diff options
author | Moshe Piekarski <dev.rockbox@melachim.net> | 2020-11-16 18:14:31 -0500 |
---|---|---|
committer | Moshe Piekarski <dev.rockbox@melachim.net> | 2020-11-18 14:35:09 +0000 |
commit | 0aa702836bd0be397c010ebd677bd673b7f900af (patch) | |
tree | c171f8f2bf9781cfe2a34a584faa69349853983e | |
parent | 7c87467ba4d6f6fabca5b167e1233d4cca1671ca (diff) | |
download | rockbox-0aa702836bd0be397c010ebd677bd673b7f900af.tar.gz rockbox-0aa702836bd0be397c010ebd677bd673b7f900af.zip |
Manual: remove most HWCODEC artifacts
This causes 3 changes in layout. 2 I can't track down and 1 is better this way.
Change-Id: If4ad5e1d7431b4c2cbaaf9767d78139ef4e2dc44
24 files changed, 451 insertions, 613 deletions
diff --git a/manual/advanced_topics/main.tex b/manual/advanced_topics/main.tex index 66793a8d24..f669dd5211 100755 --- a/manual/advanced_topics/main.tex +++ b/manual/advanced_topics/main.tex | |||
@@ -42,29 +42,26 @@ Rockbox allows you to choose a plugin to run for select menu options. | |||
42 | Simply choose the option in the setting menu and choose the plugin | 42 | Simply choose the option in the setting menu and choose the plugin |
43 | you would like to run. | 43 | you would like to run. |
44 | 44 | ||
45 | \opt{lcd_bitmap}{ | ||
46 | \subsection{\label{ref:GettingExtras}Getting Extras} | 45 | \subsection{\label{ref:GettingExtras}Getting Extras} |
47 | 46 | ||
48 | Rockbox supports custom fonts. A collection of fonts is available for download | 47 | Rockbox supports custom fonts. A collection of fonts is available for download |
49 | in the font package at \url{http://www.rockbox.org/daily.shtml}.} | 48 | in the font package at \url{http://www.rockbox.org/daily.shtml}. |
50 | 49 | ||
51 | \opt{lcd_bitmap}{ | 50 | \subsection{\label{ref:Loadingfonts}Loading Fonts}\index{Fonts} |
52 | \subsection{\label{ref:Loadingfonts}Loading Fonts}\index{Fonts} | 51 | Rockbox can load fonts dynamically. Simply copy the \fname{.fnt} file to the |
53 | Rockbox can load fonts dynamically. Simply copy the \fname{.fnt} file to the | 52 | \dap{} and ``play'' it in the \setting{File Browser}. If you want a font to |
54 | \dap{} and ``play'' it in the \setting{File Browser}. If you want a font to | 53 | be loaded automatically every time you start up, it must be located in the |
55 | be loaded automatically every time you start up, it must be located in the | 54 | \fname{/.rockbox/fonts} directory and the filename must be at most 24 characters |
56 | \fname{/.rockbox/fonts} directory and the filename must be at most 24 characters | 55 | long. You can browse the fonts in \fname{/.rockbox/fonts} under |
57 | long. You can browse the fonts in \fname{/.rockbox/fonts} under | 56 | \setting{Settings $\rightarrow$ Theme Settings $\rightarrow$ Font} |
58 | \setting{Settings $\rightarrow$ Theme Settings $\rightarrow$ Font} | 57 | in the \setting{Main Menu}.\\ |
59 | in the \setting{Main Menu}.\\ | 58 | |
60 | 59 | \note{Advanced Users Only: Any BDF font should | |
61 | \note{Advanced Users Only: Any BDF font should | 60 | be usable with Rockbox. To convert from \fname{.bdf} to \fname{.fnt}, use |
62 | be usable with Rockbox. To convert from \fname{.bdf} to \fname{.fnt}, use | 61 | the \fname{convbdf} tool. This tool can be found in the \fname{tools} |
63 | the \fname{convbdf} tool. This tool can be found in the \fname{tools} | 62 | directory of the Rockbox source code. See \wikilink{CreateFonts\#ConvBdf} |
64 | directory of the Rockbox source code. See \wikilink{CreateFonts\#ConvBdf} | 63 | for more details. Or just run \fname{convbdf} without any parameters to |
65 | for more details. Or just run \fname{convbdf} without any parameters to | 64 | see the possible options.} |
66 | see the possible options.} | ||
67 | } | ||
68 | 65 | ||
69 | \subsection{\label{ref:Loadinglanguages}Loading Languages} | 66 | \subsection{\label{ref:Loadinglanguages}Loading Languages} |
70 | \index{Language files}% | 67 | \index{Language files}% |
@@ -109,15 +106,13 @@ file find the instructions on the Rockbox website: | |||
109 | \\ | 106 | \\ |
110 | \config{folder, m3u, m3u8, cfg, wps, lng, rock, bmark, cue, colours, mpa, | 107 | \config{folder, m3u, m3u8, cfg, wps, lng, rock, bmark, cue, colours, mpa, |
111 | \firmwareextension{}, % | 108 | \firmwareextension{}, % |
112 | \opt{swcodec}{mp1, }mp2, mp3% | 109 | mp1, mp2, mp3, ogg, oga, wma, wmv, asf, wav, flac, ac3, a52, mpc, wv, |
113 | \opt{swcodec}{, ogg, oga, wma, wmv, asf, wav, flac, ac3, a52, mpc, | 110 | m4a, m4b, mp4, mod, shn, aif, aiff, spx, sid, adx, nsf, nsfe, spc, ape, |
114 | wv, m4a, m4b, mp4, mod, shn, aif, aiff, spx, sid, adx, nsf, nsfe, | 111 | mac, sap, mpg, mpeg% |
115 | spc, ape, mac, sap}% | ||
116 | \opt{lcd_bitmap}{\opt{swcodec}{, mpg, mpeg}}% | ||
117 | \opt{HAVE_REMOTE_LCD}{, rwps}% | 112 | \opt{HAVE_REMOTE_LCD}{, rwps}% |
118 | \opt{lcd_non-mono}{, bmp}% | 113 | \opt{lcd_non-mono}{, bmp}% |
119 | \opt{radio}{, fmr}% | 114 | \opt{radio}{, fmr}% |
120 | \opt{lcd_bitmap}{, fnt, kbd}}\\* | 115 | , fnt, kbd}\\* |
121 | %It'd be ideal to get these from filetypes.c | 116 | %It'd be ideal to get these from filetypes.c |
122 | 117 | ||
123 | All file extensions that are not either specifically listed in the | 118 | All file extensions that are not either specifically listed in the |
@@ -286,8 +281,8 @@ present in the theme file. The full syntax will be explained later in | |||
286 | this section. All elements placed before the | 281 | this section. All elements placed before the |
287 | line defining a viewport are displayed in the default viewport. Elements | 282 | line defining a viewport are displayed in the default viewport. Elements |
288 | defined after a viewport declaration are drawn within that viewport. | 283 | defined after a viewport declaration are drawn within that viewport. |
289 | \opt{lcd_bitmap}{Loading images (see Appendix \reference{ref:wps_images}) | 284 | Loading images (see Appendix \reference{ref:wps_images}) |
290 | should be done within the default viewport.} | 285 | should be done within the default viewport. |
291 | A viewport ends either with the end of the file, or with the next viewport | 286 | A viewport ends either with the end of the file, or with the next viewport |
292 | declaration line. Viewports sharing the same | 287 | declaration line. Viewports sharing the same |
293 | coordinates and dimensions cannot be displayed at the same time. Viewports | 288 | coordinates and dimensions cannot be displayed at the same time. Viewports |
@@ -526,18 +521,17 @@ That is, ``tracknum -- title [artist, album]'', where most fields are only | |||
526 | displayed if available. Could also be rendered as ``filename'' or ``tracknum -- | 521 | displayed if available. Could also be rendered as ``filename'' or ``tracknum -- |
527 | title [artist]''. | 522 | title [artist]''. |
528 | 523 | ||
529 | %\opt{lcd_bitmap}{ | 524 | %\begin{verbatim} |
530 | % \begin{verbatim} | 525 | % %s%?it<%?in<%in. |>%it|%fn> |
531 | % %s%?it<%?in<%in. |>%it|%fn> | 526 | % %s%?ia<%ia|%?d2<%d(2)|(root)>> |
532 | % %s%?ia<%ia|%?d2<%d(2)|(root)>> | 527 | % %s%?id<%id|%?d1<%d(1)|(root)>> %?iy<(%iy)|> |
533 | % %s%?id<%id|%?d1<%d(1)|(root)>> %?iy<(%iy)|> | ||
534 | % | 528 | % |
535 | % %al%pc/%pt%ar[%pp:%pe] | 529 | % %al%pc/%pt%ar[%pp:%pe] |
536 | % %fbkBit %?fv<avg|> %?iv<(id3v%iv)|(no id3)> | 530 | % %fbkBit %?fv<avg|> %?iv<(id3v%iv)|(no id3)> |
537 | % %pb | 531 | % %pb |
538 | % %pm | 532 | % %pm |
539 | % % \end{verbatim} | 533 | % |
540 | %} | 534 | %\end{verbatim} |
541 | 535 | ||
542 | \section{\label{ref:manage_settings}Managing Rockbox Settings} | 536 | \section{\label{ref:manage_settings}Managing Rockbox Settings} |
543 | 537 | ||
@@ -713,11 +707,10 @@ current version. | |||
713 | available. | 707 | available. |
714 | 708 | ||
715 | 709 | ||
716 | \opt{swcodec}{ | ||
717 | Another area of savings is avoiding or reducing CPU boosting | 710 | Another area of savings is avoiding or reducing CPU boosting |
718 | through disabling computing intense features (e.g. sound processing) or | 711 | through disabling computing intense features (e.g. sound processing) or |
719 | using effective audio codecs. | 712 | using effective audio codecs. |
720 | } The following provides a short overview of the most relevant settings and | 713 | The following provides a short overview of the most relevant settings and |
721 | rules of thumb. | 714 | rules of thumb. |
722 | 715 | ||
723 | \subsection{Display backlight} | 716 | \subsection{Display backlight} |
@@ -765,16 +758,13 @@ current version. | |||
765 | that allows correct and continuous playback (see \reference{ref:AntiSkipBuf}). | 758 | that allows correct and continuous playback (see \reference{ref:AntiSkipBuf}). |
766 | } | 759 | } |
767 | 760 | ||
768 | \opt{swcodec}{ | ||
769 | \subsection{Replaygain} | 761 | \subsection{Replaygain} |
770 | Replaygain is a post processing that equalises the playback volume of audio | 762 | Replaygain is a post processing that equalises the playback volume of audio |
771 | files to the same perceived loudness. This post processing applies a factor | 763 | files to the same perceived loudness. This post processing applies a factor |
772 | to each single PCM sample and is therefore consuming additional CPU time. If | 764 | to each single PCM sample and is therefore consuming additional CPU time. If |
773 | you want to achieve some (minor) savings in runtime, switch this feature off | 765 | you want to achieve some (minor) savings in runtime, switch this feature off |
774 | (see \reference{ref:ReplayGain}). | 766 | (see \reference{ref:ReplayGain}). |
775 | } | ||
776 | 767 | ||
777 | \opt{lcd_bitmap}{ | ||
778 | \subsection{Peak Meter} | 768 | \subsection{Peak Meter} |
779 | The peak meter is a feature of the While Playing Screen and will be updated with a | 769 | The peak meter is a feature of the While Playing Screen and will be updated with a |
780 | high framerate. Depending on your \dap{} this might result in a high CPU load. To | 770 | high framerate. Depending on your \dap{} this might result in a high CPU load. To |
@@ -782,15 +772,11 @@ current version. | |||
782 | \opt{ipodvideo}{ | 772 | \opt{ipodvideo}{ |
783 | \note{Especially the \playerman{} \playertype{} suffers from an enabled peak meter.} | 773 | \note{Especially the \playerman{} \playertype{} suffers from an enabled peak meter.} |
784 | } | 774 | } |
785 | } | ||
786 | 775 | ||
787 | \opt{swcodec,disk_storage,flash_storage}{ | ||
788 | \subsection{Audio format and bitrate} | 776 | \subsection{Audio format and bitrate} |
789 | \opt{swcodec}{ | ||
790 | In general the fastest decoding audio format will be the best in terms of | 777 | In general the fastest decoding audio format will be the best in terms of |
791 | battery runtime on your \dap{}. An overview of different codec's performance | 778 | battery runtime on your \dap{}. An overview of different codec's performance |
792 | on different \dap{}s can be found at \wikilink{CodecPerformanceComparison}. | 779 | on different \dap{}s can be found at \wikilink{CodecPerformanceComparison}. |
793 | } | ||
794 | 780 | ||
795 | \opt{flash_storage}{ | 781 | \opt{flash_storage}{ |
796 | Your target uses flash that consumes a certain amount of power during access. | 782 | Your target uses flash that consumes a certain amount of power during access. |
@@ -813,11 +799,8 @@ current version. | |||
813 | another based upon the above mentioned. This will reduce the audio quality. | 799 | another based upon the above mentioned. This will reduce the audio quality. |
814 | If you have the choice, select the best suiting codec when encoding the | 800 | If you have the choice, select the best suiting codec when encoding the |
815 | original source material. | 801 | original source material. |
816 | } | ||
817 | 802 | ||
818 | \opt{swcodec}{ | ||
819 | \subsection{Sound settings} | 803 | \subsection{Sound settings} |
820 | In general all kinds of sound processing will need more CPU time and therefore | 804 | In general all kinds of sound processing will need more CPU time and therefore |
821 | consume more power. The less sound processing you use, the better it is for | 805 | consume more power. The less sound processing you use, the better it is for |
822 | the battery runtime (for options see \reference{ref:configure_rockbox_sound}). | 806 | the battery runtime (for options see \reference{ref:configure_rockbox_sound}). |
823 | } | ||
diff --git a/manual/appendix/appendix.tex b/manual/appendix/appendix.tex index f1d6ccca16..1ce4eef7c9 100644 --- a/manual/appendix/appendix.tex +++ b/manual/appendix/appendix.tex | |||
@@ -3,7 +3,7 @@ | |||
3 | 3 | ||
4 | \input{appendix/file_formats.tex} | 4 | \input{appendix/file_formats.tex} |
5 | 5 | ||
6 | \opt{lcd_bitmap}{\input{appendix/album_art_info.tex}} | 6 | \input{appendix/album_art_info.tex} |
