setting implements a group delay correction and an additional biophonic EQ to
534emphasize to boost bass perception. The \setting{precut} setting provides 523emphasize to boost bass perception. The \setting{precut} setting provides
535negative overall gain to prevent possible audio distortion due to the EQ 524negative overall gain to prevent possible audio distortion due to the EQ
536gain. The defult precut value is set to -2.5 dB and can be adjust from 0 dB to -4.5 dB. 525gain. The defult precut value is set to -2.5 dB and can be adjust from 0 dB to -4.5 dB.
537Note that this effect will stack with any other EQ applied. 526Note that this effect will stack with any other EQ applied.
538}
539 527
540\opt{swcodec}{
541\section{Auditory Fatigue Reduction} 528\section{Auditory Fatigue Reduction}
542Human hearing is more senstive to some frequency bands. This setting applies additional 529Human hearing is more senstive to some frequency bands. This setting applies additional
543equalization and bi-shelf filtering to reduce signals in these bands to minimize 530equalization and bi-shelf filtering to reduce signals in these bands to minimize
544the chance that temporary threshold shift (auditory fatigue) occurs. 531the chance that temporary threshold shift (auditory fatigue) occurs.
545}
546 532
547\opt{swcodec}{
548\section{Compressor} 533\section{Compressor}
549The \setting{Compressor} reduces, or compresses, the dynamic range of the audio 534The \setting{Compressor} reduces, or compresses, the dynamic range of the audio
550signal. This makes the quieter and louder sections closer to the same volume 535signal. This makes the quieter and louder sections closer to the same volume
@@ -592,4 +577,3 @@ the input signal is reduced appropriately, but the gain isn't allowed to
592immediately return to normal levels. This is necessary to reduce artifacts 577immediately return to normal levels. This is necessary to reduce artifacts
593such as ``pumping.'' Instead, the gain is allowed to return to normal at the 578such as ``pumping.'' Instead, the gain is allowed to return to normal at the
594chosen rate. Release Time is the time for the gain to recover by 10~dB. 579chosen rate. Release Time is the time for the gain to recover by 10~dB.
595}
diff --git a/manual/configure_rockbox/system_options.tex b/manual/configure_rockbox/system_options.tex
index f9e09a91b1..bf82b8c074 100755
--- a/manual/configure_rockbox/system_options.tex
+++ b/manual/configure_rockbox/system_options.tex
@@ -203,27 +203,25 @@ therefore result in better runtime.
203 } 203 }
204} 204}
205 205
206\opt{swcodec}{ 206\subsection{Keyclick}
207 \subsection{Keyclick} 207 This menu controls key clicks on button presses.
208 This menu controls key clicks on button presses. 208 \begin{description}
209 \begin{description} 209 \opt{hardware_click}{
210 \opt{hardware_click}{ 210 \item [Headphone Keyclick. ]This setting controls how strong the keyclicks
211 \item [Headphone Keyclick. ]This setting controls how strong the keyclicks 211 played through the headphones are. If set to \setting{Off}, the keyclicks
212 played through the headphones are. If set to \setting{Off}, the keyclicks 212 will be disabled.
213 will be disabled. 213 \item [Speaker Keyclick. ]This setting turns playing of keyclicks through
214 \item [Speaker Keyclick. ]This setting turns playing of keyclicks through 214 the built in speaker \setting{On} or \setting{Off}.
215 the built in speaker \setting{On} or \setting{Off}. 215 }
216 } 216 \nopt{hardware_click}{
217 \nopt{hardware_click}{ 217 \item [Keyclick. ]This setting controls how strong the keyclicks are.
218 \item [Keyclick. ]This setting controls how strong the keyclicks are. 218 If set to \setting{Off}, the keyclicks will be disabled.
219 If set to \setting{Off}, the keyclicks will be disabled. 219 }
220 } 220 \item [Keyclick repeats.] This setting turns keyclick repeats \setting{On}
221 \item [Keyclick repeats.] This setting turns keyclick repeats \setting{On} 221 and \setting{Off}. If set to \setting{On}, the keyclicks will be
222 and \setting{Off}. If set to \setting{On}, the keyclicks will be 222 repeated when you hold down a button. If set to \setting{Off}, you will
223 repeated when you hold down a button. If set to \setting{Off}, you will 223 hear only one click.
224 hear only one click. 224 \end{description}
225 \end{description}
226}
227 225
228\opt{touchpad}{ 226\opt{touchpad}{
229 \subsection{Touchpad} 227 \subsection{Touchpad}
diff --git a/manual/configure_rockbox/theme_settings.tex b/manual/configure_rockbox/theme_settings.tex
index 2cbe57b014..a04646f479 100644
--- a/manual/configure_rockbox/theme_settings.tex
+++ b/manual/configure_rockbox/theme_settings.tex
@@ -47,11 +47,9 @@ customize the visual appearance of Rockbox.
