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author | Martin Arver <martin.arver@gmail.com> | 2006-02-21 11:54:53 +0000 |
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committer | Martin Arver <martin.arver@gmail.com> | 2006-02-21 11:54:53 +0000 |
commit | c7fd0fee7ad2581889e84748ab64e10003d9d526 (patch) | |
tree | c81cb417787c809732f7126cee8148b3a52881cd /manual/plugins/split_editor.tex | |
parent | bff84266217d10337e5bb4d643c7bfdb9c4b0d5d (diff) | |
download | rockbox-c7fd0fee7ad2581889e84748ab64e10003d9d526.tar.gz rockbox-c7fd0fee7ad2581889e84748ab64e10003d9d526.zip |
Patch[1430311] by Henrico Witvliet. Split plugins to individual files. Proper naming of the targets.
git-svn-id: svn://svn.rockbox.org/rockbox/trunk@8763 a1c6a512-1295-4272-9138-f99709370657
Diffstat (limited to 'manual/plugins/split_editor.tex')
-rw-r--r-- | manual/plugins/split_editor.tex | 303 |
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diff --git a/manual/plugins/split_editor.tex b/manual/plugins/split_editor.tex new file mode 100644 index 0000000000..d0656e62ee --- /dev/null +++ b/manual/plugins/split_editor.tex | |||
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1 | \subsection{Split Editor} | ||
2 | When recording an mp3 file, it is common practice to start the recording | ||
3 | a little bit early and stop it a little bit late to ensure all the | ||
4 | desired sound is recorded. This results in recordings that contain | ||
5 | extra snippets of sound and the beginning and end. Unfortunately these | ||
6 | snippets can not be deleted easily because they are stored in the same | ||
7 | file as the desired recording. The purpose of the split editor is to | ||
8 | split a mp3 file (the input file) at a point in time (split point). Two | ||
9 | new files can be generated from the input file. The first file contains | ||
10 | the part before the split point and the second file contains the part | ||
11 | after the split point. Once this process has been successful the | ||
12 | original file can be deleted or kept as a backup. | ||
13 | |||
14 | The whole process of splitting a mp3 file consists of three steps: | ||
15 | |||
16 | \begin{enumerate} | ||
17 | \item defining the split point | ||
18 | \item generating the result files. | ||
19 | \item if desired delete the input file (with the browser, not the split | ||
20 | editor) | ||
21 | \end{enumerate} | ||
22 | |||
23 | \subsubsection{How to use the Split Editor} | ||
24 | |||
25 | \begin{itemize} | ||
26 | \item \textbf{Pause near the split point} | ||
27 | When the device plays the song just hit the PAUSE button, when playback | ||
28 | has roughly reached the split point. This need not be very precise as | ||
29 | the split point can be fine tuned later. | ||
30 | \item \textbf{Open the split editor} | ||
31 | |||
32 | Open the plugin. A screen similar to the one below will appear. | ||
33 | |||
34 | {\centering\itshape | ||
35 | [Warning: Image ignored] % Unhandled or unsupported graphics: | ||
36 | %\includegraphics[width=3.701cm,height=2.11cm]{images/rockbox-manual-img67.gif} | ||
37 | \newline | ||
38 | The Split Editor | ||
39 | \par} | ||
40 | |||
41 | {\centering\upshape | ||
42 | Here is an explanation of the areas marked in red on the screenshot. | ||
43 | \par} | ||
44 | |||
45 | \begin{enumerate} | ||
46 | \item The waveform \newline | ||
47 | \newline | ||
48 | The waveform displays the volume of the song over time. It will appear | ||
49 | as the song plays and help to visually identify the point in time where | ||
50 | the split is desired | ||
51 | \item The split point indicator\newline | ||
52 | \newline | ||
53 | The split point indicator is a vertical line with a small triangle at | ||
54 | the top end. It is the most important control element of the split | ||
55 | editor. It can be moved with the LEFT and RIGHT buttons. Later, when | ||
56 | you have fine tuned the split point, the song will be split at this | ||
57 | position. | ||
58 | \item The split time\newline | ||
59 | \newline | ||
60 | At the top of the window a time value is displayed. This is the point in | ||