7 | 7 | ||
8 | \input{appendix/wps_tags.tex} | 8 | \input{appendix/wps_tags.tex} |
9 | 9 | ||
diff --git a/manual/appendix/config_file_options.tex b/manual/appendix/config_file_options.tex index 74607b4507..117d6f90fe 100644 --- a/manual/appendix/config_file_options.tex +++ b/manual/appendix/config_file_options.tex | |||
@@ -64,9 +64,7 @@ | |||
64 | bidir limit & 0 to 200 & \% screen\\ | 64 | bidir limit & 0 to 200 & \% screen\\ |
65 | scroll paginated & on, off & N/A\\ | 65 | scroll paginated & on, off & N/A\\ |
66 | hold\_lr\_for\_scroll\_in\_list & on, off & N/A\\ | 66 | hold\_lr\_for\_scroll\_in\_list & on, off & N/A\\ |
67 | \opt{lcd_bitmap}{ | 67 | show path in browser & off, current directory, full path & N/A\\ |
68 | show path in browser & off, current directory, full path & N/A\\ | ||
69 | } | ||
70 | contrast & 0 to 63 & N/A\\ | 68 | contrast & 0 to 63 & N/A\\ |
71 | backlight timeout | 69 | backlight timeout |
72 | & off, on, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 15, 20, 25, 30, | 70 | & off, on, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 15, 20, 25, 30, |
@@ -167,7 +165,6 @@ | |||
167 | list\_accel\_wait & 1 to 10 & s\\ | 165 | list\_accel\_wait & 1 to 10 & s\\ |
168 | } | 166 | } |
169 | % | 167 | % |
170 | \opt{swcodec}{ | ||
171 | replaygain type | 168 | replaygain type |
172 | & track, album, track shuffle, off | 169 | & track, album, track shuffle, off |
173 | & N/A\\ | 170 | & N/A\\ |
@@ -232,7 +229,6 @@ | |||
232 | keyclick repeats & on, off & N/A\\ | 229 | keyclick repeats & on, off & N/A\\ |
233 | dircache & on, off & N/A\\ | 230 | dircache & on, off & N/A\\ |
234 | tagcache\_ram & on, off & N/A\\ | 231 | tagcache\_ram & on, off & N/A\\ |
235 | }% | ||
236 | 232 | ||
237 | \opt{touchpad}{ | 233 | \opt{touchpad}{ |
238 | \opt{GIGABEAT_PAD}{ | 234 | \opt{GIGABEAT_PAD}{ |
@@ -244,7 +240,6 @@ | |||
244 | } | 240 | } |
245 | }% | 241 | }% |
246 | 242 | ||
247 | \opt{lcd_bitmap}{ | ||
248 | peak meter release | 243 | peak meter release |
249 | & 1 to 126 & ?\\ | 244 | & 1 to 126 & ?\\ |
250 | peak meter hold | 245 | peak meter hold |
@@ -284,12 +279,8 @@ | |||
284 | show icons & on, off & N/A\\ | 279 | show icons & on, off & N/A\\ |
285 | iconset & /path/filename.bmp & N/A\\ | 280 | iconset & /path/filename.bmp & N/A\\ |
286 | viewers iconset & /path/filename.bmp & N/A\\ | 281 | viewers iconset & /path/filename.bmp & N/A\\ |
287 | }% | ||
288 | 282 | ||
289 | \opt{swcodec}{% This doesn't depend on swcodec but using a \nopt here | ||
290 | % causes ondiosp not to build for mysterious reasons. | ||
291 | backdrop & /path/filename.bmp & N/A\\ | 283 | backdrop & /path/filename.bmp & N/A\\ |
292 | }% | ||
293 | 284 | ||
294 | \opt{lcd_color}{ | 285 | \opt{lcd_color}{ |
295 | foreground colour & 000000 to FFFFFF & RRGGBB\\ | 286 | foreground colour & 000000 to FFFFFF & RRGGBB\\ |
diff --git a/manual/appendix/file_formats.tex b/manual/appendix/file_formats.tex index bfba184ade..4d64cf6bc6 100644 --- a/manual/appendix/file_formats.tex +++ b/manual/appendix/file_formats.tex | |||
@@ -6,18 +6,14 @@ | |||
6 | & \textbf{Action when selected}}{}{} | 6 | & \textbf{Action when selected}}{}{} |
7 | \includegraphics[width=0.37cm]{appendix/images/icon-directory.png} | 7 | \includegraphics[width=0.37cm]{appendix/images/icon-directory.png} |
8 | & Directory & \emph{none} & Enter the directory \tabularnewline | 8 | & Directory & \emph{none} & Enter the directory \tabularnewline |
9 | \opt{swcodec}{ | ||
10 | \includegraphics[width=0.37cm]{appendix/images/icon-audio-file.png} | 9 | \includegraphics[width=0.37cm]{appendix/images/icon-audio-file.png} |
11 | & Audio file & \emph{various}\newline% | 10 | & Audio file & \emph{various}\newline% |
12 | (see \ref{ref:Supportedaudioformats})% | 11 | (see \ref{ref:Supportedaudioformats})% |
13 | % do NOT use \reference{} here as that will break the table. | 12 | % do NOT use \reference{} here as that will break the table. |
14 | & Start playing the file and show the WPS\tabularnewline | 13 | & Start playing the file and show the WPS\tabularnewline |
15 | } | ||
16 | & Bookmark & \fname{.bmark} & Display all bookmarks for an audio file\tabularnewline | 14 | & Bookmark & \fname{.bmark} & Display all bookmarks for an audio file\tabularnewline |
17 | \opt{lcd_bitmap}{ | ||
18 | & Game of Life & \fname{.cells} & Show the configuration with the | 15 | & Game of Life & \fname{.cells} & Show the configuration with the |
19 | ``Rocklife'' plugin\tabularnewline | 16 | ``Rocklife'' plugin\tabularnewline |
20 | } | ||
21 | \includegraphics[width=0.37cm]{appendix/images/icon-config.png} | 17 | \includegraphics[width=0.37cm]{appendix/images/icon-config.png} |
22 | & Configuration File & \fname{.cfg} & Load the settings file\tabularnewline | 18 | & Configuration File & \fname{.cfg} & Load the settings file\tabularnewline |
23 | \includegraphics[width=0.37cm]{appendix/images/icon-chip8.png} | 19 | \includegraphics[width=0.37cm]{appendix/images/icon-chip8.png} |
@@ -62,10 +58,8 @@ | |||
62 | \includegraphics[width=0.37cm]{appendix/images/icon-rolo.png} | 58 | \includegraphics[width=0.37cm]{appendix/images/icon-rolo.png} |
63 | & Rockbox firmware & \fname{.mi4} & Load the new firmware with ROLO \tabularnewline | 59 | & Rockbox firmware & \fname{.mi4} & Load the new firmware with ROLO \tabularnewline |
64 | } | 60 | } |
65 | \opt{swcodec}{ | ||
66 | \includegraphics[width=0.37cm]{appendix/images/icon-movie-file.png} | 61 | \includegraphics[width=0.37cm]{appendix/images/icon-movie-file.png} |
67 | & Video & \fname{.mpg}, \fname{.mpeg}, \fname{.mpv}, \fname{.m2v} & Play the MPEG1/2 video \tabularnewline | 62 | & Video & \fname{.mpg}, \fname{.mpeg}, \fname{.mpv}, \fname{.m2v} & Play the MPEG1/2 video \tabularnewline |
68 | } | ||
69 | \includegraphics[width=0.37cm]{appendix/images/icon-rock.png} | 63 | \includegraphics[width=0.37cm]{appendix/images/icon-rock.png} |
70 | & Plugin & \fname{.rock} & Start the plugin\tabularnewline | 64 | & Plugin & \fname{.rock} & Start the plugin\tabularnewline |
71 | \opt{sansaAMS}{ | 65 | \opt{sansaAMS}{ |
@@ -79,7 +73,6 @@ | |||
79 | & While Playing Screen & \fname{.wps} & Load the new WPS display configuration\tabularnewline | 73 | & While Playing Screen & \fname{.wps} & Load the new WPS display configuration\tabularnewline |
80 | \end{rbtabular} | 74 | \end{rbtabular} |
81 | 75 | ||
82 | \opt{swcodec}{ | ||
83 | \chapter{Audio and metadata formats} | 76 | \chapter{Audio and metadata formats} |
84 | \section{\label{ref:Supportedaudioformats}Supported audio formats} | 77 | \section{\label{ref:Supportedaudioformats}Supported audio formats} |
85 | \subsection{Lossy Codecs} | 78 | \subsection{Lossy Codecs} |
@@ -375,4 +368,3 @@ | |||
375 | to 90 bytes. | 368 | to 90 bytes. |
376 | } | 369 | } |
377 | \end{enumerate} | 370 | \end{enumerate} |
378 | } | ||
diff --git a/manual/appendix/wps_tags.tex b/manual/appendix/wps_tags.tex index 1a0661c008..70fef71015 100644 --- a/manual/appendix/wps_tags.tex +++ b/manual/appendix/wps_tags.tex | |||
@@ -159,11 +159,10 @@ or \config{\%D(2)}), produce the information for the next file to be played. | |||
159 | \section{Playlist/Song Info} | 159 | \section{Playlist/Song Info} |
160 | \begin{tagmap} | 160 | \begin{tagmap} |
161 | \config{\%pb} & Progress Bar. | 161 | \config{\%pb} & Progress Bar. |
162 | \opt{lcd_bitmap}{ | 162 | This will replace the entire line with a progress bar. |
163 | This will replace the entire line with a progress bar. | 163 | You can set the position, width and height of the progressbar |
164 | You can set the position, width and height of the progressbar | 164 | (in pixels) and load a custom image for it: |
165 | (in pixels) and load a custom image for it: | 165 | \config{\%pb(x,y,[width],[height],image.bmp)} \\ |
166 | \config{\%pb(x,y,[width],[height],image.bmp)}} \\ | ||
167 | \config{\%px} & Percentage played in song\\ | 166 | \config{\%px} & Percentage played in song\\ |
168 | \config{\%pc} & Current time in song\\ | 167 | \config{\%pc} & Current time in song\\ |
169 | \config{\%pe} & Total number of playlist entries\\ | 168 | \config{\%pe} & Total number of playlist entries\\ |
@@ -181,8 +180,8 @@ or \config{\%D(2)}), produce the information for the next file to be played. | |||
181 | \config{\%pv} & Current volume (in dB). Can also be used in a conditional: | 180 | \config{\%pv} & Current volume (in dB). Can also be used in a conditional: |
182 | \config{\%?pv<Mute|\ldots|0 dB|Above 0 dB>}\newline | 181 | \config{\%?pv<Mute|\ldots|0 dB|Above 0 dB>}\newline |
183 | Mute is 0\% volume, \ldots is the values between Mute and max, 0 dB is max volume, and Above 0 dB is amplified volume | 182 | Mute is 0\% volume, \ldots is the values between Mute and max, 0 dB is max volume, and Above 0 dB is amplified volume |
184 | \opt{lcd_bitmap}{This can also be used like \%pb to provide a continuous scale: | 183 | This can also be used like \%pb to provide a continuous scale: |
185 | \config{\%pv(x,y,[width],[height],image.bmp)}} \\ | 184 | \config{\%pv(x,y,[width],[height],image.bmp)} \\ |
186 | \config{\%pS} & Track is starting. An optional number gives how many seconds | 185 | \config{\%pS} & Track is starting. An optional number gives how many seconds |
187 | the tag remains true for after the start of the track. The default is | 186 | the tag remains true for after the start of the track. The default is |
188 | 10 seconds if no number is specified. | 187 | 10 seconds if no number is specified. |
@@ -227,20 +226,16 @@ or \config{\%D(2)}), produce the information for the next file to be played. | |||
227 | \config{\%ra} & Autoscore for the song\\ | 226 | \config{\%ra} & Autoscore for the song\\ |
228 | \end{tagmap} | 227 | \end{tagmap} |
229 | 228 | ||
230 | \opt{swcodec}{ | ||
231 | \section{Sound (DSP) settings} | 229 | \section{Sound (DSP) settings} |
232 | \begin{tagmap} | 230 | \begin{tagmap} |
233 | \config{\%Sp} & Current playback pitch \\ | 231 | \config{\%Sp} & Current playback pitch \\ |
234 | \opt{swcodec}{ | ||
235 | \config{\%xf} & Crossfade setting, in the order: Off, Auto Skip, Man Skip, | 232 | \config{\%xf} & Crossfade setting, in the order: Off, Auto Skip, Man Skip, |
236 | Shuffle, Shuffle and Man Skip, Always\\ | 233 | Shuffle, Shuffle and Man Skip, Always\\ |
237 | \config{\%rg} & ReplayGain value in use (x.y~dB). If used as a conditional, | 234 | \config{\%rg} & ReplayGain value in use (x.y~dB). If used as a conditional, |
238 | Replaygain type in use: \config{\%?rg<Off|Track% | 235 | Replaygain type in use: \config{\%?rg<Off|Track% |
239 | |Album|TrackShuffle|AlbumShuffle% | 236 | |Album|TrackShuffle|AlbumShuffle% |
240 | |No tag>}\\ | 237 | |No tag>}\\ |
241 | } | ||
242 | \end{tagmap} | 238 | \end{tagmap} |
243 | } | ||
244 | 239 | ||
245 | \section{Hold} | 240 | \section{Hold} |
246 | \begin{tagmap} | 241 | \begin{tagmap} |
@@ -360,13 +355,11 @@ Examples: | |||
360 | \end{enumerate} | 355 | \end{enumerate} |
361 | 356 | ||
362 | 357 | ||
363 | \opt{lcd_bitmap}{ | ||
364 | \section{\label{ref:wps_images}Images} | 358 | \section{\label{ref:wps_images}Images} |
365 | \begin{tagmap} | 359 | \begin{tagmap} |
366 | \config{\%X(filename.bmp)} | 360 | \config{\%X(filename.bmp)} |
367 | & Load and set a backdrop image for the WPS. | 361 | & Load and set a backdrop image for the WPS. |
368 | This image must be exactly the same size as your LCD.\\ | 362 | This image must be exactly the same size as your LCD.\\ |
369 | }% | ||
370 | \config{\%x(n,filename[,x,y])} | 363 | \config{\%x(n,filename[,x,y])} |
371 | & Load and display an image\newline | 364 | & Load and display an image\newline |
372 | \config{n}: image ID for later referencing in \config{\%xd}\newline | 365 | \config{n}: image ID for later referencing in \config{\%xd}\newline |
diff --git a/manual/configure_rockbox/bookmarking.tex b/manual/configure_rockbox/bookmarking.tex index 8147715ace..a429b63d21 100644 --- a/manual/configure_rockbox/bookmarking.tex +++ b/manual/configure_rockbox/bookmarking.tex | |||
@@ -1,9 +1,9 @@ | |||
1 | % $Id$ % | 1 | % $Id$ % |
2 | \section{\label{ref:Bookmarkconfigactual}Bookmarking} | 2 | \section{\label{ref:Bookmarkconfigactual}Bookmarking} |
3 | Bookmarks allow you to save your current position within a track so that | 3 | Bookmarks allow you to save your current position within a track so that |
4 | you can return to it at a later time. \opt{swcodec}{Bookmarks also store | 4 | you can return to it at a later time. Bookmarks also store rate, pitch |
5 | rate, pitch and speed information from the \setting{Pitch Screen} (see | 5 | and speed information from the \setting{Pitch Screen} (see |
6 | \reference{sec:pitchscreen}).} Bookmarks are saved on a per directory | 6 | \reference{sec:pitchscreen}). Bookmarks are saved on a per directory |