47 headphones and when connected to an external amplifier. See 47 headphones and when connected to an external amplifier. See
48 \reference{ref:CreateYourOwnWPS} for more details.} 48 \reference{ref:CreateYourOwnWPS} for more details.}
49 49
50\opt{lcd_bitmap}{
51 \item[Font.] 50 \item[Font.]
52 Browse the installed fonts on your \dap{}. Selecting one will activate it. 51 Browse the installed fonts on your \dap{}. Selecting one will activate it.
53 See \reference{ref:Loadingfonts} for further details about fonts. 52 See \reference{ref:Loadingfonts} for further details about fonts.
54}
55 53
56\item[While Playing Screen.] 54\item[While Playing Screen.]
57 Opens the \setting{File Browser} in the \fname{/.rockbox/wps} directory and 55 Opens the \setting{File Browser} in the \fname{/.rockbox/wps} directory and
@@ -75,10 +73,8 @@ customize the visual appearance of Rockbox.
75 Rockbox has the ability to display an icon to the left of the file 73 Rockbox has the ability to display an icon to the left of the file
76 in the \setting{File Browser}. For details of these icons, see 74 in the \setting{File Browser}. For details of these icons, see
77 \reference{ref:Supportedfileformats}. 75 \reference{ref:Supportedfileformats}.
78 \opt{lcd_bitmap}{ 76 These icons can also be customised. See the \wikilink{IconSets}
79 These icons can also be customised. See the \wikilink{IconSets} 77 and \wikilink{CustomIcons} Wiki pages for details.
80 and \wikilink{CustomIcons} Wiki pages for details.
81 }
82 78
83\opt{lcd_non-mono}{% 79\opt{lcd_non-mono}{%
84 \item[Clear Backdrop.] 80 \item[Clear Backdrop.]
@@ -87,30 +83,27 @@ customize the visual appearance of Rockbox.
87 This option allows you to clear the backdrops that you set. 83 This option allows you to clear the backdrops that you set.
88} 84}
89% 85%
90 \opt{lcd_bitmap}{ 86\item[Status/Scrollbar.]
91 \item[Status/Scrollbar.] 87 Settings related to on screen status display and the scrollbar.
92 Settings related to on screen status display and the scrollbar. 88 \begin{description}
93 \begin{description} 89 \item[Scroll Bar.] Allows you to choose where the vertical scroll bar
94 \item[Scroll Bar.] Allows you to choose where the vertical scroll bar 90 should appear.
95 should appear. 91 \item[Scroll Bar Width.] Allows you to choose the width of the
96 \item[Scroll Bar Width.] Allows you to choose the width of the 92 scroll bar (in pixels). Default value is 6.
97 scroll bar (in pixels). Default value is 6. 93 \item[Status Bar.] Allows you to choose where to display the
98 \item[Status Bar.] Allows you to choose where to display the 94 statusbar\opt{remote}{ on the main display}.
99 statusbar\opt{remote}{ on the main display}. 95 \opt{remote}{
100 \opt{remote}{ 96 \item[Remote Status Bar.] Allows you to choose where to display the
101 \item[Remote Status Bar.] Allows you to choose where to display the 97 statusbar on the remote display.
102 statusbar on the remote display. 98 }
103 } 99 \item[Volume Display.] Controls whether the volume is displayed as a
104 \item[Volume Display.] Controls whether the volume is displayed as a 100 graphic or a numeric value on the Status Bar. If you select a numeric
105 graphic or a numeric value on the Status Bar. If you select a numeric 101 display, volume is displayed in decibels. See \reference{ref:volume}
106 display, volume is displayed in decibels. See \reference{ref:volume} 102 for more on the volume setting.
107 for more on the volume setting. 103 \item[Battery Display.] Controls whether the battery charge status is
108 \item[Battery Display.] Controls whether the battery charge status is 104 displayed as a graphic or numerical percentage value on the Status Bar.
109 displayed as a graphic or numerical percentage value on the Status Bar. 105 \end{description}
110 \end{description}
111 }
112% 106%
113\opt{lcd_bitmap}{
114\item[Line Selector Type.] 107\item[Line Selector Type.]
115 This option allows you to select which type of line selector to use. 108 This option allows you to select which type of line selector to use.
116 \begin{description} 109 \begin{description}
@@ -127,7 +120,6 @@ customize the visual appearance of Rockbox.
127 submenu. 120 submenu.
128} 121}
129 \end{description} 122 \end{description}
130}
131 123
132\opt{lcd_color}{ 124\opt{lcd_color}{
133 \item[Colours.] 125 \item[Colours.]