diff options
Diffstat (limited to 'manual/configure_rockbox/recording_settings.tex')
-rw-r--r-- | manual/configure_rockbox/recording_settings.tex | 8 |
1 files changed, 4 insertions, 4 deletions
diff --git a/manual/configure_rockbox/recording_settings.tex b/manual/configure_rockbox/recording_settings.tex index d6c35eae1f..41649dc74b 100644 --- a/manual/configure_rockbox/recording_settings.tex +++ b/manual/configure_rockbox/recording_settings.tex | |||
@@ -9,7 +9,7 @@ | |||
9 | \opt{masf}{ | 9 | \opt{masf}{ |
10 | \section{Quality} | 10 | \section{Quality} |
11 | Choose the quality here (0 to 7). Default is 5, best quality is 7, | 11 | Choose the quality here (0 to 7). Default is 5, best quality is 7, |
12 | smallest file size is 0. This setting effects how much your sound | 12 | smallest file size is 0. This setting affects how much your sound |
13 | sample will be compressed. Higher quality settings result in larger | 13 | sample will be compressed. Higher quality settings result in larger |
14 | MP3 files. | 14 | MP3 files. |
15 | 15 | ||
@@ -173,10 +173,10 @@ | |||
173 | are background noises. What is considered as background noise depends on the | 173 | are background noises. What is considered as background noise depends on the |
174 | situation. For example during a lecture the very low noise of rustling paper | 174 | situation. For example during a lecture the very low noise of rustling paper |
175 | might be considered as background noise. During a rock concert the murmur of | 175 | might be considered as background noise. During a rock concert the murmur of |
176 | the audience might be concidered background noise which is much louder compared | 176 | the audience might be considered background noise which is much louder compared |
177 | to rustling paper. Also the duration of the signal matters. When you record | 177 | to rustling paper. Also the duration of the signal matters. When you record |
178 | speech you want to record every syllable. When you record live music you may | 178 | speech you want to record every syllable. When you record live music you may |
179 | not be interested in that chord the guitarist strokes for two minutes before | 179 | not be interested in that chord the guitarist plays for two minutes before |
180 | the show to verify his amp is turned on. The trigger features numerous | 180 | the show to verify his amp is turned on. The trigger features numerous |
181 | parameters to adapt its behaviour to the desired situation. | 181 | parameters to adapt its behaviour to the desired situation. |
182 | \begin{description} | 182 | \begin{description} |
@@ -247,7 +247,7 @@ | |||
247 | a CD) where the songs have fade outs and hardly any gaps between the tracks. | 247 | a CD) where the songs have fade outs and hardly any gaps between the tracks. |
248 | Here you can set the stop hold time to long values to ensure that all fade | 248 | Here you can set the stop hold time to long values to ensure that all fade |
249 | outs are recorded completely. By specifying a short presplit gap you still | 249 | outs are recorded completely. By specifying a short presplit gap you still |
250 | can split the recording into seperate tracks whenever the trigger start | 250 | can split the recording into separate tracks whenever the trigger start |
251 | condition is met. | 251 | condition is met. |
252 | 252 | ||
253 | \end{description} | 253 | \end{description} |