7 | basis or for individual (saved) playlists. You can store multiple bookmarks, | 7 | basis or for individual (saved) playlists. You can store multiple bookmarks, |
8 | even for the same track. When there's already a bookmark for a directory or | 8 | even for the same track. When there's already a bookmark for a directory or |
9 | playlist, new bookmarks are added before existing ones. | 9 | playlist, new bookmarks are added before existing ones. |
diff --git a/manual/configure_rockbox/display_options.tex b/manual/configure_rockbox/display_options.tex index 33ddc3e18c..f00b0a2da9 100755 --- a/manual/configure_rockbox/display_options.tex +++ b/manual/configure_rockbox/display_options.tex | |||
@@ -173,11 +173,9 @@ | |||
173 | \item[Scroll Start Delay.] | 173 | \item[Scroll Start Delay.] |
174 | Controls how many milliseconds Rockbox should wait before a new | 174 | Controls how many milliseconds Rockbox should wait before a new |
175 | text begins automatically scrolling. | 175 | text begins automatically scrolling. |
176 | \opt{lcd_bitmap}{ | ||
177 | \item[Scroll Step Size.] | 176 | \item[Scroll Step Size.] |
178 | Defines the number of pixels the text should move for each step, as used | 177 | Defines the number of pixels the text should move for each step, as used |
179 | by the Scroll Speed setting. | 178 | by the Scroll Speed setting. |
180 | } | ||
181 | \opt{remote}{ | 179 | \opt{remote}{ |
182 | \item[Remote Scrolling Options.] | 180 | \item[Remote Scrolling Options.] |
183 | The options here have the same effect on the remote LCD as the options | 181 | The options here have the same effect on the remote LCD as the options |
@@ -191,22 +189,20 @@ | |||
191 | Rockbox chooses which method it should use depending of how much it has to | 189 | Rockbox chooses which method it should use depending of how much it has to |
192 | scroll to the left. This setting lets you tell Rockbox where that limit | 190 | scroll to the left. This setting lets you tell Rockbox where that limit |
193 | is, expressed in percentage of the line length. | 191 | is, expressed in percentage of the line length. |
194 | \opt{lcd_bitmap}{ | 192 | \item[Screen Scrolls Out of View.] |
195 | \item[Screen Scrolls Out of View.] | 193 | Screens can be manually scrolled horizontally by pressing |
196 | Screens can be manually scrolled horizontally by pressing | 194 | \opt{IRIVER_H10_PAD}{Long \ButtonRew/\ButtonFF}% |
197 | \opt{IRIVER_H10_PAD}{Long \ButtonRew/\ButtonFF}% | 195 | \opt{IRIVER_H10_PAD,XDUOO_X3_PAD}{Long \ButtonPrev/\ButtonNext}% |
198 | \opt{IRIVER_H10_PAD,XDUOO_X3_PAD}{Long \ButtonPrev/\ButtonNext}% | 196 | \nopt{IRIVER_H10_PAD,MPIO_HD200_PAD,MPIO_HD300_PAD,XDUOO_X3_PAD% |
199 | \nopt{IRIVER_H10_PAD,MPIO_HD200_PAD,MPIO_HD300_PAD,XDUOO_X3_PAD% | 197 | ,touchscreen}{% |
200 | ,touchscreen}{% | 198 | Long \ButtonRight/\ButtonLeft}. |
201 | Long \ButtonRight/\ButtonLeft}. | 199 | Setting this option to \setting{Yes} |
202 | Setting this option to \setting{Yes} | 200 | will keep the list entries at their fixed positions and allow them to be |
203 | will keep the list entries at their fixed positions and allow them to be | 201 | scrolled out of view, whereas \setting{No} will only scroll those entries |
204 | scrolled out of view, whereas \setting{No} will only scroll those entries | 202 | which surpass the right margin. |
205 | which surpass the right margin. | 203 | \item[Screen Scroll Step Size.] |
206 | \item[Screen Scroll Step Size.] | 204 | Defines the number of pixels the horizontal manual screen scroll should move |
207 | Defines the number of pixels the horizontal manual screen scroll should move | 205 | for each step. |
208 | for each step. | ||
209 | } | ||
210 | \item[Paged Scrolling.] | 206 | \item[Paged Scrolling.] |
211 | When set to \setting{Yes} scrolling vertically on pages that surpass the | 207 | When set to \setting{Yes} scrolling vertically on pages that surpass the |
212 | screen size will page up/down instead of simply changing lines. This can be | 208 | screen size will page up/down instead of simply changing lines. This can be |
@@ -227,50 +223,49 @@ | |||
227 | } | 223 | } |
228 | \end{description} | 224 | \end{description} |
229 | % | 225 | % |
230 | \opt{lcd_bitmap}{ | 226 | \item[Peak Meter.] |
231 | \item[Peak Meter.] | 227 | The peak meter can be configured with a number of parameters. |
232 | The peak meter can be configured with a number of parameters. | 228 | \begin{description} |
233 | \begin{description} | 229 | \item[Peak Release.] |
234 | \item[Peak Release.] | 230 | This determines how fast the bar shrinks when the music becomes |
235 | This determines how fast the bar shrinks when the music becomes | 231 | softer. Lower values make the peak meter look smoother. |
236 | softer. Lower values make the peak meter look smoother. | 232 | Expressed in scale units per 10~ms. |
237 | Expressed in scale units per 10~ms. | 233 | \item[Peak Hold Time.] |
238 | \item[Peak Hold Time.] | 234 | Specifies the time after which the peak indicator will reset. |
239 | Specifies the time after which the peak indicator will reset. | 235 | For example, if you set this value to 5~s, the peak indicator displays |
240 | For example, if you set this value to 5~s, the peak indicator displays | 236 | the loudest volume value that occurred within the last 5 seconds. |
241 | the loudest volume value that occurred within the last 5 seconds. | 237 | Larger values are useful if you want to find the peak level of a song, |
242 | Larger values are useful if you want to find the peak level of a song, | 238 | which might be of interest when copying music from the \dap\ via the |
243 | which might be of interest when copying music from the \dap\ via the | 239 | analogue output to some other recording device. |
244 | analogue output to some other recording device. | 240 | \item[Clip Hold Time.] |
245 | \item[Clip Hold Time.] | 241 | The number of seconds that the clipping indicator will be visible |
246 | The number of seconds that the clipping indicator will be visible | 242 | after clipping is detected. |
247 | after clipping is detected. | 243 | \opt{recording}{ |
248 | \opt{recording}{ | 244 | \item[Clip Counter.] |
249 | \item[Clip Counter.] | 245 | Show the number of times the clip indicator went active during |
250 | Show the number of times the clip indicator went active during | 246 | recording in front of the peak meters. |
251 | recording in front of the peak meters. | ||
252 | } | ||
253 | \item[\label{ref:Peakmetersetting}Scale.] | ||
254 | Select whether the peak meter displays linear or logarithmic values. | ||
255 | The human ear perceives loudness on a logarithmic scale. If the Scale | ||
256 | setting is set to \setting{Logarithmic} (dB) scale, the volume values | ||
257 | are scaled logarithmically. The volume meters of digital audio | ||
258 | devices usually are scaled this way. On the other hand, if you | ||
259 | are interested in the power level that is applied to your headphones | ||
260 | you should choose \setting{Linear} display. This setting cannot be | ||
261 | displayed in units like volts or watts because such units depend | ||
262 | on your headphones. | ||
263 | \item[Minimum and maximum range.] | ||
264 | These two options define the full value range that the peak meter | ||
265 | displays. Recommended values for the \setting{Logarithmic} (dB) setting | ||
266 | are {}-40~dB for minimum and 0~dB for maximum. Recommended values | ||
267 | for \setting{Linear} display are 0 and 100\%. Note that {}-40~dB is | ||
268 | approximately 1\% in linear value, but if you change the minimum | ||
269 | setting in linear mode slightly and then change to the dB scale, | ||
270 | there will be a large change. You can use these values for `zooming' | ||
271 | into the peak meter. | ||
272 | \end{description} | ||
273 | } | 247 | } |
248 | \item[\label{ref:Peakmetersetting}Scale.] | ||
249 | Select whether the peak meter displays linear or logarithmic values. | ||
250 | The human ear perceives loudness on a logarithmic scale. If the Scale | ||
251 | setting is set to \setting{Logarithmic} (dB) scale, the volume values | ||
252 | are scaled logarithmically. The volume meters of digital audio | ||
253 | devices usually are scaled this way. On the other hand, if you | ||
254 | are interested in the power level that is applied to your headphones | ||
255 | you should choose \setting{Linear} display. This setting cannot be | ||
256 | displayed in units like volts or watts because such units depend | ||
257 | on your headphones. | ||
258 | \item[Minimum and maximum range.] | ||
259 | These two options define the full value range that the peak meter | ||
260 | displays. Recommended values for the \setting{Logarithmic} (dB) setting | ||
261 | are {}-40~dB for minimum and 0~dB for maximum. Recommended values | ||
262 | for \setting{Linear} display are 0 and 100\%. Note that {}-40~dB is | ||
263 | approximately 1\% in linear value, but if you change the minimum | ||
264 | setting in linear mode slightly and then change to the dB scale, | ||
265 | there will be a large change. You can use these values for `zooming' | ||
266 | into the peak meter. | ||
267 | \end{description} | ||
268 | |||
274 | \item[\label{ref:Defaultcodepage}Default Codepage.] | 269 | \item[\label{ref:Defaultcodepage}Default Codepage.] |
275 | A codepage describes the way extended characters that are not available | 270 | A codepage describes the way extended characters that are not available |
276 | within the ASCII character set are encoded. ID3v1 tags do not have a | 271 | within the ASCII character set are encoded. ID3v1 tags do not have a |
diff --git a/manual/configure_rockbox/main.tex b/manual/configure_rockbox/main.tex index 83089b6d4e..b0711e5b71 100644 --- a/manual/configure_rockbox/main.tex +++ b/manual/configure_rockbox/main.tex | |||
@@ -16,9 +16,9 @@ | |||
16 | \input{configure_rockbox/system_options.tex} | 16 | \input{configure_rockbox/system_options.tex} |
17 | \input{configure_rockbox/startup_shutdown_options.tex} | 17 | \input{configure_rockbox/startup_shutdown_options.tex} |
18 | \input{configure_rockbox/bookmarking.tex} | 18 | \input{configure_rockbox/bookmarking.tex} |
19 | \opt{tagcache}{\opt{swcodec}{ | 19 | \opt{tagcache}{ |
20 | \input{configure_rockbox/autoresume.tex} | 20 | \input{configure_rockbox/autoresume.tex} |
21 | }} | 21 | } |
22 | \input{configure_rockbox/language.tex} | 22 | \input{configure_rockbox/language.tex} |
23 | \input{configure_rockbox/voice.tex} | 23 | \input{configure_rockbox/voice.tex} |
24 | \input{configure_rockbox/wps_context_plugin.tex} | 24 | \input{configure_rockbox/wps_context_plugin.tex} |
diff --git a/manual/configure_rockbox/playback_options.tex b/manual/configure_rockbox/playback_options.tex index 87f974800d..7ddd3c6907 100644 --- a/manual/configure_rockbox/playback_options.tex +++ b/manual/configure_rockbox/playback_options.tex | |||
@@ -68,10 +68,8 @@ you to configure settings related to audio playback. | |||
68 | This can happen if the \dap{} is knocked, shaken or jogged heavily while | 68 | This can happen if the \dap{} is knocked, shaken or jogged heavily while |
69 | Rockbox is trying to read the hard drive. | 69 | Rockbox is trying to read the hard drive. |
70 | 70 | ||
71 | \opt{swcodec}{ | 71 | The anti-skip buffer can be set to various values between |
72 | The anti-skip buffer can be set to various values between | 72 | 5 seconds and 10 minutes.\\ |
73 | 5 seconds and 10 minutes.\\ | ||
74 | } | ||
75 | 73 | ||
76 | \note{Having a large anti-skip buffer tends to use more power, and may | 74 | \note{Having a large anti-skip buffer tends to use more power, and may |
77 | reduce your battery life. It is recommended to always use the lowest | 75 | reduce your battery life. It is recommended to always use the lowest |
@@ -90,110 +88,108 @@ you to configure settings related to audio playback. | |||
90 | instead of being played immediately. Pausing and stopping playback is | 88 | instead of being played immediately. Pausing and stopping playback is |
91 | disabled as well as skipping songs and launching plugins. | 89 | disabled as well as skipping songs and launching plugins. |
92 | 90 | ||
93 | \opt{swcodec}{ | 91 | \opt{crossfade}{ |
94 | \opt{crossfade}{ | 92 | \section{Crossfade} |
95 | \section{Crossfade} | 93 | This section controls the behavior of the crossfader. The crossfader, when |
96 | This section controls the behavior of the crossfader. The crossfader, when | 94 | enabled, smoothly fades one track into the next. This can occur in two |
97 | enabled, smoothly fades one track into the next. This can occur in two | 95 | situations: an automatic track change or a manual track skip. An automatic |