61 | time within the song at which the split point indicator is positioned. | ||
62 | \item The locator\newline | ||
63 | \newline | ||
64 | Another vertical bar represents the position locator. It moves along as | ||
65 | the song plays. In contrast to the split point indicator it has no | ||
66 | triangles at the ends. | ||
67 | \item The time bar\newline | ||
68 | \newline | ||
69 | The time bar displays the current position within the song relative to | ||
70 | the whole song. The entire length of the time bar represents the song | ||
71 | length. The length of the solid part of the time bar represents the position and length | ||
72 | of the displayed part of the song. | ||
73 | \item The scale mode\newline | ||
74 | \newline | ||
75 | Directly above the F3 button the scale mode is displayed. The waveform | ||
76 | can be scaled either logarithmically or linearly. In logarithmic scale | ||
77 | mode the letters ``dB'' are displayed, in linear mode ``\%''. Use F3 to | ||
78 | switch between these modes. Linear mode usually gives better optical | ||
79 | hints with commercially recorded music. For quiet recordings, | ||
80 | especially of human speech, the logarithmic scale often is preferable. | ||
81 | \item The loop mode \newline | ||
82 | \newline | ||
83 | Directly above the F2 button the loop mode icon is displayed. There are | ||
84 | 4 different loop modes. Pressing F2 changes to the next loop mode. | ||
85 | |||
86 | \begin{itemize} | ||
87 | \item [Warning: Image ignored] % Unhandled or unsupported graphics: | ||
88 | %\includegraphics[width=0.794cm,height=0.476cm]{images/rockbox-manual-img68.gif} | ||
89 | Playback loops around the split point indicator. This mode is best | ||
90 | used when searching and zooming for the desired point at which to split | ||
91 | the recording. | ||
92 | \item [Warning: Image ignored] % Unhandled or unsupported graphics: | ||
93 | %\includegraphics[width=0.794cm,height=0.476cm]{images/rockbox-manual-img69.gif} | ||
94 | Playback loops from the split point indicator to the end of the | ||
95 | visible area. This mode is best used when fine tuning the split | ||
96 | indicator position at the beginning of a recording. | ||
97 | \item [Warning: Image ignored] % Unhandled or unsupported graphics: | ||
98 | %\includegraphics[width=0.794cm,height=0.476cm]{images/rockbox-manual-img70.gif} | ||
99 | Playback loops from the beginning of the | ||
100 | visible area to the split point. This mode is best used when fine | ||
101 | tuning the split indicator position at the end of a recording. | ||
102 | \item [Warning: Image ignored] % Unhandled or unsupported graphics: | ||
103 | %\includegraphics[width=0.688cm,height=0.476cm]{images/rockbox-manual-img71.gif} | ||
104 | Playback doesn't loop, the borders of the visible | ||
105 | area as well as the split point indicator are ignored. This mode is | ||
106 | best used when playing the song outside of the borders of the displayed | ||
107 | region. | ||
108 | \end{itemize} | ||
109 | |||
110 | \item Perform the split \newline | ||
111 | \newline | ||
112 | The icon directly above the F1 button indicates its function to execute | ||
113 | the split. When split positioning is complete open the save dialogue with F1. | ||
114 | \end{enumerate} | ||
115 | |||
116 | {\bfseries | ||
117 | Controls in the split editor } | ||
118 | \end{itemize} | ||
119 | |||
120 | \begin{tabular}[c]{|p{2.975cm}|p{3.047cm}|p{6.649cm}|} | ||
121 | \hline | ||
122 | {\centering\bfseries\itshape | ||
123 | Recorder | ||
124 | \par} | ||
125 | & | ||
126 | {\centering\bfseries\itshape | ||
127 | Ondio | ||
128 | \par} | ||
129 | & | ||
130 | {\centering\bfseries\itshape | ||
131 | Function | ||
132 | \par} | ||
133 | \\\hline | ||
134 | {\centering | ||
135 | Off | ||
136 | \par} | ||
137 | & | ||
138 | {\centering | ||
139 | On/Off | ||
140 | \par} | ||
141 | & | ||
142 | Quit plugin | ||
143 | \\\hline | ||
144 | {\centering | ||
145 | Left/Right | ||
146 | \par} | ||
147 | & | ||
148 | {\centering | ||
149 | Left/Right | ||
150 | \par} | ||
151 | & | ||
152 | Move the split point indicator | ||
153 | \\\hline | ||
