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authorRyan Billing <ryjobil@gmail.com>2013-10-04 01:57:00 +1300
committerMichael Giacomelli <giac2000@hotmail.com>2013-12-15 22:24:08 +0100
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DSP Compressor: Sidechain, Exponential Atk/Rls
This is an improvement to the current compressor which I have added to my own Sansa Fuze V2 build. I am submitting here in case others find it interesting. Features added to the existing compressor: Attack, Look-ahead, Sidechain Filtering. Exponential attack and release characteristic response. Benefits from adding missing features: Attack: Preserve perceived "brightness" of tone by letting onset transients come through at a higher level than the rest of the compressed program material. Look-ahead: With Attack comes clipping on the leading several cycles of a transient onset. With look-ahead function, this can be pre-emptively mitigated with a slower gain change (less distortion). Look-ahead limiting is implemented to prevent clipping while keeping gain change ramp to an interval near 3ms instead of instant attack. The existing compressor implementation distorts the leading edge of a transient by causing instant gain change, resulting in log() distortion. This sounds "woofy" to me. Exponential Attack/Release: eMore natural sounding. On attack, this is a true straight line of 10dB per attack interval. Release is a little different, however, sounds natural as an analog compressor. Sidechain Filtering: Mild high-pass filter reduces response to low frequency onsets. For example, a hard kick drum is less likely to make the whole of the program material appear to fade in and out. Combined with a moderate attack time, such a transient will ride through with minimal audible artifact. Overall these changes make dynamic music sound more "open", more natural. The goal of a compressor is to make dyanamic music sound louder without necessarily sounding as though it has been compressed. I believe these changes come closer to this goal. Enjoy. If not, I am enjoying it Change-Id: I664eace546c364b815b4dc9ed4a72849231a0eb2 Reviewed-on: http://gerrit.rockbox.org/626 Tested: Purling Nayuki <cyq.yzfl@gmail.com> Reviewed-by: Michael Giacomelli <giac2000@hotmail.com>
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@@ -603,6 +603,9 @@ non-compressed signal to a compressed signal. Hard Knee means that the
603transition occurs precisely at the threshold. The Soft Knee setting smoothes 603transition occurs precisely at the threshold. The Soft Knee setting smoothes
604the transition from plus or minus three decibels around the threshold. 604the transition from plus or minus three decibels around the threshold.
605 605
606The \setting{Attack Time} setting sets the delay in milliseconds between the
607input signal exceeding the activation threshold and acting upon it.
608
606The \setting{Release Time} setting sets the recovery time after the signal is 609The \setting{Release Time} setting sets the recovery time after the signal is
607compressed. Once the compressor determines that compression is necessary, 610compressed. Once the compressor determines that compression is necessary,
608the input signal is reduced appropriately, but the gain isn't allowed to 611the input signal is reduced appropriately, but the gain isn't allowed to