98 | situations: an automatic track change or a manual track skip. An automatic | 96 | track change occurs at the end of the track, moving to the next track in the |
99 | track change occurs at the end of the track, moving to the next track in the | 97 | playlist without user intervention. A manual track skip goes to the next |
100 | playlist without user intervention. A manual track skip goes to the next | 98 | track immediately when the appropriate button is pressed.\\ |
101 | track immediately when the appropriate button is pressed.\\ | ||
102 | 99 | ||
103 | Options for crossfade settings are: | 100 | Options for crossfade settings are: |
104 | \begin{description} | 101 | \begin{description} |
105 | \item[Enable Crossfade.] If set to \setting{Off}, crossfade is disabled | 102 | \item[Enable Crossfade.] If set to \setting{Off}, crossfade is disabled |
106 | and all track changes are gapless. If set to | 103 | and all track changes are gapless. If set to |
107 | \setting{Automatic Track Change Only}, crossfade occurs for automatic | 104 | \setting{Automatic Track Change Only}, crossfade occurs for automatic |
108 | track changes, but not for manual track skips. The next setting, | 105 | track changes, but not for manual track skips. The next setting, |
109 | \setting{Manual Track Skip Only}, is the opposite: tracks will only | 106 | \setting{Manual Track Skip Only}, is the opposite: tracks will only |
110 | crossfade when manually skipped. If set to \setting{Shuffle}, crossfade | 107 | crossfade when manually skipped. If set to \setting{Shuffle}, crossfade |
111 | is enabled for all track changes, automatic or manual, when the shuffle | 108 | is enabled for all track changes, automatic or manual, when the shuffle |
112 | feature is set to \setting{Yes}, but disabled otherwise. If set to | 109 | feature is set to \setting{Yes}, but disabled otherwise. If set to |
113 | \setting{Shuffle or Manual Track Skip} then crossfade will be active | 110 | \setting{Shuffle or Manual Track Skip} then crossfade will be active |
114 | either when shuffle is set to \setting{Yes} or the track is manually | 111 | either when shuffle is set to \setting{Yes} or the track is manually |
115 | skipped. If set to \setting{Always}, tracks will always crossfade into | 112 | skipped. If set to \setting{Always}, tracks will always crossfade into |
116 | one another. | 113 | one another. |
117 | % | 114 | % |
118 | \item[Fade In Delay.] The ``fade in delay'' is the length of time between | 115 | \item[Fade In Delay.] The ``fade in delay'' is the length of time between |
119 | when the crossfade process begins and when the new track begins to fade | 116 | when the crossfade process begins and when the new track begins to fade |
120 | in. | 117 | in. |
121 | % | 118 | % |
122 | \item[Fade In Duration.] The length of time, in seconds, that it takes | 119 | \item[Fade In Duration.] The length of time, in seconds, that it takes |
123 | your music to fade in once the \setting{Fade In Delay} has ended. | 120 | your music to fade in once the \setting{Fade In Delay} has ended. |
124 | % | 121 | % |
125 | \item[Fade Out Delay.] The ``fade out delay'' is the length of time | 122 | \item[Fade Out Delay.] The ``fade out delay'' is the length of time |
126 | between when the crossfade process begins and when the old track begins | 123 | between when the crossfade process begins and when the old track begins |
127 | to fade out. | 124 | to fade out. |
128 | % | 125 | % |
129 | \item[Fade Out Duration.] The length of time, in seconds, that it takes | 126 | \item[Fade Out Duration.] The length of time, in seconds, that it takes |
130 | your music to fade out once the \setting{Fade Out Delay} has ended. | 127 | your music to fade out once the \setting{Fade Out Delay} has ended. |
131 | % | 128 | % |
132 | \item[Fade Out Mode.] If set to \setting{Crossfade}, one song will fade | 129 | \item[Fade Out Mode.] If set to \setting{Crossfade}, one song will fade |
133 | out and the next song will simultaneously fade in. If set to | 130 | out and the next song will simultaneously fade in. If set to |
134 | \setting{Mix}, the ending song will not fade out at all, and will | 131 | \setting{Mix}, the ending song will not fade out at all, and will |
135 | continue to play as normal until its end with the starting song fading | 132 | continue to play as normal until its end with the starting song fading |
136 | in from under it. \setting{Mix} mode is not used for manual track skips, | 133 | in from under it. \setting{Mix} mode is not used for manual track skips, |
137 | even if it is selected here. | 134 | even if it is selected here. |
138 | \end{description} | 135 | \end{description} |
139 | 136 | ||
140 | \note{The rules above apply except in the instance where | 137 | \note{The rules above apply except in the instance where |
141 | \setting{Fade Out Delay} plus \setting{Fade Out Duration} is less then | 138 | \setting{Fade Out Delay} plus \setting{Fade Out Duration} is less then |
142 | \setting{Fade In Delay} (which would create a gap in the audio). In this case, | 139 | \setting{Fade In Delay} (which would create a gap in the audio). In this case, |
143 | the \setting{Fade In Delay} is reduced to eliminate the gap.\\} | 140 | the \setting{Fade In Delay} is reduced to eliminate the gap.\\} |
144 | 141 | ||
145 | The graphic below illustrates how the different settings work in practice. | 142 | The graphic below illustrates how the different settings work in practice. |
146 | 143 | ||
147 | \includegraphics[width=14cm]{configure_rockbox/images/crossfade_graphic.png} | 144 | \includegraphics[width=14cm]{configure_rockbox/images/crossfade_graphic.png} |
148 | }%\opt{crossfade} | 145 | }%\opt{crossfade} |
149 | 146 | ||
150 | \section{\label{ref:ReplayGain}Replaygain} | 147 | \section{\label{ref:ReplayGain}Replaygain} |
151 | This allows you to control the replaygain function. | 148 | This allows you to control the replaygain function. |
152 | The purpose of replaygain is to adjust the volume of the music played | 149 | The purpose of replaygain is to adjust the volume of the music played |
153 | so that all songs (or albums, depending on your settings) have the | 150 | so that all songs (or albums, depending on your settings) have the |
154 | same apparent volume. This prevents sudden changes in volume when | 151 | same apparent volume. This prevents sudden changes in volume when |
155 | changing between songs recorded at different volume levels. | 152 | changing between songs recorded at different volume levels. |
156 | For replaygain to work, the songs must have been processed by a program | 153 | For replaygain to work, the songs must have been processed by a program |
157 | that adds replaygain information to the ID3 tags (or Vorbis tags).\\ | 154 | that adds replaygain information to the ID3 tags (or Vorbis tags).\\ |
158 | 155 | ||
159 | Options for replaygain are: | 156 | Options for replaygain are: |
160 | \begin{description} | 157 | \begin{description} |
161 | \item[Replaygain Type.] Choose the type of replaygain to apply: | 158 | \item[Replaygain Type.] Choose the type of replaygain to apply: |
162 | \begin{description} | 159 | \begin{description} |
163 | \item[Album Gain.] Maintain a constant volume level between | 160 | \item[Album Gain.] Maintain a constant volume level between |
164 | albums, but keep any intentional volume variations between | 161 | albums, but keep any intentional volume variations between |
165 | songs in an album. (If album gain value is not available, | 162 | songs in an album. (If album gain value is not available, |
166 | uses track gain information). | 163 | uses track gain information). |
167 | % | ||
168 | \item[Track Gain.] Maintain a constant volume level between | ||
169 | tracks. If track gain value is not available, no replaygain | ||
170 | is applied. | ||
171 | % | ||
172 | \item[Track Gain If Shuffling.] Maintains a constant volume | ||
173 | between tracks if \setting{Shuffle} is set to \setting{Yes}. | ||
174 | Reverts to album mode if \setting{Shuffle} is set to \setting{No}. | ||
175 | % | ||
176 | \item[Off.] Do not process replaygain information, i.e. turn off | ||
177 | the replaygain function. | ||
178 | \end{description} | ||
179 | % | 164 | % |
180 | \item[Prevent Clipping.] Avoid clipping of a song's waveform. | 165 | \item[Track Gain.] Maintain a constant volume level between |
181 | If a song would clip during playback, the volume is lowered for | 166 | tracks. If track gain value is not available, no replaygain |
182 | that song. Replaygain information is needed for this to work. | 167 | is applied. |
183 | % | 168 | % |
184 | \item[Pre-amp.] This allows you to adjust the volume when replaygain | 169 | \item[Track Gain If Shuffling.] Maintains a constant volume |
185 | is applied. Replaygain often lowers the volume, sometimes quite | 170 | between tracks if \setting{Shuffle} is set to \setting{Yes}. |
186 | much, so here you can compensate for that. Please note that a | 171 | Reverts to album mode if \setting{Shuffle} is set to \setting{No}. |
187 | (large) positive pre-amp setting can cause clipping, unless | 172 | % |
188 | prevent clipping is enabled. The pre-amp can be set to any | 173 | \item[Off.] Do not process replaygain information, i.e. turn off |
189 | decibel (dB) value between -12~dB and +12~dB, in increments of 0.5~dB. | 174 | the replaygain function. |
190 | \end{description} | 175 | \end{description} |
176 | % | ||
177 | \item[Prevent Clipping.] Avoid clipping of a song's waveform. | ||
178 | If a song would clip during playback, the volume is lowered for | ||
179 | that song. Replaygain information is needed for this to work. | ||
180 | % | ||
181 | \item[Pre-amp.] This allows you to adjust the volume when replaygain | ||
182 | is applied. Replaygain often lowers the volume, sometimes quite | ||
183 | much, so here you can compensate for that. Please note that a | ||
184 | (large) positive pre-amp setting can cause clipping, unless | ||
185 | prevent clipping is enabled. The pre-amp can be set to any | ||
186 | decibel (dB) value between -12~dB and +12~dB, in increments of 0.5~dB. | ||
187 | \end{description} | ||
191 | 188 | ||
192 | \section{Track Skip Beep} | 189 | \section{Track Skip Beep} |
193 | Controls the volume of the beep that is heard when | 190 | Controls the volume of the beep that is heard when |
194 | skipping forward or backward between tracks. The beep is disabled when | 191 | skipping forward or backward between tracks. The beep is disabled when |
195 | set to \setting{Off}. | 192 | set to \setting{Off}. |
196 | }%\opt{swcodec} | ||
197 | 193 | ||
198 | \opt{spdif_power}{ | 194 | \opt{spdif_power}{ |
199 | \section{\label{ref:SPDIF_OnOff}Optical Output} | 195 | \section{\label{ref:SPDIF_OnOff}Optical Output} |
@@ -294,32 +290,28 @@ you to configure settings related to audio playback. | |||
294 | if a track ends, which can be achieved by combining this option with | 290 | if a track ends, which can be achieved by combining this option with |
295 | \setting{Repeat} set to \setting{One} | 291 | \setting{Repeat} set to \setting{One} |
296 | 292 | ||
297 | \opt{swcodec}{ | 293 | \section{Rewind Before Resume}\index{Rewind Before Resume} |
298 | \section{Rewind Before Resume}\index{Rewind Before Resume} | 294 | When restarting a track or a bookmark, a short rewind can be done before the |
299 | When restarting a track or a bookmark, a short rewind can be done before the | 295 | playback is started. This can be useful when listening to speech material, |
300 | playback is started. This can be useful when listening to speech material, | 296 | to help remember what was being said just before playback was stopped. |
301 | to help remember what was being said just before playback was stopped. | 297 | The size of the rewind can be set to various values between 0 (off) and |
302 | The size of the rewind can be set to various values between 0 (off) and | 298 | 60 seconds. |
303 | 60 seconds. | 299 | \note{This option does not apply to resuming a paused track. Use |
304 | \note{This option does not apply to resuming a paused track. Use | 300 | the next option for rewinding on pause.} |
305 | the next option for rewinding on pause.} | 301 | \note{The actual rewind distance may differ a little from the requested |
306 | \note{The actual rewind distance may differ a little from the requested | 302 | value, depending on the file in question.} |
307 | value, depending on the file in question.} | ||
308 | }%\opt{swcodec} | ||
309 | 303 | ||
310 | \section{Rewind on Pause}\index{Rewind on Pause} | 304 | \section{Rewind on Pause}\index{Rewind on Pause} |
311 | This option rewinds the current track by a small amount whenever it is | 305 | This option rewinds the current track by a small amount whenever it is |
