1 files changed, 21 insertions, 21 deletions

diff --git a/manual/configure_rockbox/sound_settings.tex b/manual/configure_rockbox/sound_settings.tex
index c24b38a891..fc93070b95 100644
--- a/manual/configure_rockbox/sound_settings.tex
+++ b/manual/configure_rockbox/sound_settings.tex
@@ -167,21 +167,21 @@ change to customise your listening experience.
   The MDB parameters are as follows:
   %
   \begin{description}
-  \item[MDB enable:]
+  \item[MDB enable.]
     This turns the MDB feature on or off. For many users this will be the
     only setting they need, since Rockbox picks sensible defaults for the
     other parameters. MDB is turned off by default.
-  \item[MDB strength:]
+  \item[MDB strength.]
     How loud the harmonics generated by MDB will be.
-  \item[MDB Harmonics:]
+  \item[MDB Harmonics.]
     The percentage of the low notes that is converted into harmonics.
     If low notes are causing speaker distortion, this can be set to 100\%
     to eliminate the fundamental completely and only produce harmonics in the
     signal. If set to 0\% this is the same as turning the MDB feature off.
-  \item[MDB Centre Frequency:]
+  \item[MDB Centre Frequency.]
     The cutoff frequency of your headphones or speakers. This is usually
     given in the specification for the headphones/speakers.
-  \item[MDB shape:]
+  \item[MDB shape.]
     It is recommended that this parameter be set to 1.5 times the centre frequency.
 
     This is the frequency up to which harmonics are generated. Some of the
@@ -235,19 +235,19 @@ change to customise your listening experience.
 
   Crossfeed has the following settings:
   \begin{description}
-  \item[Crossfeed:]
+  \item[Crossfeed.]
     Selects whether the crossfeed effect is to be enabled or not.
-  \item[Direct Gain:]
+  \item[Direct Gain.]
     How much the level of the audio that travels the direct path from a speaker
     to the corresponding ear is supposed to be decreased.
-  \item[Cross Gain:]
+  \item[Cross Gain.]
     How much the level of the audio that travels the cross path from a speaker
     to the opposite ear is to be decreased.
-  \item[High-Frequency Attenuation:]
+  \item[High-Frequency Attenuation.]
     How much the upper frequencies of the cross path audio will be dampened.
     Note that the total level of the higher frequencies will be a combination
     of both this setting and the \setting{Cross Gain} setting.
-  \item[High-Frequency Cutoff]
+  \item[High-Frequency Cutoff.]
     Decides at which frequency the cross path audio will start to be cut
     by the amount described by the \setting{High-Frequency Attenuation} 
     setting.
@@ -273,7 +273,7 @@ change to customise your listening experience.
 
   Rockbox's parametric EQ is composed of five different bands:
   \begin{description}
-  \item[Band 0: Low shelf filter]
+  \item[Band 0: Low shelf filter.]
         The low shelf filter boosts or lowers all frequencies below a certain
         frequency limit, much like what a ``bass'' control found on ordinary
         stereo systems does.
@@ -287,7 +287,7 @@ change to customise your listening experience.
         The ``Q'' parameter should always be set to 0.7 for the shelving
         filters. Higher values will add a small boost around the cutoff
         frequency that is almost always undesirable.
-  \item[Bands 1-3: Peaking filters]
+  \item[Bands 1-3: Peaking filters.]
         Peaking EQ filters boost or lower a frequency range centered at the
         center frequency chosen.
         Graphic equalizers in home stereos are usually peaking
@@ -301,7 +301,7 @@ change to customise your listening experience.
         frequency range is. Higher Q values will affect a narrower band of
         frequencies, while lower Q values will affect a wider band of
         frequencies.
-  \item[Band 4: High shelf filter]
+  \item[Band 4: High shelf filter.]
         A high shelf filter boosts or lowers all frequencies above a certain
         frequency limit, much like what a ``treble'' control found on ordinary
         stereo systems does.
@@ -313,10 +313,10 @@ change to customise your listening experience.
   through 3 should be used for mids, and EQ band 4 should be used for highs.
 
 \begin {description}
-  \item[Enable EQ:]
+  \item[Enable EQ.]
   This option controls whether the EQ is on or off.
 
-  \item[Graphical EQ:]
+  \item[Graphical EQ.]
   This option brings up a graphic EQ screen, which allows adjustment of each of
   the three parameters described above (gain, center frequency, and Q) for each
   of the five EQ bands.
@@ -377,27 +377,27 @@ change to customise your listening experience.
     \end{btnmap}
   \end{table}
 
-  \item[Pre-cut:]
+  \item[Pre-cut.]
   If too much gain is added through the graphical EQ, your music may distort.
   The \setting{Precut} setting allows you to adjust the overall gain of the EQ.
 
   If your music distorts when using the EQ, trying changing this setting to a 
   negative value.
 
-\item[Simple EQ:]
+\item[Simple EQ.]
 This option provides an easier alternative for those who are daunted by all of
 the parameters that can be adjusted using the graphical EQ. With the
 \setting{Simple EQ}, the only parameter that can be adjusted is the gain.
 
-\item[Advanced EQ:]
+\item[Advanced EQ.]
 This sub menu provides options for adjusting the same parameters as the
 \setting{Graphical EQ}. The only difference is that the parameters are
 adjusted through textual menus rather than through a graphic interface.
 
-\item[Save EQ Preset:]
+\item[Save EQ Preset.]
 This option saves the current EQ configuration in a \fname{.cfg} file.
 
-\item[Browse EQ Presets:]
+\item[Browse EQ Presets.]
 This menu displays a list of EQ presets, as well as any EQ configurations saved
 using the \setting{Save EQ Preset} option. Users unfamiliar with the
 operation of a parametric EQ may wish to use the presets instead of trying to
@@ -459,4 +459,4 @@ Think of this as a smart volume control.  The preamp in effect turns up the volu
 amount you select so that you can hear quiet passages.  But it senses when a loud section is
 about to play and quickly and smoothly lowers the volume as necessary to keep the audio
 under the maximum limit.  As the loud section fades, the volume is turned back up.
-}
\ No newline at end of file
+}