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authorMartin Arver <martin.arver@gmail.com>2006-02-21 11:54:53 +0000
committerMartin Arver <martin.arver@gmail.com>2006-02-21 11:54:53 +0000
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treec81cb417787c809732f7126cee8148b3a52881cd /manual/plugins/split_editor.tex
parentbff84266217d10337e5bb4d643c7bfdb9c4b0d5d (diff)
downloadrockbox-c7fd0fee7ad2581889e84748ab64e10003d9d526.tar.gz
rockbox-c7fd0fee7ad2581889e84748ab64e10003d9d526.zip
Patch[1430311] by Henrico Witvliet. Split plugins to individual files. Proper naming of the targets.
git-svn-id: svn://svn.rockbox.org/rockbox/trunk@8763 a1c6a512-1295-4272-9138-f99709370657
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1\subsection{Split Editor}
2When recording an mp3 file, it is common practice to start the recording
3a little bit early and stop it a little bit late to ensure all the
4desired sound is recorded. This results in recordings that contain
5extra snippets of sound and the beginning and end. Unfortunately these
6snippets can not be deleted easily because they are stored in the same
7file as the desired recording. The purpose of the split editor is to
8split a mp3 file (the input file) at a point in time (split point). Two
9new files can be generated from the input file. The first file contains
10the part before the split point and the second file contains the part
11after the split point. Once this process has been successful the
12original file can be deleted or kept as a backup.
13
14The whole process of splitting a mp3 file consists of three steps:
15
16\begin{enumerate}
17\item defining the split point
18\item generating the result files.
19\item if desired delete the input file (with the browser, not the split
20editor)
21\end{enumerate}
22
23\subsubsection{How to use the Split Editor}
24
25\begin{itemize}
26\item \textbf{Pause near the split point}
27When the device plays the song just hit the PAUSE button, when playback
28has roughly reached the split point. This need not be very precise as
29the split point can be fine tuned later.
30\item \textbf{Open the split editor}
31
32Open the plugin. A screen similar to the one below will appear.
33
34{\centering\itshape
35 [Warning: Image ignored] % Unhandled or unsupported graphics:
36%\includegraphics[width=3.701cm,height=2.11cm]{images/rockbox-manual-img67.gif}
37 \newline
38The Split Editor
39\par}
40
41{\centering\upshape
42Here is an explanation of the areas marked in red on the screenshot.
43\par}
44
45\begin{enumerate}
46\item The waveform \newline
47\newline
48The waveform displays the volume of the song over time. It will appear
49as the song plays and help to visually identify the point in time where
50the split is desired
51\item The split point indicator\newline
52\newline
53The split point indicator is a vertical line with a small triangle at
54the top end. It is the most important control element of the split
55editor. It can be moved with the LEFT and RIGHT buttons. Later, when
56you have fine tuned the split point, the song will be split at this
57position.
58\item The split time\newline
59\newline
60At the top of the window a time value is displayed. This is the point in
61time within the song at which the split point indicator is positioned.
62\item The locator\newline
63\newline
64Another vertical bar represents the position locator. It moves along as
65the song plays. In contrast to the split point indicator it has no
66triangles at the ends.
67\item The time bar\newline
68\newline
69The time bar displays the current position within the song relative to
70the whole song. The entire length of the time bar represents the song
71length. The length of the solid part of the time bar represents the position and length
72of the displayed part of the song.
73\item The scale mode\newline
74\newline
75Directly above the F3 button the scale mode is displayed. The waveform
76can be scaled either logarithmically or linearly. In logarithmic scale
77mode the letters ``dB'' are displayed, in linear mode ``\%''. Use F3 to
78switch between these modes. Linear mode usually gives better optical
79hints with commercially recorded music. For quiet recordings,
80especially of human speech, the logarithmic scale often is preferable.
81\item The loop mode \newline
82\newline
83Directly above the F2 button the loop mode icon is displayed. There are
844 different loop modes. Pressing F2 changes to the next loop mode.
85
86\begin{itemize}
87\item [Warning: Image ignored] % Unhandled or unsupported graphics:
88%\includegraphics[width=0.794cm,height=0.476cm]{images/rockbox-manual-img68.gif}
89 Playback loops around the split point indicator. This mode is best
90used when searching and zooming for the desired point at which to split
91the recording.
92\item [Warning: Image ignored] % Unhandled or unsupported graphics:
93%\includegraphics[width=0.794cm,height=0.476cm]{images/rockbox-manual-img69.gif}
94 Playback loops from the split point indicator to the end of the
95visible area. This mode is best used when fine tuning the split
96indicator position at the beginning of a recording.