312 | paused (not stopped). The amount to rewind can be set between 0 and | 306 | paused (not stopped). The amount to rewind can be set between 0 and |
313 | 15 seconds. | 307 | 15 seconds. |
314 | 308 | ||
315 | \opt{swcodec}{ | 309 | \opt{play_frequency}{ |
316 | \opt{play_frequency}{ | 310 | \section{Frequency}\index{Frequency} |
317 | \section{Frequency}\index{Frequency} | 311 | This is the sampling frequency used for the rockbox playback engine. Audio |
318 | This is the sampling frequency used for the rockbox playback engine. Audio | 312 | at a different sampling rate will be converted to this sampling rate prior to |
319 | at a different sampling rate will be converted to this sampling rate prior to | 313 | mixing using a cubic Hermite polynomial resampler. |
320 | mixing using a cubic Hermite polynomial resampler. | 314 | \note{For best quality and battery life, select the sampling rate used by |
321 | \note{For best quality and battery life, select the sampling rate used by | 315 | your audio. This is typically 44.1kHz.} |
322 | your audio. This is typically 44.1kHz.} | 316 | \note{Opus files are always 48kHz.} |
323 | \note{Opus files are always 48kHz.} | 317 | } |
324 | } | ||
325 | }%\opt{swcodec} | ||
diff --git a/manual/configure_rockbox/recording_settings.tex b/manual/configure_rockbox/recording_settings.tex index 9a5ddb30a6..1abd38c536 100644 --- a/manual/configure_rockbox/recording_settings.tex +++ b/manual/configure_rockbox/recording_settings.tex | |||
@@ -6,16 +6,14 @@ | |||
6 | where you want to store them in the \setting{File Browser} and select | 6 | where you want to store them in the \setting{File Browser} and select |
7 | \setting{Set As Recording Directory}.} | 7 | \setting{Set As Recording Directory}.} |
8 | 8 | ||
9 | \opt{swcodec}{ | 9 | \section{Format} |
10 | \section{Format} | 10 | Choose which format to save your recording in. The available choices are |
11 | Choose which format to save your recording in. The available choices are | 11 | the two uncompressed formats \setting{PCM Wave} and \setting{AIFF}, the |
12 | the two uncompressed formats \setting{PCM Wave} and \setting{AIFF}, the | 12 | losslessly compressed \setting{WavPack} and the lossy |
13 | losslessly compressed \setting{WavPack} and the lossy | 13 | \setting{MPEG Layer~3}. |
14 | \setting{MPEG Layer~3}. | ||
15 | 14 | ||
16 | \section{Encoder Settings (MP3 only)} | 15 | \section{Encoder Settings (MP3 only)} |
17 | This sets the bitrate when using the \setting{MPEG Layer~3} format. | 16 | This sets the bitrate when using the \setting{MPEG Layer~3} format. |
18 | } | ||
19 | 17 | ||
20 | \section{Frequency} | 18 | \section{Frequency} |
21 | \nopt{ipodnano,ipodcolor,ipod4g}{ | 19 | \nopt{ipodnano,ipodcolor,ipod4g}{ |
@@ -39,9 +37,8 @@ | |||
39 | 22.05~kHz, 16~kHz, 12~kHz, 11.025~kHz and 8~kHz} | 37 | 22.05~kHz, 16~kHz, 12~kHz, 11.025~kHz and 8~kHz} |
40 | are available. Higher sample rates use up more disk space, but give better | 38 | are available. Higher sample rates use up more disk space, but give better |
41 | sound quality. | 39 | sound quality. |
42 | \opt{swcodec}{\note{The 11.025~kHz setting is not available when using % | 40 | \note{The 11.025~kHz setting is not available when using % |
43 | \setting{MPEG Layer~3} format.} | 41 | \setting{MPEG Layer~3} format.} |
44 | } | ||
45 | \opt{recording_digital} | 42 | \opt{recording_digital} |
46 | {\note{You cannot change the sample rate for digital recordings.} | 43 | {\note{You cannot change the sample rate for digital recordings.} |
47 | } | 44 | } |
@@ -80,11 +77,9 @@ | |||
80 | for mono recording, only the left channel is recorded. Mono recordings | 77 | for mono recording, only the left channel is recorded. Mono recordings |
81 | are usually somewhat smaller than stereo. | 78 | are usually somewhat smaller than stereo. |
82 | 79 | ||
83 | \opt{swcodec}{ | 80 | \section{Mono Mode} |
84 | \section{Mono Mode} | 81 | When configured to record to mono and the source is a stereo signal, use this |
85 | When configured to record to mono and the source is a stereo signal, use this | 82 | setting to configure how the mono signal is created. Options are L, R and L+R. |
86 | setting to configure how the mono signal is created. Options are L, R and L+R. | ||
87 | } | ||
88 | 83 | ||
89 | \section{File Split Options} | 84 | \section{File Split Options} |
90 | This sub menu contains options for file splitting, which can be used to split | 85 | This sub menu contains options for file splitting, which can be used to split |
diff --git a/manual/configure_rockbox/sound_settings.tex b/manual/configure_rockbox/sound_settings.tex index c4ef325689..63a5770c41 100644 --- a/manual/configure_rockbox/sound_settings.tex +++ b/manual/configure_rockbox/sound_settings.tex | |||
@@ -197,7 +197,6 @@ change to customise your listening experience. | |||
197 | }% | 197 | }% |
198 | } | 198 | } |
199 | 199 | ||
200 | \opt{swcodec}{ | ||
201 | \section{Crossfeed} | 200 | \section{Crossfeed} |
202 | Crossfeed attempts to make the experience of listening to music on | 201 | Crossfeed attempts to make the experience of listening to music on |
203 | headphones more similar to listening to music with stereo speakers. When you | 202 | headphones more similar to listening to music with stereo speakers. When you |
@@ -250,9 +249,7 @@ change to customise your listening experience. | |||
250 | % http://www.ohl.to/interests-in-audio/crossfeed-and-eq-for-headphones/ | 249 | % http://www.ohl.to/interests-in-audio/crossfeed-and-eq-for-headphones/ |
251 | Beware that the crossfeed function is capable of making the audio distort | 250 | Beware that the crossfeed function is capable of making the audio distort |
252 | if you choose settings which result in a too high output level. | 251 | if you choose settings which result in a too high output level. |
253 | } | ||
254 | 252 | ||
255 | \opt{swcodec}{ | ||
256 | \section{\label{ref:EQ}Equalizer} | 253 | \section{\label{ref:EQ}Equalizer} |
257 | \screenshot{configure_rockbox/images/ss-equalizer}{The graphical equalizer}{} | 254 | \screenshot{configure_rockbox/images/ss-equalizer}{The graphical equalizer}{} |
258 | Rockbox features a parametric equalizer (EQ). In contrast to non-parametric | 255 | Rockbox features a parametric equalizer (EQ). In contrast to non-parametric |
@@ -472,9 +469,7 @@ configure the EQ, or use the presets for designing their own custom EQ | |||
472 | settings. | 469 | settings. |
473 | 470 | ||
474 | \end{description} | 471 | \end{description} |
475 | } | ||
476 | 472 | ||
477 | \opt{swcodec}{ | ||
478 | \section{Dithering} | 473 | \section{Dithering} |
479 | This setting controls the dithering and noise shaping functionality of Rockbox. | 474 | This setting controls the dithering and noise shaping functionality of Rockbox. |
480 | 475 | ||
@@ -500,9 +495,7 @@ and not easily noticable. | |||
500 | 495 | ||
501 | Rockbox uses highpass triangular distribution noise as the dithering noise | 496 | Rockbox uses highpass triangular distribution noise as the dithering noise |
502 | source, and a third order noise shaper. | 497 | source, and a third order noise shaper. |
503 | } | ||
504 | 498 | ||
505 | \opt{swcodec}{% | ||
506 | \opt{pitchscreen}{% | 499 | \opt{pitchscreen}{% |
507 | \section{Timestretch} | 500 | \section{Timestretch} |
508 | Enabling \setting{Timestretch} allows you to change the playback speed without | 501 | Enabling \setting{Timestretch} allows you to change the playback speed without |
@@ -512,9 +505,7 @@ intended for speech playback and may significantly dilute your listening | |||
512 | experience with more complex audio. See \reference{sec:pitchscreen} for more | 505 | experience with more complex audio. See \reference{sec:pitchscreen} for more |
513 | details about how to use the feature. | 506 | details about how to use the feature. |
514 | } | 507 | } |
515 | } | ||
516 | 508 | ||
517 | \opt{swcodec}{ | ||
518 | \section{Haas Surround} | 509 | \section{Haas Surround} |
519 | This setting implements the Haas effect with adjustable delay time to enhance | 510 | This setting implements the Haas effect with adjustable delay time to enhance |
520 | the stereo effect of the sound. A full range Haas effect creates the impression | 511 | the stereo effect of the sound. A full range Haas effect creates the impression |
@@ -526,25 +517,19 @@ and \setting{f(x2)} to set frequencies which are not affected. The \setting{SIDE | |||
526 | setting uses mid-side processing to determine and apply effect to the side channel only. | 517 | setting uses mid-side processing to determine and apply effect to the side channel only. |
527 | Finally, the \setting{Dry/Wet Mix} setting adjusts the proportion mixed from the | 518 | Finally, the \setting{Dry/Wet Mix} setting adjusts the proportion mixed from the |
528 | original (dry) and 'effected' (wet) signals. | 519 | original (dry) and 'effected' (wet) signals. |
529 | } | ||
530 | 520 | ||
531 | \opt{swcodec}{ | ||
532 | \section{Perceptual Bass Enhancement} | 521 | \section{Perceptual Bass Enhancement} |
533 | This setting implements a group delay correction and an additional biophonic EQ to | 522 | This setting implements a group delay correction and an additional biophonic EQ to |
534 | emphasize to boost bass perception. The \setting{precut} setting provides | 523 | emphasize to boost bass perception. The \setting{precut} setting provides |
535 | negative overall gain to prevent possible audio distortion due to the EQ | 524 | negative overall gain to prevent possible audio distortion due to the EQ |
536 | gain. The defult precut value is set to -2.5 dB and can be adjust from 0 dB to -4.5 dB. | 525 | gain. The defult precut value is set to -2.5 dB and can be adjust from 0 dB to -4.5 dB. |
537 | Note that this effect will stack with any other EQ applied. | 526 | Note that this effect will stack with any other EQ applied. |
538 | } | ||
539 | 527 | ||
540 | \opt{swcodec}{ | ||
541 | \section{Auditory Fatigue Reduction} | 528 | \section{Auditory Fatigue Reduction} |
542 | Human hearing is more senstive to some frequency bands. This setting applies additional | 529 | Human hearing is more senstive to some frequency bands. This setting applies additional |
543 | equalization and bi-shelf filtering to reduce signals in these bands to minimize | 530 | equalization and bi-shelf filtering to reduce signals in these bands to minimize |
544 | the chance that temporary threshold shift (auditory fatigue) occurs. | 531 | the chance that temporary threshold shift (auditory fatigue) occurs. |
545 | } | ||
546 | 532 | ||
547 | \opt{swcodec}{ | ||
548 | \section{Compressor} | 533 | \section{Compressor} |
549 | The \setting{Compressor} reduces, or compresses, the dynamic range of the audio | 534 | The \setting{Compressor} reduces, or compresses, the dynamic range of the audio |
550 | signal. This makes the quieter and louder sections closer to the same volume | 535 | signal. This makes the quieter and louder sections closer to the same volume |
@@ -592,4 +577,3 @@ the input signal is reduced appropriately, but the gain isn't allowed to | |||
592 | immediately return to normal levels. This is necessary to reduce artifacts | 577 | immediately return to normal levels. This is necessary to reduce artifacts |
593 | such as ``pumping.'' Instead, the gain is allowed to return to normal at the | 578 | such as ``pumping.'' Instead, the gain is allowed to return to normal at the |
594 | chosen rate. Release Time is the time for the gain to recover by 10~dB. | 579 | chosen rate. Release Time is the time for the gain to recover by 10~dB. |
595 | } | ||
diff --git a/manual/configure_rockbox/system_options.tex b/manual/configure_rockbox/system_options.tex index f9e09a91b1..bf82b8c074 100755 --- a/manual/configure_rockbox/system_options.tex +++ b/manual/configure_rockbox/system_options.tex | |||
@@ -203,27 +203,25 @@ therefore result in better runtime. | |||
203 | } | 203 | } |
204 | } | 204 | } |
205 | 205 | ||
206 | \opt{swcodec}{ | 206 | \subsection{Keyclick} |
207 | \subsection{Keyclick} | 207 | This menu controls key clicks on button presses. |
208 | This menu controls key clicks on button presses. | 208 | \begin{description} |
209 | \begin{description} | 209 | \opt{hardware_click}{ |
210 | \opt{hardware_click}{ | 210 | \item [Headphone Keyclick. ]This setting controls how strong the keyclicks |
211 | \item [Headphone Keyclick. ]This setting controls how strong the keyclicks | 211 | played through the headphones are. If set to \setting{Off}, the keyclicks |
212 | played through the headphones are. If set to \setting{Off}, the keyclicks | 212 | will be disabled. |
213 | will be disabled. | 213 | \item [Speaker Keyclick. ]This setting turns playing of keyclicks through |
214 | \item [Speaker Keyclick. ]This setting turns playing of keyclicks through | 214 | the built in speaker \setting{On} or \setting{Off}. |
