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authorMichael DiFebbo <medifebbo@rockbox.org>2006-10-14 15:27:17 +0000
committerMichael DiFebbo <medifebbo@rockbox.org>2006-10-14 15:27:17 +0000
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downloadrockbox-a7acf1351f3088c0d509e87d84db95d38fed788c.tar.gz
rockbox-a7acf1351f3088c0d509e87d84db95d38fed788c.zip
First draft of a complete description of the Graphical EQ menu. Still needs button mappings for iAudio and possibly H10. Address FS#5540.
git-svn-id: svn://svn.rockbox.org/rockbox/trunk@11222 a1c6a512-1295-4272-9138-f99709370657
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-rwxr-xr-xmanual/configure_rockbox/sound_settings.tex161
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@@ -253,41 +253,132 @@ change to customize your listening experience.
253 Rockbox features a parametric equalizer. As the name suggests, a parametric 253 Rockbox features a parametric equalizer. As the name suggests, a parametric
254 equalizer lets you control several different parameters for each band of the 254 equalizer lets you control several different parameters for each band of the
255 equalizer. Rockbox's parametric EQ is composed of five different EQ bands: 255 equalizer. Rockbox's parametric EQ is composed of five different EQ bands:
256 \begin{description} 256
257 \item[Band 0: Low shelf filter.] A low shelf filter boosts or lowers all 257 \begin{table}
258 frequencies below the designated cutoff point. The ``bass''control on 258 \begin{center}
259 most home or car stereos is an example of a low shelf filter. The low shelf 259 \begin{tabularx}{\textwidth}{lX}\toprule
260 filter in Rockbox is more flexible than a simple ``bass'' control, because 260 \textbf{EQ Band(s)} & \textbf{Description} \\\midrule
261 a simple bass control only lets you adjust the amount of gain that is 261 Band 0: Low shelf filter
262 applied. Rockbox lets you control the amount of gain that is applied 262 & A low shelf filter boosts or lowers all frequencies below the
263 (i.e., the amount that the bass is boosted or cut) too, but Rockbox also 263 designated cutoff point. The ``bass''control on most home or car
264 allows you to adjust the ``cutoff'' frequency where the shelving starts 264 stereos is an example of a low shelf filter. The low shelf
265 to take effect. For example, a cutoff frequency of 50 Hz will adjust only 265 filter in Rockbox is more flexible than a simple ``bass''
266 very low frequencies. A cutoff frequency of 200 Hz, on the other hand, 266 control, because a simple bass control only lets you adjust
267 will adjust a much wider range of bass frequencies. 267 the amount of gain that is applied. Rockbox lets you control
268 \item[Bands 1-3: Peaking filters.] 268 the amount of gain that is applied (i.e., the amount that the
269 Peaking EQ filters boost or low a center frequency that you select, as 269 bass is boosted or cut) too, but Rockbox also allows you to
270 well as the frequencies within a certain distance of that center. Graphic 270 adjust the ``cutoff'' frequency where the shelving starts to take
271 equalizers in home stereos are usually peaking filters. The peaking EQs 271 effect. For example, a cutoff frequency of 50 Hz will adjust only very
272 on Rockbox's parametric equalizer let you adjust three different 272 low frequencies. A cutoff frequency of 200 Hz, on the other hand, will
273 parameters for each EQ band 1 through 3. The ``center'' parameter 273 adjust a much wider range of bass frequencies.. \\
274 controls the center frequency that is adjusted by that EQ band. The 274 %
275 ``gain'' parameter controls how much each band is adjusted. Positive 275 Bands 1-3: Peaking filters
276 numbers make the EQ band louder, while negative numbers make that EQ band 276 & Peaking EQ filters boost or low a center frequency that you select,
277 quieter. Finally, the ``Q'' parameter controls how wide or narrow each EQ 277 as well as the frequencies within a certain distance of that
278 band is. Higher Q values will affect a narrow band of frequencies, while 278 center. Graphic equalizers in home stereos are usually peaking
279 lower EQ values will affect a wider band of frequencies. 279 filters. The peaking EQs on Rockbox's parametric equalizer let
280 \item[Band 4: High shelf filter.] 280 you adjust three different parameters for each EQ band 1
281 A high shelf filter boosts or lowers all frequencies above a designated 281 through 3. The ``center'' parameter controls the center
282 cutoff point. The ``treble'' control on most home or car stereos is an 282 frequency that is adjusted by that EQ band. The ``gain''
283 example of a high shelf filter. The high shelf filter is adjusted the 283 parameter controls how much each band is adjusted. Positive
284 same way as the low shelf filter, except that it works on the high end 284 numbers make the EQ band louder, while negative numbers make
285 of the frequency spectrum rather than the low end. 285 that EQ band quieter. Finally, the ``Q'' parameter controls how wide
286 \end{description} 286 or narrow each EQ band is. Higher Q values will affect a
287 287 narrow band of frequencies, while lower EQ values will affect
288 a wider band of frequencies. \\
289 %
290 Band 4: Hi shelf filter
291 & A high shelf filter boosts or lowers all frequencies above a
292 designated cutoff point. The ``treble'' control on most home or car
293 stereos is an example of a high shelf filter. The high shelf filter is
294 adjusted the same way as the low shelf filter, except that it works on
295 the high end of the frequency spectrum rather than the low end.\\
296 \bottomrule
297 \end{tabularx}
298 \end{center}
299 \end{table}
300
288 So, as a general guide, EQ band 0 should be used for lows, EQ bands 1 301 So, as a general guide, EQ band 0 should be used for lows, EQ bands 1
289 through 3 should be used for mids, and EQ band 4 should be used for highs. 302 through 3 should be used for mids, and EQ band 4 should be used for highs.