97\item [Warning: Image ignored] % Unhandled or unsupported graphics:
98%\includegraphics[width=0.794cm,height=0.476cm]{images/rockbox-manual-img70.gif}
99 Playback loops from the beginning of the
100visible area to the split point. This mode is best used when fine
101tuning the split indicator position at the end of a recording.
102\item [Warning: Image ignored] % Unhandled or unsupported graphics:
103%\includegraphics[width=0.688cm,height=0.476cm]{images/rockbox-manual-img71.gif}
104 Playback doesn't loop, the borders of the visible
105area as well as the split point indicator are ignored. This mode is
106best used when playing the song outside of the borders of the displayed
107region.
108\end{itemize}
109
110\item Perform the split \newline
111\newline
112The icon directly above the F1 button indicates its function to execute
113the split. When split positioning is complete open the save dialogue with F1.
114\end{enumerate}
115
116{\bfseries
117Controls in the split editor }
118\end{itemize}
119
120\begin{tabular}[c]{|p{2.975cm}|p{3.047cm}|p{6.649cm}|}
121\hline
122{\centering\bfseries\itshape
123Recorder
124\par}
125&
126{\centering\bfseries\itshape
127Ondio
128\par}
129&
130{\centering\bfseries\itshape
131Function
132\par}
133\\\hline
134{\centering
135Off
136\par}
137&
138{\centering
139On/Off
140\par}
141&
142Quit plugin
143\\\hline
144{\centering
145Left/Right
146\par}
147&
148{\centering
149Left/Right
150\par}
151&
152Move the split point indicator
153\\\hline
154{\centering
155Up/Down
156\par}
157&
158{\centering
159Up/Down
160\par}
161&
162Zoom in / out
163\\\hline
164{\centering
165Play
166\par}
167&
168{\centering
169Mode
170\par}
171&
172Play from the split position
173\\\hline
174{\centering
175F1
176\par}
177&
178{\centering
179Mode+Left
180\par}
181&
182Enter the save dialogue
183\\\hline
184{\centering
185F2
186\par}
187&
188{\centering
189Mode+Up
190\par}
191&
192Toggle loop modes
193\\\hline
194{\centering
195F3
196\par}
197&
198{\centering
199Mode+Right
200\par}
201&
202Toggle logarithmic / linear scaling
203\\\hline
204{\centering
205On+Left
206\par}
207&
208{\centering
209~
210\par}
211&
212Play half speed
213\\\hline
214{\centering
215On+Right
216\par}
217&
218{\centering
219~
220\par}
221&
222Play 150\% speed
223\\\hline
224{\centering
225On+Play
226\par}
227&
228{\centering
229~
230\par}
231&
232Play normal speed
233\\\hline
234\end{tabular}
235
236\subsubsection{Save the files}
237In the save dialogue it is possible to specify which of the files you
238want to save and their names. When finished, select
239``Save'' and the files will be written to
240disk. Note that files can not be overwritten, so filenames that
241don't exist yet must be chosen. If unsure whether the
242file already exists simply try to save it. If another file with this
243name exists the dialogue will return and you can choose another
244filename
245
246{\centering\itshape
247 [Warning: Image ignored] % Unhandled or unsupported graphics:
248%\includegraphics[width=3.701cm,height=2.11cm]{images/rockbox-manual-img72.gif}
249 \newline
250Save dialogue
251\par}
252
253Controls in the save dialogue
254\begin{tabular}[c]{|p{2.62cm}|p{2.266cm}|p{3.965cm}|}
255\hline
256{\centering\bfseries\itshape
257RECORDER
258\par}
259&
260{\centering\bfseries\itshape
261ONDIO
262\par}
263&
264{\centering\bfseries\itshape
265FUNCTION
266\par}
267\\\hline
268{\centering
269UP/DOWN
270\par}
271&
272{\centering
273UP/DOWN
274\par}
275&
276Select item
277\\\hline
278{\centering
279PLAY
280\par}
281&
282{\centering
283RIGHT
284\par}
285&
286Toggle / edit item
287\\\hline
288\end{tabular}
289
290\subsubsection{Scale}
291The values in the waveform are scaled according to the settings of the
292peak meter. These can be altered in the menu
293\textbf{General Settings {}-{\textgreater} Display{}-{\textgreater} Peak Meter}. If extreme minimum /
294maximum values are set the waveform might be cut off. A minimum
295setting of {}-60 dB and a maximum setting of 0 dB are recommended.
296These settings should be capable of producing useful waveforms for very
297soft sounds in logarithmic mode (dB). When the editor is used on loud
298sounds (such as commercial rock or pop music) switching to the linear
299scale may prove more effective since the logarithmic scale compresses
300loud noises and makes it more difficult to identify characteristic
301shapes. Note that it is always possible to toggle the scale with F3.
302
303