215 | the built in speaker \setting{On} or \setting{Off}. | 215 | } |
216 | } | 216 | \nopt{hardware_click}{ |
217 | \nopt{hardware_click}{ | 217 | \item [Keyclick. ]This setting controls how strong the keyclicks are. |
218 | \item [Keyclick. ]This setting controls how strong the keyclicks are. | 218 | If set to \setting{Off}, the keyclicks will be disabled. |
219 | If set to \setting{Off}, the keyclicks will be disabled. | 219 | } |
220 | } | 220 | \item [Keyclick repeats.] This setting turns keyclick repeats \setting{On} |
221 | \item [Keyclick repeats.] This setting turns keyclick repeats \setting{On} | 221 | and \setting{Off}. If set to \setting{On}, the keyclicks will be |
222 | and \setting{Off}. If set to \setting{On}, the keyclicks will be | 222 | repeated when you hold down a button. If set to \setting{Off}, you will |
223 | repeated when you hold down a button. If set to \setting{Off}, you will | 223 | hear only one click. |
224 | hear only one click. | 224 | \end{description} |
225 | \end{description} | ||
226 | } | ||
227 | 225 | ||
228 | \opt{touchpad}{ | 226 | \opt{touchpad}{ |
229 | \subsection{Touchpad} | 227 | \subsection{Touchpad} |
diff --git a/manual/configure_rockbox/theme_settings.tex b/manual/configure_rockbox/theme_settings.tex index 2cbe57b014..a04646f479 100644 --- a/manual/configure_rockbox/theme_settings.tex +++ b/manual/configure_rockbox/theme_settings.tex | |||
@@ -47,11 +47,9 @@ customize the visual appearance of Rockbox. | |||
47 | headphones and when connected to an external amplifier. See | 47 | headphones and when connected to an external amplifier. See |
48 | \reference{ref:CreateYourOwnWPS} for more details.} | 48 | \reference{ref:CreateYourOwnWPS} for more details.} |
49 | 49 | ||
50 | \opt{lcd_bitmap}{ | ||
51 | \item[Font.] | 50 | \item[Font.] |
52 | Browse the installed fonts on your \dap{}. Selecting one will activate it. | 51 | Browse the installed fonts on your \dap{}. Selecting one will activate it. |
53 | See \reference{ref:Loadingfonts} for further details about fonts. | 52 | See \reference{ref:Loadingfonts} for further details about fonts. |
54 | } | ||
55 | 53 | ||
56 | \item[While Playing Screen.] | 54 | \item[While Playing Screen.] |
57 | Opens the \setting{File Browser} in the \fname{/.rockbox/wps} directory and | 55 | Opens the \setting{File Browser} in the \fname{/.rockbox/wps} directory and |
@@ -75,10 +73,8 @@ customize the visual appearance of Rockbox. | |||
75 | Rockbox has the ability to display an icon to the left of the file | 73 | Rockbox has the ability to display an icon to the left of the file |
76 | in the \setting{File Browser}. For details of these icons, see | 74 | in the \setting{File Browser}. For details of these icons, see |
77 | \reference{ref:Supportedfileformats}. | 75 | \reference{ref:Supportedfileformats}. |
78 | \opt{lcd_bitmap}{ | 76 | These icons can also be customised. See the \wikilink{IconSets} |
79 | These icons can also be customised. See the \wikilink{IconSets} | 77 | and \wikilink{CustomIcons} Wiki pages for details. |
80 | and \wikilink{CustomIcons} Wiki pages for details. | ||
81 | } | ||
82 | 78 | ||
83 | \opt{lcd_non-mono}{% | 79 | \opt{lcd_non-mono}{% |
84 | \item[Clear Backdrop.] | 80 | \item[Clear Backdrop.] |
@@ -87,30 +83,27 @@ customize the visual appearance of Rockbox. | |||
87 | This option allows you to clear the backdrops that you set. | 83 | This option allows you to clear the backdrops that you set. |
88 | } | 84 | } |
89 | % | 85 | % |
90 | \opt{lcd_bitmap}{ | 86 | \item[Status/Scrollbar.] |
91 | \item[Status/Scrollbar.] | 87 | Settings related to on screen status display and the scrollbar. |
92 | Settings related to on screen status display and the scrollbar. | 88 | \begin{description} |
93 | \begin{description} | 89 | \item[Scroll Bar.] Allows you to choose where the vertical scroll bar |
94 | \item[Scroll Bar.] Allows you to choose where the vertical scroll bar | 90 | should appear. |
95 | should appear. | 91 | \item[Scroll Bar Width.] Allows you to choose the width of the |
96 | \item[Scroll Bar Width.] Allows you to choose the width of the | 92 | scroll bar (in pixels). Default value is 6. |
97 | scroll bar (in pixels). Default value is 6. | 93 | \item[Status Bar.] Allows you to choose where to display the |
98 | \item[Status Bar.] Allows you to choose where to display the | 94 | statusbar\opt{remote}{ on the main display}. |
99 | statusbar\opt{remote}{ on the main display}. | 95 | \opt{remote}{ |
100 | \opt{remote}{ | 96 | \item[Remote Status Bar.] Allows you to choose where to display the |
101 | \item[Remote Status Bar.] Allows you to choose where to display the | 97 | statusbar on the remote display. |
102 | statusbar on the remote display. | 98 | } |
103 | } | 99 | \item[Volume Display.] Controls whether the volume is displayed as a |
104 | \item[Volume Display.] Controls whether the volume is displayed as a | 100 | graphic or a numeric value on the Status Bar. If you select a numeric |
105 | graphic or a numeric value on the Status Bar. If you select a numeric | 101 | display, volume is displayed in decibels. See \reference{ref:volume} |
106 | display, volume is displayed in decibels. See \reference{ref:volume} | 102 | for more on the volume setting. |
107 | for more on the volume setting. | 103 | \item[Battery Display.] Controls whether the battery charge status is |
108 | \item[Battery Display.] Controls whether the battery charge status is | 104 | displayed as a graphic or numerical percentage value on the Status Bar. |
109 | displayed as a graphic or numerical percentage value on the Status Bar. | 105 | \end{description} |
110 | \end{description} | ||
111 | } | ||
112 | % | 106 | % |
113 | \opt{lcd_bitmap}{ | ||
114 | \item[Line Selector Type.] | 107 | \item[Line Selector Type.] |
115 | This option allows you to select which type of line selector to use. | 108 | This option allows you to select which type of line selector to use. |
116 | \begin{description} | 109 | \begin{description} |
@@ -127,7 +120,6 @@ customize the visual appearance of Rockbox. | |||
127 | submenu. | 120 | submenu. |
128 | } | 121 | } |
129 | \end{description} | 122 | \end{description} |
130 | } | ||
131 | 123 | ||
132 | \opt{lcd_color}{ | 124 | \opt{lcd_color}{ |
133 | \item[Colours.] | 125 | \item[Colours.] |
diff --git a/manual/getting_started/installation.tex b/manual/getting_started/installation.tex index 882057b80f..eb6e4a0e7f 100644 --- a/manual/getting_started/installation.tex +++ b/manual/getting_started/installation.tex | |||
@@ -243,7 +243,6 @@ still available to you.\\ | |||
243 | various important aspects of Rockbox, such as the different versions | 243 | various important aspects of Rockbox, such as the different versions |
244 | available.\\}} | 244 | available.\\}} |
245 | 245 | ||
246 | \opt{swcodec} { | ||
247 | \opt{HAVE_RB_BL_ON_DISK}{There are three separate components, | 246 | \opt{HAVE_RB_BL_ON_DISK}{There are three separate components, |
248 | two of which need to be installed in order to run Rockbox:} | 247 | two of which need to be installed in order to run Rockbox:} |
249 | \opt{HAVE_RB_BL_IN_FLASH}{There are two separate components | 248 | \opt{HAVE_RB_BL_IN_FLASH}{There are two separate components |
@@ -282,7 +281,6 @@ still available to you.\\ | |||
282 | \fname{.rockbox} which contains all of the Rockbox files, and is | 281 | \fname{.rockbox} which contains all of the Rockbox files, and is |
283 | located in the root of your \daps{} drive. | 282 | located in the root of your \daps{} drive. |
284 | \end{description} | 283 | \end{description} |
285 | } | ||
286 | 284 | ||
287 | Apart from the required parts there are some addons you might be interested | 285 | Apart from the required parts there are some addons you might be interested |
288 | in installing. | 286 | in installing. |
diff --git a/manual/main_menu/fmradio.tex b/manual/main_menu/fmradio.tex index 56fe40a6be..bad3907e06 100644 --- a/manual/main_menu/fmradio.tex +++ b/manual/main_menu/fmradio.tex | |||
@@ -20,14 +20,12 @@ | |||
20 | files are available here: \wikilink{FmPresets}. | 20 | files are available here: \wikilink{FmPresets}. |
21 | 21 | ||
22 | \opt{recording}{ | 22 | \opt{recording}{ |
23 | \opt{swcodec}{ | 23 | It is also possible to record the FM radio while listening. |
24 | It is also possible to record the FM radio while listening. | 24 | To start recording, enter the FM radio settings menu with |
25 | To start recording, enter the FM radio settings menu with | 25 | \ActionFMMenu{} and then select \setting{Recording}. |
26 | \ActionFMMenu{} and then select \setting{Recording}. | 26 | At this point, you will be switched to the \setting{Recording Screen}. |
27 | At this point, you will be switched to the \setting{Recording Screen}. | 27 | Further information on \setting{Recording} can be found in |
28 | Further information on \setting{Recording} can be found in | 28 | \reference{ref:Recording}. |
29 | \reference{ref:Recording}. | ||
30 | } | ||
31 | } | 29 | } |
32 | 30 | ||
33 | \begin{btnmap} | 31 | \begin{btnmap} |
diff --git a/manual/plugins/lrcplayer.tex b/manual/plugins/lrcplayer.tex index 2f72cc359f..d1ff67a842 100644 --- a/manual/plugins/lrcplayer.tex +++ b/manual/plugins/lrcplayer.tex | |||
@@ -37,8 +37,8 @@ Any other tags and lines without time tags are ignored. | |||
37 | 37 | ||
38 | \subsubsection{Location of lyrics files} | 38 | \subsubsection{Location of lyrics files} |
39 | The plugin checks the following directories for lyrics files. | 39 | The plugin checks the following directories for lyrics files. |
40 | \opt{swcodec}{If no lyrics file is found and the audio file is a \fname{.mp3}, | 40 | If no lyrics file is found and the audio file is a \fname{.mp3}, |
41 | it also checks for SYLT and USLT tags in the id3v2 tags.} | 41 | it also checks for SYLT and USLT tags in the id3v2 tags. |
42 | 42 | ||
43 | \begin{enumerate} | 43 | \begin{enumerate} |
44 | \item The directory containing the audio file and its parent directories. | 44 | \item The directory containing the audio file and its parent directories. |
@@ -116,10 +116,8 @@ same order as in that list. | |||
116 | \begin{description} | 116 | \begin{description} |
117 | \item[Theme settings.] Change theme related settings. | 117 | \item[Theme settings.] Change theme related settings. |
118 | \begin{description} | 118 | \begin{description} |
119 | \opt{lcd_bitmap}{% | 119 | \item[Show Statusbar.] Show / hide the statusbar. |
120 | \item[Show Statusbar.] Show / hide the statusbar. | 120 | \item[Display Title.] Show / hide the track title. |
121 | \item[Display Title.] Show / hide the track title. | ||
122 | }% | ||
123 | \item[Display Time.] Show / hide the current time. | 121 | \item[Display Time.] Show / hide the current time. |
124 | \opt{lcd_color}{% | 122 | \opt{lcd_color}{% |
125 | \item[Inactive Colour.] Set the colour of the inactive part of the lyrics. | 123 | \item[Inactive Colour.] Set the colour of the inactive part of the lyrics. |
@@ -127,22 +125,18 @@ same order as in that list. | |||
127 | \item[Backlight Force On.] Do not turn off the backlight while displaying | 125 | \item[Backlight Force On.] Do not turn off the backlight while displaying |
128 | the lyrics. | 126 | the lyrics. |
129 | \end{description} | 127 | \end{description} |
130 | \opt{lcd_bitmap}{% | 128 | \item[Display Settings.] Change how the lyrics are displayed. |
131 | \item[Display Settings.] Change how the lyrics are displayed. | 129 | \begin{description} |
132 | \begin{description} | 130 | \item[Wrap.] Breaks lines at white space. |
133 | \item[Wrap.] Breaks lines at white space. | 131 | \item[Wipe.] Wipes the text. |
134 | \item[Wipe.] Wipes the text. | 132 | \item[Alignment.] Align text to the left, centre, or right. |
135 | \item[Alignment.] Align text to the left, centre, or right. | 133 | \item[Activate Only Current Line.] |
136 | \item[Activate Only Current Line.] | 134 | Activate only the current line, or the current and previous lines. |
137 | Activate only the current line, or the current and previous lines. | 135 | \end{description} |
138 | \end{description} | ||
139 | }% | ||
140 | \item[Lyrics Settings.] Change how the lyrics files are loaded. | 136 | \item[Lyrics Settings.] Change how the lyrics files are loaded. |
141 | \begin{description} | 137 | \begin{description} |
142 | \item[Encoding.] Sets the codepage used in the plugin. | 138 | \item[Encoding.] Sets the codepage used in the plugin. |
143 | \opt{swcodec}{% | 139 | \item[Read ID3 tag.] Read lyrics from id3 tags in mp3 files. |
144 | \item[Read ID3 tag.] Read lyrics from id3 tags in mp3 files. | ||
145 | }% | ||
146 | \item[Lrc Directory.] Set the directory where lyrics files are stored, | 140 | \item[Lrc Directory.] Set the directory where lyrics files are stored, |