290 You can find more information about setting the parametric equalizer and 303
291 using equalizer presets in the Advanced Topics chapter of this manual. 304\begin {description}
292 \fixme{This information is not yet added} 305 \item[Enable EQ:]
306 This option controls whether the EQ is on or off.
307
308 \item[Graphical EQ:]
309 This option brings up a graphic EQ screen, which allows adjustment of each of
310 the three parameters described above (gain, center frequency, and Q) for each
311 of the five EQ bands.
312
313 \begin{table}
314 \begin{btnmap}{}{}
315 \opt{IPOD_4G_PAD,IPOD_3G_PAD,IPOD_VIDEO_PAD}{\ButtonScrollFwd}
316 \opt{IRIVER_H100_PAD,IRIVER_H300_PAD,IAUDIO_X5_PAD}{\ButtonUp}
317 & Raises the highlighted parameter.\\
318 %
319 \opt{IPOD_4G_PAD,IPOD_3G_PAD,IPOD_VIDEO_PAD}{\ButtonScrollBack}
320 \opt{IRIVER_H100_PAD,IRIVER_H300_PAD,IAUDIO_X5_PAD}{\ButtonDown}
321 & Lowers the highlighted parameter.\\
322 %
323 \opt{IRIVER_H100_PAD,IRIVER_H300_PAD,IAUDIO_X5_PAD}{\ButtonLeft}
324 \opt{IPOD_4G_PAD,IPOD_3G_PAD,IPOD_VIDEO_PAD}{\ButtonLeft}
325 & Moves to the previous EQ band. \\
326 %
327 \opt{IRIVER_H100_PAD,IRIVER_H300_PAD,IAUDIO_X5_PAD}{\ButtonRight}
328 \opt{IPOD_4G_PAD,IPOD_3G_PAD,IPOD_VIDEO_PAD}{\ButtonRight}
329 & Moves to the next EQ band. \\
330 %
331 \opt{IRIVER_H100_PAD,IRIVER_H300_PAD}{\ButtonSelect}
332 \opt{IAUDIO_X5_PAD,IPOD_4G_PAD,IPOD_3G_PAD,IPOD_VIDEO_PAD}{\ButtonSelect}
333 & Toggles the cursor among the three parameters (gain, center frequency,
334 Q) for the selected EQ band.\\
335 %
336 \opt{IRIVER_H100_PAD,IRIVER_H300_PAD}{\ButtonMode}
337 \opt{IPOD_4G_PAD,IPOD_3G_PAD,IPOD_VIDEO_PAD}{\ButtonMenu}
338 & Exits the graphic EQ screen.\\
339 \end{btnmap}
340 \end{table}
341
342 \item[Pre-cut:]
343 If too much gain is added through the graphical EQ, your music may distort.
344 The \setting{Precut} setting allows you to adjust the overall gain of the EQ.
345 If your music distorts when using the EQ, trying changing this setting to a
346 negative value.
347
348 \item[Simple EQ:]
349 This option provides an easier alternative for those who are daunted by all of
350 the parameters that can be adjusted using the graphical EQ. With the
351 \setting{Simple EQ}, the only parameter that can be adjusted is the gain.
352
353 \item[Advanced EQ:]
354 This submenu provides options for adjusting the same parameters as the
355 \setting{Graphical EQ}. The only difference is that the parameters are
356 adjusted through textual menus rather than through a graphic interface.
357
358 \item[Save EQ Preset:]
359 This option saves the current EQ configuration in a \fname{.cfg} file.
360
361 \item[Browse EQ Presets:]
362 This menu displays a list EQ presets, as well as any EQ configurations saved
363 using the \setting{Save EQ Preset} option. Users unfamiliar with the
364 operation of a parametric EQ may wish to use the presets instead of trying to
365 configure the EQ, or use the presets for designing their own custom EQ
366 settings.
367
368\end{description}
369}
370
371\opt{ipodvideo}{
372\section{Hardware EQ}
373
374 This function controls the EQ that is built into the hardware of your
375 \playerman{}. The hardware EQ functions similarly to the Graphical EQ in that
376 it allows adjustmnet of several parameters. However, unlike the Graphical EQ,
377 the Hardware EQ allows the user to choose from a limited number of settings
378 for ``Center Frequency'' and ``Bandwidth'' (``Bandwidth'' in the Hardware EQ
379 is similar to ``Q'' in the Graphical EQ).
380
381 \note{While the \setting{Hardware EQ} menu shows Low Shelf, three peaking
382 filters, and High Shelf, the peaking filters are not currently operational.}
383
293} 384}