154 | {\centering | ||
155 | Up/Down | ||
156 | \par} | ||
157 | & | ||
158 | {\centering | ||
159 | Up/Down | ||
160 | \par} | ||
161 | & | ||
162 | Zoom in / out | ||
163 | \\\hline | ||
164 | {\centering | ||
165 | Play | ||
166 | \par} | ||
167 | & | ||
168 | {\centering | ||
169 | Mode | ||
170 | \par} | ||
171 | & | ||
172 | Play from the split position | ||
173 | \\\hline | ||
174 | {\centering | ||
175 | F1 | ||
176 | \par} | ||
177 | & | ||
178 | {\centering | ||
179 | Mode+Left | ||
180 | \par} | ||
181 | & | ||
182 | Enter the save dialogue | ||
183 | \\\hline | ||
184 | {\centering | ||
185 | F2 | ||
186 | \par} | ||
187 | & | ||
188 | {\centering | ||
189 | Mode+Up | ||
190 | \par} | ||
191 | & | ||
192 | Toggle loop modes | ||
193 | \\\hline | ||
194 | {\centering | ||
195 | F3 | ||
196 | \par} | ||
197 | & | ||
198 | {\centering | ||
199 | Mode+Right | ||
200 | \par} | ||
201 | & | ||
202 | Toggle logarithmic / linear scaling | ||
203 | \\\hline | ||
204 | {\centering | ||
205 | On+Left | ||
206 | \par} | ||
207 | & | ||
208 | {\centering | ||
209 | ~ | ||
210 | \par} | ||
211 | & | ||
212 | Play half speed | ||
213 | \\\hline | ||
214 | {\centering | ||
215 | On+Right | ||
216 | \par} | ||
217 | & | ||
218 | {\centering | ||
219 | ~ | ||
220 | \par} | ||
221 | & | ||
222 | Play 150\% speed | ||
223 | \\\hline | ||
224 | {\centering | ||
225 | On+Play | ||
226 | \par} | ||
227 | & | ||
228 | {\centering | ||
229 | ~ | ||
230 | \par} | ||
231 | & | ||
232 | Play normal speed | ||
233 | \\\hline | ||
234 | \end{tabular} | ||
235 | |||
236 | \subsubsection{Save the files} | ||
237 | In the save dialogue it is possible to specify which of the files you | ||
238 | want to save and their names. When finished, select | ||
239 | ``Save'' and the files will be written to | ||
240 | disk. Note that files can not be overwritten, so filenames that | ||
241 | don't exist yet must be chosen. If unsure whether the | ||
242 | file already exists simply try to save it. If another file with this | ||
243 | name exists the dialogue will return and you can choose another | ||
244 | filename | ||
245 | |||
246 | {\centering\itshape | ||
247 | [Warning: Image ignored] % Unhandled or unsupported graphics: | ||
248 | %\includegraphics[width=3.701cm,height=2.11cm]{images/rockbox-manual-img72.gif} | ||
249 | \newline | ||
250 | Save dialogue | ||
251 | \par} | ||
252 | |||
253 | Controls in the save dialogue | ||
254 | \begin{tabular}[c]{|p{2.62cm}|p{2.266cm}|p{3.965cm}|} | ||
255 | \hline | ||
256 | {\centering\bfseries\itshape | ||
257 | RECORDER | ||
258 | \par} | ||
259 | & | ||
260 | {\centering\bfseries\itshape | ||
261 | ONDIO | ||
262 | \par} | ||
263 | & | ||
264 | {\centering\bfseries\itshape | ||
265 | FUNCTION | ||
266 | \par} | ||
267 | \\\hline | ||
268 | {\centering | ||
269 | UP/DOWN | ||
270 | \par} | ||
271 | & | ||
272 | {\centering | ||
273 | UP/DOWN | ||
274 | \par} | ||
275 | & | ||
276 | Select item | ||
277 | \\\hline | ||
278 | {\centering | ||
279 | PLAY | ||
280 | \par} | ||
281 | & | ||
282 | {\centering | ||
283 | RIGHT | ||
284 | \par} | ||
285 | & | ||
286 | Toggle / edit item | ||
287 | \\\hline | ||
288 | \end{tabular} | ||
289 | |||
290 | \subsubsection{Scale} | ||
291 | The values in the waveform are scaled according to the settings of the | ||
292 | peak meter. These can be altered in the menu | ||
293 | \textbf{General Settings {}-{\textgreater} Display{}-{\textgreater} Peak Meter}. If extreme minimum / | ||
294 | maximum values are set the waveform might be cut off. A minimum | ||
295 | setting of {}-60 dB and a maximum setting of 0 dB are recommended. | ||
296 | These settings should be capable of producing useful waveforms for very | ||
297 | soft sounds in logarithmic mode (dB). When the editor is used on loud | ||
298 | sounds (such as commercial rock or pop music) switching to the linear | ||
299 | scale may prove more effective since the logarithmic scale compresses | ||
300 | loud noises and makes it more difficult to identify characteristic | ||
301 | shapes. Note that it is always possible to toggle the scale with F3. | ||
302 | |||
303 | |||