147 | must be a maximum of 63 bytes. | 141 | must be a maximum of 63 bytes. |
148 | \end{description} | 142 | \end{description} |
diff --git a/manual/plugins/main.tex b/manual/plugins/main.tex index 2b80c3e2ce..4777379f19 100644 --- a/manual/plugins/main.tex +++ b/manual/plugins/main.tex | |||
@@ -14,30 +14,28 @@ them can be started from \setting{Browse Plugins} in the \setting{Main Menu}.\\ | |||
14 | 14 | ||
15 | Viewer plugins get started automatically by opening an associated file (i.e. | 15 | Viewer plugins get started automatically by opening an associated file (i.e. |
16 | text files% | 16 | text files% |
17 | \opt{lcd_bitmap}{, chip8 games}% | 17 | , chip8 games), or from the \setting{Open with} option on the \setting{Context Menu}. |
18 | ), or from the \setting{Open with} option on the \setting{Context Menu}. | ||
19 | 18 | ||
20 | \section{Games} | 19 | \section{Games} |
21 | \opt{lcd_bitmap} | 20 | See also the Chip{}-8 emulator in \reference{ref:Chip8emulator}, |
22 | {See also the Chip{}-8 emulator in \reference{ref:Chip8emulator}, | 21 | Frotz in \reference{ref:Frotz}, |
23 | Frotz in \reference{ref:Frotz}, | 22 | \opt{iriverh100,iaudiom5,lcd_color} |
24 | \opt{iriverh100,iaudiom5,lcd_color} | 23 | {Rockboy in \reference{ref:Rockboy}} |
25 | {Rockboy in \reference{ref:Rockboy}} | 24 | and ZXBox in \reference{ref:ZXBox}. |
26 | and ZXBox in \reference{ref:ZXBox}.} | ||
27 | 25 | ||
28 | \opt{lcd_bitmap}{\input{plugins/2048.tex}} | 26 | \input{plugins/2048.tex} |
29 | 27 | ||
30 | \opt{lcd_bitmap}{\input{plugins/blackjack.tex}} | 28 | \input{plugins/blackjack.tex} |
31 | 29 | ||
32 | \opt{large_plugin_buffer}{\input{plugins/boomshine.tex}} | 30 | \opt{large_plugin_buffer}{\input{plugins/boomshine.tex}} |
33 | 31 | ||
34 | \opt{lcd_bitmap}{\input{plugins/brickmania.tex}} | 32 | \input{plugins/brickmania.tex} |
35 | 33 | ||
36 | \opt{lcd_bitmap}{\input{plugins/bubbles.tex}} | 34 | \input{plugins/bubbles.tex} |
37 | 35 | ||
38 | \opt{lcd_bitmap}{\input{plugins/chessbox.tex}} | 36 | \input{plugins/chessbox.tex} |
39 | 37 | ||
40 | \opt{lcd_bitmap}{\input{plugins/chopper.tex}} | 38 | \input{plugins/chopper.tex} |
41 | 39 | ||
42 | \opt{lcd_color}{\input{plugins/clix.tex}} | 40 | \opt{lcd_color}{\input{plugins/clix.tex}} |
43 | 41 | ||
@@ -51,103 +49,103 @@ text files% | |||
51 | 49 | ||
52 | {\input{plugins/flipit.tex}} | 50 | {\input{plugins/flipit.tex}} |
53 | 51 | ||
54 | \opt{lcd_bitmap}{\input{plugins/goban.tex}} | 52 | \input{plugins/goban.tex} |
55 | 53 | ||
56 | \opt{lcd_non-mono}{\nopt{iriverh10_5gb,ipodmini1g,c200,c200v2,mpiohd200,clipzip,samsungyh820}{ | 54 | \opt{lcd_non-mono}{\nopt{iriverh10_5gb,ipodmini1g,c200,c200v2,mpiohd200,clipzip,samsungyh820}{ |
57 | \input{plugins/invadrox.tex}}} | 55 | \input{plugins/invadrox.tex}}} |
58 | 56 | ||
59 | {\input{plugins/jackpot.tex}} | 57 | {\input{plugins/jackpot.tex}} |
60 | 58 | ||
61 | \opt{lcd_bitmap}{\input{plugins/jewels.tex}} | 59 | \input{plugins/jewels.tex} |
62 | 60 | ||
63 | \opt{lcd_bitmap}{\input{plugins/maze.tex}} | 61 | \input{plugins/maze.tex} |
64 | 62 | ||
65 | \opt{lcd_bitmap}{\input{plugins/mazezam.tex}} | 63 | \input{plugins/mazezam.tex} |
66 | 64 | ||
67 | \opt{lcd_bitmap}{\input{plugins/minesweeper.tex}} | 65 | \input{plugins/minesweeper.tex} |
68 | 66 | ||
69 | \opt{iriverh100,iaudiom5,lcd_color}{\nopt{c200,c200v2}{\input{plugins/pacbox.tex}}} | 67 | \opt{iriverh100,iaudiom5,lcd_color}{\nopt{c200,c200v2}{\input{plugins/pacbox.tex}}} |
70 | 68 | ||
71 | \opt{lcd_bitmap}{\input{plugins/pegbox.tex}} | 69 | \input{plugins/pegbox.tex} |
72 | 70 | ||
73 | \opt{lcd_color}{\opt{large_plugin_buffer}{\input{plugins/pixelpainter.tex}}} | 71 | \opt{lcd_color}{\opt{large_plugin_buffer}{\input{plugins/pixelpainter.tex}}} |
74 | 72 | ||
75 | \opt{lcd_bitmap}{\input{plugins/pong.tex}} | 73 | \input{plugins/pong.tex} |
76 | 74 | ||
77 | \opt{lcd_color}{\nopt{lowmem,iaudiox5,iriverh300}{\input{plugins/quake.tex}}} | 75 | \opt{lcd_color}{\nopt{lowmem,iaudiox5,iriverh300}{\input{plugins/quake.tex}}} |
78 | 76 | ||
79 | \opt{lcd_bitmap}{\input{plugins/reversi.tex}} | 77 | \input{plugins/reversi.tex} |
80 | 78 | ||
81 | \opt{lcd_bitmap}{\input{plugins/robotfindskitten.tex}} | 79 | \input{plugins/robotfindskitten.tex} |
82 | 80 | ||
83 | {\input{plugins/rockblox.tex}} | 81 | {\input{plugins/rockblox.tex}} |
84 | 82 | ||
85 | \opt{lcd_bitmap}{\input{plugins/rockblox1d.tex}} | 83 | \input{plugins/rockblox1d.tex} |
86 | 84 | ||
87 | \opt{lcd_bitmap}{\input{plugins/sgt-puzzles.tex}} | 85 | \input{plugins/sgt-puzzles.tex} |
88 | 86 | ||
89 | \opt{lcd_bitmap}{\input{plugins/sliding.tex}} | 87 | \input{plugins/sliding.tex} |
90 | 88 | ||
91 | \opt{lcd_bitmap}{\input{plugins/snake.tex}} | 89 | \input{plugins/snake.tex} |
92 | 90 | ||
93 | \opt{lcd_bitmap}{\input{plugins/snake2.tex}} | 91 | \input{plugins/snake2.tex} |
94 | 92 | ||
95 | \opt{lcd_bitmap}{\input{plugins/sokoban.tex}} | 93 | \input{plugins/sokoban.tex} |
96 | 94 | ||
97 | \opt{lcd_bitmap}{\input{plugins/solitaire.tex}} | 95 | \input{plugins/solitaire.tex} |
98 | 96 | ||
99 | \opt{lcd_bitmap}{\input{plugins/spacerocks.tex}} | 97 | \input{plugins/spacerocks.tex} |
100 | 98 | ||
101 | \opt{lcd_bitmap}{\input{plugins/star.tex}} | 99 | \input{plugins/star.tex} |
102 | 100 | ||
103 | \opt{lcd_bitmap}{\input{plugins/sudoku.tex}} | 101 | \input{plugins/sudoku.tex} |
104 | 102 | ||
105 | \opt{lcd_non-mono}{\nopt{iriverh10_5gb,ipodmini1g,c200,c200v2,mpiohd200,clipzip,samsungyh820}{ | 103 | \opt{lcd_non-mono}{\nopt{iriverh10_5gb,ipodmini1g,c200,c200v2,mpiohd200,clipzip,samsungyh820}{ |
106 | \input{plugins/superdom.tex}}} | 104 | \input{plugins/superdom.tex}}} |
107 | 105 | ||
108 | \opt{lcd_color}{\nopt{lowmem,iaudiox5,iriverh300}{\input{plugins/wolf3d.tex}}} | 106 | \opt{lcd_color}{\nopt{lowmem,iaudiox5,iriverh300}{\input{plugins/wolf3d.tex}}} |
109 | 107 | ||
110 | \opt{lcd_bitmap}{\input{plugins/wormlet.tex}} | 108 | \input{plugins/wormlet.tex} |
111 | 109 | ||
112 | \opt{lcd_bitmap}{\input{plugins/xobox.tex}} | 110 | \input{plugins/xobox.tex} |
113 | 111 | ||
114 | \opt{lcd_color}{\input{plugins/xworld.tex}} | 112 | \opt{lcd_color}{\input{plugins/xworld.tex}} |
115 | 113 | ||
116 | \section{Demos} | 114 | \section{Demos} |
117 | 115 | ||
118 | \opt{lcd_bitmap}{\input{plugins/bounce.tex}} | 116 | \input{plugins/bounce.tex} |
119 | 117 | ||
120 | {\input{plugins/credits.tex}} | 118 | {\input{plugins/credits.tex}} |
121 | 119 | ||
122 | {\input{plugins/cube.tex}} | 120 | {\input{plugins/cube.tex}} |
123 | 121 | ||
124 | \opt{lcd_bitmap}{\input{plugins/demystify.tex}} | 122 | \input{plugins/demystify.tex} |
125 | 123 | ||
126 | \opt{swcodec}{\input{plugins/fft.tex}} | 124 | \input{plugins/fft.tex} |
127 | 125 | ||
128 | \opt{lcd_bitmap}{\input{plugins/fire.tex}} | 126 | \input{plugins/fire.tex} |
129 | 127 | ||
130 | \opt{lcd_bitmap}{\input{plugins/fractals.tex}} | 128 | \input{plugins/fractals.tex} |
131 | 129 | ||
132 | {\input{plugins/logo.tex}} | 130 | {\input{plugins/logo.tex}} |
133 | 131 | ||
134 | \opt{lcd_bitmap}{\nopt{xduoox3,clip,clipplus}{\input{plugins/matrix.tex}}} | 132 | \nopt{xduoox3,clip,clipplus}{\input{plugins/matrix.tex}} |
135 | 133 | ||
136 | {\input{plugins/mosaic.tex}} | 134 | {\input{plugins/mosaic.tex}} |
137 | 135 | ||
138 | \opt{lcd_bitmap}{\input{plugins/oscilloscope.tex}} | 136 | \input{plugins/oscilloscope.tex} |
139 | 137 | ||
140 | \opt{tagcache}{\opt{lcd_bitmap}{\input{plugins/pictureflow.tex}}} | 138 | \opt{tagcache}{\input{plugins/pictureflow.tex}} |
141 | 139 | ||
142 | \opt{lcd_bitmap}{\input{plugins/plasma.tex}} | 140 | \input{plugins/plasma.tex} |
143 | 141 | ||
144 | \opt{lcd_bitmap}{\input{plugins/rocklife.tex}} | 142 | \input{plugins/rocklife.tex} |
145 | 143 | ||
146 | {\input{plugins/snow.tex}} | 144 | {\input{plugins/snow.tex}} |
147 | 145 | ||
148 | \opt{lcd_bitmap}{\input{plugins/starfield.tex}} | 146 | \input{plugins/starfield.tex} |
149 | 147 | ||
150 | \opt{lcd_bitmap}{\input{plugins/vumeter.tex}} | 148 | \input{plugins/vumeter.tex} |
151 | 149 | ||
152 | \section{\label{ref:Viewersplugins}Viewers} | 150 | \section{\label{ref:Viewersplugins}Viewers} |
153 | 151 | ||
@@ -168,7 +166,7 @@ option from the \setting{Context Menu} (see \reference{ref:Contextmenu}).} | |||
168 | Frotz & \fname{.z1} to \fname{.z8} & \\ | 166 | Frotz & \fname{.z1} to \fname{.z8} & \\ |
169 | Image Viewer & \fname{.bmp, .jpg, .jpeg, .png\opt{lcd_color}{, .ppm}} & \\ | 167 | Image Viewer & \fname{.bmp, .jpg, .jpeg, .png\opt{lcd_color}{, .ppm}} & \\ |
170 | Lua scripting language& \fname{.lua} & \\ | 168 | Lua scripting language& \fname{.lua} & \\ |
171 | \opt{swcodec}{\nopt{lowmem}{ | 169 | \nopt{lowmem}{ |
172 | Midiplay & \fname{.mid, .midi} & \\ | 170 | Midiplay & \fname{.mid, .midi} & \\ |
173 | Mikmod & \fname{.669, .amf, .asy, .dsm,} & \\ | 171 | Mikmod & \fname{.669, .amf, .asy, .dsm,} & \\ |
174 | & \fname{.far, .gdm, imf, .it,} & \\ | 172 | & \fname{.far, .gdm, imf, .it,} & \\ |
@@ -176,13 +174,9 @@ option from the \setting{Context Menu} (see \reference{ref:Contextmenu}).} | |||
176 | & \fname{.s3m, .stm, .stx, .ult,} & \\ | 174 | & \fname{.s3m, .stm, .stx, .ult,} & \\ |
177 | & \fname{.uni, .umx, .xm} & \\ | 175 | & \fname{.uni, .umx, .xm} & \\ |
178 | MPEG Player & \fname{.mpg, .mpeg, .mpv, .m2v} & \\ | 176 | MPEG Player & \fname{.mpg, .mpeg, .mpv, .m2v} & \\ |
179 | }} | ||
180 | \opt{swcodec}{ | ||
181 | MP3 Encoder & \fname{.wav} & x \\ | ||
182 | } | 177 | } |
183 | \opt{lcd_bitmap}{ | 178 | MP3 Encoder & \fname{.wav} & x \\ |
184 | Rockboy & \fname{.gb, .gbc} & \\ | 179 | Rockboy & \fname{.gb, .gbc} & \\ |
185 | } | ||
186 | Search & \fname{.m3u, .m3u8} & x \\ | 180 | Search & \fname{.m3u, .m3u8} & x \\ |
187 | Shopping list & \fname{.shopper} & \\ | 181 | Shopping list & \fname{.shopper} & \\ |
188 | Sort & \fname{.*} & x \\ | 182 | Sort & \fname{.*} & x \\ |
@@ -196,31 +190,31 @@ option from the \setting{Context Menu} (see \reference{ref:Contextmenu}).} | |||
196 | 190 | ||
197 | {\input{plugins/winshortcuts.tex}} | 191 | {\input{plugins/winshortcuts.tex}} |
198 | 192 | ||
199 | \opt{lcd_bitmap}{\input{plugins/chip8emulator.tex}} | 193 | \input{plugins/chip8emulator.tex} |
200 | 194 | ||
201 | \opt{lcd_bitmap}{\input{plugins/frotz.tex}} | 195 | \input{plugins/frotz.tex} |
202 | 196 | ||
203 | \opt{lcd_bitmap}{\input{plugins/imageviewer.tex}} | 197 | \input{plugins/imageviewer.tex} |
204 | 198 | ||
205 | \opt{large_plugin_buffer}{\input{plugins/lua.tex}} | 199 | \opt{large_plugin_buffer}{\input{plugins/lua.tex}} |
206 | 200 | ||
207 | \opt{swcodec}{\nopt{lowmem}{\input{plugins/midiplay.tex}}} | 201 | \nopt{lowmem}{\input{plugins/midiplay.tex}} |
208 | \opt{swcodec}{\nopt{lowmem}{\input{plugins/mikmod.tex}}} | 202 | \nopt{lowmem}{\input{plugins/mikmod.tex}} |
209 | 203 | ||
210 | \opt{lcd_bitmap}{\opt{swcodec}{\nopt{lowmem}{\input{plugins/mpegplayer.tex}}}} | 204 | \nopt{lowmem}{\input{plugins/mpegplayer.tex}} |
211 | 205 | ||
212 | \opt{swcodec}{\input{plugins/mp3_encoder.tex}} | 206 | \input{plugins/mp3_encoder.tex} |
213 | 207 | ||
214 | \opt{iriverh300,iriverh100,SANSA_FUZE_PAD,SANSA_E200_PAD,IPOD_4G_PAD,IPOD_3G_PAD% | 208 | \opt{iriverh300,iriverh100,SANSA_FUZE_PAD,SANSA_E200_PAD,IPOD_4G_PAD,IPOD_3G_PAD% |
215 | ,IPOD_1G2G_PAD,SAMSUNG_YPR0_PAD}{ | 209 | ,IPOD_1G2G_PAD,SAMSUNG_YPR0_PAD}{ |
216 | \input{plugins/pdbox.tex}} | 210 | \input{plugins/pdbox.tex}} |
217 | 211 | ||
218 | \opt{lcd_bitmap}{\nopt{% | 212 | \nopt{% |
219 | ipod1g2g,ipod3g,ipod4g,ipodmini% horizontal pixelformat not implemented | 213 | ipod1g2g,ipod3g,ipod4g,ipodmini% horizontal pixelformat not implemented |
220 | ,iaudiom3,mpiohd200, % vertical interleaved pixelformat not implemented | 214 | ,iaudiom3,mpiohd200, % vertical interleaved pixelformat not implemented |
221 | ,mrobe100% lcd size/depth not implemented | 215 | ,mrobe100% lcd size/depth not implemented |
222 | }{ | 216 | }{ |
223 | \input{plugins/rockboy.tex}}} | 217 | \input{plugins/rockboy.tex}} |
224 | 218 | ||
225 | {\input{plugins/search.tex}} | 219 | {\input{plugins/search.tex}} |
226 | 220 | ||
@@ -236,7 +230,7 @@ option from the \setting{Context Menu} (see \reference{ref:Contextmenu}).} | |||
236 | 230 | ||
237 | {\input{plugins/vbrfix.tex}} | 231 | {\input{plugins/vbrfix.tex}} |
238 | 232 | ||
239 | \opt{lcd_bitmap}{\input{plugins/zxbox.tex}} | 233 | \input{plugins/zxbox.tex} |
240 | 234 | ||
241 | \section{Applications} | 235 | \section{Applications} |
242 | 236 | ||
@@ -244,7 +238,7 @@ option from the \setting{Context Menu} (see \reference{ref:Contextmenu}).} | |||
244 | 238 | ||
245 | {\input{plugins/batterybenchmark.tex}} | 239 | {\input{plugins/batterybenchmark.tex}} |
246 | 240 | ||
247 | \opt{lcd_bitmap}{\input{plugins/calculator.tex}} | 241 | \input{plugins/calculator.tex} |
248 | 242 | ||
249 | \opt{rtc}{\input{plugins/calendar.tex}} | 243 | \opt{rtc}{\input{plugins/calendar.tex}} |
250 | 244 | ||
@@ -260,7 +254,7 @@ option from the \setting{Context Menu} (see \reference{ref:Contextmenu}).} | |||
260 | 254 | ||
261 | \opt{HAVE_BACKLIGHT}{\input{plugins/lamp.tex}} | 255 | \opt{HAVE_BACKLIGHT}{\input{plugins/lamp.tex}} |
262 | 256 | ||
263 | \opt{lcd_bitmap}{\input{plugins/lrcplayer.tex}} | 257 | \input{plugins/lrcplayer.tex} |
264 | 258 | ||
265 | {\input{plugins/main_menu_config.tex}} | 259 | {\input{plugins/main_menu_config.tex}} |
266 | 260 | ||
@@ -270,9 +264,9 @@ option from the \setting{Context Menu} (see \reference{ref:Contextmenu}).} | |||
270 | 264 | ||
271 | {\input{plugins/otp.tex}} | 265 | {\input{plugins/otp.tex}} |
272 | 266 | ||
273 | \opt{lcd_bitmap}{\input{plugins/periodic_table.tex}} | 267 | \input{plugins/periodic_table.tex} |
274 | 268 | ||
275 | \opt{swcodec}{\opt{recording_mic}{\input{plugins/pitch_detector.tex}}} | 269 | \opt{recording_mic}{\input{plugins/pitch_detector.tex}} |
276 | 270 | ||
277 | {\input{plugins/random_folder_advance_config.tex}} | 271 | {\input{plugins/random_folder_advance_config.tex}} |
278 | 272 | ||
@@ -284,4 +278,4 @@ option from the \setting{Context Menu} (see \reference{ref:Contextmenu}).} | |||
284 | 278 | ||
285 | {\input{plugins/stopwatch.tex}} | 279 | {\input{plugins/stopwatch.tex}} |
286 | 280 | ||
287 | \opt{lcd_bitmap}{\input{plugins/text_editor.tex}} | 281 | \input{plugins/text_editor.tex} |
diff --git a/manual/plugins/oscilloscope.tex b/manual/plugins/oscilloscope.tex index 71b359cb32..27fe8e7ac9 100644 --- a/manual/plugins/oscilloscope.tex +++ b/manual/plugins/oscilloscope.tex | |||
@@ -4,10 +4,8 @@ | |||
4 | 4 | ||
5 | This demo shows the shape of the sound samples that make up the music | 5 | This demo shows the shape of the sound samples that make up the music |
6 | being played. | 6 | being played. |
7 | \opt{swcodec}{ | 7 | At faster speed rates, the \dap\ is less responsive |
8 | At faster speed rates, the \dap\ is less responsive | 8 | to user input and music may start to skip. |
9 | to user input and music may start to skip. | ||
10 | } | ||
11 | 9 | ||
12 | \subsubsection{Keys} | 10 | \subsubsection{Keys} |
13 | 11 | ||
diff --git a/manual/plugins/pictureflow.tex b/manual/plugins/pictureflow.tex index 1915cc38c9..afab86ef18 100644 --- a/manual/plugins/pictureflow.tex +++ b/manual/plugins/pictureflow.tex | |||
@@ -1,9 +1,9 @@ | |||
1 | \subsection{PictureFlow} | 1 | \subsection{PictureFlow} |
2 | \screenshot{plugins/images/ss-pictureflow}{PictureFlow}{img:pictureflow} | 2 | \screenshot{plugins/images/ss-pictureflow}{PictureFlow}{img:pictureflow} |
3 | PictureFlow provides a visualisation of your albums with their associated cover | 3 | PictureFlow provides a visualisation of your albums with their associated cover |
4 | art. \opt{swcodec}{It is possible to start playback of the selected | 4 | art. It is possible to start playback of the selected album from PictureFlow. |
5 | album from PictureFlow. Playback will start from the selected track. The | 5 | Playback will start from the selected track. The PictureFlow plugin will |
6 | PictureFlow plugin will continue to run while your tracks are played.} | 6 | continue to run while your tracks are played. |
7 | 7 | ||
8 | \subsubsection{Requirements} | 8 | \subsubsection{Requirements} |
9 | PictureFlow uses both the album art (see \reference{ref:album_art}) and | 9 | PictureFlow uses both the album art (see \reference{ref:album_art}) and |
@@ -139,7 +139,7 @@ aware: | |||
139 | \subsubsection{Main Menu} | 139 | \subsubsection{Main Menu} |
140 | \begin{description} | 140 | \begin{description} |
141 | \item[Go to WPS.] Leave PictureFlow and enter the while playing screen. | 141 | \item[Go to WPS.] Leave PictureFlow and enter the while playing screen. |
142 | \opt{swcodec}{\item[Playback Control.] Control music playback from within the plugin.} | 142 | \item[Playback Control.] Control music playback from within the plugin. |
143 | \item[Settings.] Enter the settings menu. | 143 | \item[Settings.] Enter the settings menu. |
144 | \item[Return.] Exit menu. | 144 | \item[Return.] Exit menu. |
145 | \item[Quit.] Exit PictureFlow plugin. | 145 | \item[Quit.] Exit PictureFlow plugin. |
diff --git a/manual/plugins/text_viewer.tex b/manual/plugins/text_viewer.tex index fe369d1c90..2e215cca38 100644 --- a/manual/plugins/text_viewer.tex +++ b/manual/plugins/text_viewer.tex | |||
@@ -197,25 +197,19 @@ by using \emph{Open with} from the \emph{Context Menu} | |||
197 | \begin{description} | 197 | \begin{description} |
198 | \item[Encoding] Set the codepage in the text viewer. | 198 | \item[Encoding] Set the codepage in the text viewer. |
199 | Available settings: | 199 | Available settings: |
200 | \setting{ISO-8859-1} (Latin 1). | 200 | \setting{ISO-8859-1} (Latin 1), |
201 | \setting{ISO-8859-7} (Greek), | 201 | \setting{ISO-8859-7} (Greek), |
202 | \opt{lcd_bitmap}{ | 202 | \setting{ISO-8859-8} (Hebrew), |
203 | \setting{ISO-8859-8} (Hebrew), | ||
204 | } | ||
205 | \setting{CP1251} (Cyrillic), | 203 | \setting{CP1251} (Cyrillic), |
206 | \opt{lcd_bitmap}{ | 204 | \setting{ISO-8859-11} (Thai), |
207 | \setting{ISO-8859-11} (Thai), | 205 | \setting{CP1256} (Arabic), |
208 | \setting{CP1256} (Arabic), | ||
209 | } | ||
210 | \setting{ISO-8859-9} (Turkish), | 206 | \setting{ISO-8859-9} (Turkish), |
211 | \setting{ISO-8859-2} (Latin Extended), | 207 | \setting{ISO-8859-2} (Latin Extended), |
212 | \setting{CP1250} (Central European), | 208 | \setting{CP1250} (Central European), |
213 | \opt{lcd_bitmap}{ | 209 | \setting{SJIS} (Japanese), |
214 | \setting{SJIS} (Japanese), | 210 | \setting{GB-2312} (Simple Chinese), |
215 | \setting{GB-2312} (Simple Chinese), | 211 | \setting{KSX-1001} (Korean), |
216 | \setting{KSX-1001} (Korean), | 212 | \setting{BIG5} (Traditional Chinese), |
217 | \setting{BIG5} (Traditional Chinese), | ||
218 | } | ||
219 | \setting{UTF-8} (Unicode), | 213 | \setting{UTF-8} (Unicode), |
220 | This setting only applies to the plugin and is independent from the | 214 | This setting only applies to the plugin and is independent from the |
221 | \setting{Default Codepage} setting (see \reference{ref:Defaultcodepage}). | 215 | \setting{Default Codepage} setting (see \reference{ref:Defaultcodepage}). |
@@ -230,9 +224,7 @@ by using \emph{Open with} from the \emph{Context Menu} | |||
230 | \item[Join] Join lines together. | 224 | \item[Join] Join lines together. |
231 | \item[Expand] Add a blank line at newlines. Useful for making paragraphs | 225 | \item[Expand] Add a blank line at newlines. Useful for making paragraphs |
232 | clearer in some book style text files. | 226 | clearer in some book style text files. |
233 | \opt{lcd_bitmap}{ | ||
234 | \item[Reflow Lines] Justify the text. | 227 | \item[Reflow Lines] Justify the text. |
235 | } | ||
236 | \end{description} | 228 | \end{description} |
237 | \item[Screens Per Page] Set the number of screens per page. Available | 229 | \item[Screens Per Page] Set the number of screens per page. Available |
238 | options are \setting{1} to \setting{5} screens per page. | 230 | options are \setting{1} to \setting{5} screens per page. |
@@ -242,7 +234,6 @@ by using \emph{Open with} from the \emph{Context Menu} | |||
242 | (Useful for displaying right-to-left languages, such as Arabic or Hebrew) | 234 | (Useful for displaying right-to-left languages, such as Arabic or Hebrew) |
243 | \item[Left] Set the text alignment to the left. | 235 | \item[Left] Set the text alignment to the left. |
244 | \end{description} | 236 | \end{description} |
245 | \opt{lcd_bitmap}{ | ||
246 | \item[Show Header] Select whether to show the header. The header displays the file path. | 237 | \item[Show Header] Select whether to show the header. The header displays the file path. |
247 | \begin{description} | 238 | \begin{description} |
248 | \item[No] Do not display the header. | 239 | \item[No] Do not display the header. |
@@ -263,7 +254,6 @@ by using \emph{Open with} from the \emph{Context Menu} | |||
263 | \item[No] Do not display the status bar. | 254 | \item[No] Do not display the status bar. |
264 | \item[Yes] Display the status bar. | 255 | \item[Yes] Display the status bar. |
265 | \end{description} | 256 | \end{description} |
266 | } | ||
267 | \item[Scroll Settings] The scrolling settings submenu. | 257 | \item[Scroll Settings] The scrolling settings submenu. |
268 | \begin{description} | 258 | \begin{description} |
269 | \item[Horizontal] Submenu for horizontal scrolling settings. | 259 | \item[Horizontal] Submenu for horizontal scrolling settings. |
@@ -299,14 +289,12 @@ by using \emph{Open with} from the \emph{Context Menu} | |||
299 | \item[Scroll by Page] Scroll up or down one full screen. | 289 | \item[Scroll by Page] Scroll up or down one full screen. |
300 | \item[Scroll by Line] Scroll up or down one line. | 290 | \item[Scroll by Line] Scroll up or down one line. |
301 | \end{description} | 291 | \end{description} |
302 | \opt{lcd_bitmap}{ | ||
303 | \item[Overlap Pages] Set whether the last line from the | 292 | \item[Overlap Pages] Set whether the last line from the |
304 | previous screen is retained when scrolling pages. | 293 | previous screen is retained when scrolling pages. |
305 | \begin{description} | 294 | \begin{description} |
306 | \item[No] Do not retain previous line. | 295 | \item[No] Do not retain previous line. |
307 | \item[Yes] Retain previous line. | 296 | \item[Yes] Retain previous line. |
308 | \end{description} | 297 | \end{description} |
309 | } | ||
310 | \item[Auto-scroll Speed] Control the speed of auto-scrolling | 298 | \item[Auto-scroll Speed] Control the speed of auto-scrolling |
311 | in number of lines per second. Available options are | 299 | in number of lines per second. Available options are |
312 | \setting{1} to \setting{10} lines per second. As an example, | 300 | \setting{1} to \setting{10} lines per second. As an example, |
diff --git a/manual/plugins/theme_remove.tex b/manual/plugins/theme_remove.tex index 1c654d91bb..6c21b11312 100644 --- a/manual/plugins/theme_remove.tex +++ b/manual/plugins/theme_remove.tex | |||
@@ -3,7 +3,7 @@ | |||
3 | This plugin offers a way to remove a theme. Open the \setting{Context Menu} (see \reference{ref:Contextmenu}) | 3 | This plugin offers a way to remove a theme. Open the \setting{Context Menu} (see \reference{ref:Contextmenu}) |
4 | upon a theme\fname{.cfg} file and select \setting{Open With... $\rightarrow$ theme\_remove}. | 4 | upon a theme\fname{.cfg} file and select \setting{Open With... $\rightarrow$ theme\_remove}. |
5 | Some files are not removed regardless of the \setting{Remove Options} such as | 5 | Some files are not removed regardless of the \setting{Remove Options} such as |
6 | \fname{rockbox\_default.wps}\opt{lcd_bitmap}{ and the font file currently in use}. | 6 | \fname{rockbox\_default.wps} and the font file currently in use. |
7 | 7 | ||
8 | \subsubsection{Theme Remove menu} | 8 | \subsubsection{Theme Remove menu} |
9 | \begin{description} | 9 | \begin{description} |
@@ -34,18 +34,14 @@ Some files are not removed regardless of the \setting{Remove Options} such as | |||
34 | \end{description} | 34 | \end{description} |
35 | 35 | ||
36 | \begin{description} | 36 | \begin{description} |
37 | \opt{lcd_bitmap}{ | ||
38 | \item[Font.] | 37 | \item[Font.] |
39 | Specifies how the \fname{.fnt} file belonging to a theme \fname{.cfg} file is handled. | 38 | Specifies how the \fname{.fnt} file belonging to a theme \fname{.cfg} file is handled. |
40 | If this option is set to \setting{Remove if not Used}, the fonts came from rockbox-fonts.zip | 39 | If this option is set to \setting{Remove if not Used}, the fonts came from rockbox-fonts.zip |
41 | will not be removed as themes may depend on those fonts. | 40 | will not be removed as themes may depend on those fonts. |
42 | }% | ||
43 | \item[WPS.] | 41 | \item[WPS.] |
44 | Specifies how the \fname{.wps} file belonging to a theme \fname{.cfg} file is handled. | 42 | Specifies how the \fname{.wps} file belonging to a theme \fname{.cfg} file is handled. |
45 | \opt{lcd_bitmap}{ | ||
46 | \item[Statusbar Skin.] | 43 | \item[Statusbar Skin.] |
47 | Specifies how the \fname{.sbs} file belonging to a theme \fname{.cfg} file is handled. | 44 | Specifies how the \fname{.sbs} file belonging to a theme \fname{.cfg} file is handled. |
48 | }% | ||
49 | \opt{HAVE_REMOTE_LCD}{ | 45 | \opt{HAVE_REMOTE_LCD}{ |
50 | \item[Remote WPS.] | 46 | \item[Remote WPS.] |
51 | Specifies how the \fname{.rwps} file belonging to a theme \fname{.cfg} file is handled. | 47 | Specifies how the \fname{.rwps} file belonging to a theme \fname{.cfg} file is handled. |
@@ -56,12 +52,10 @@ Some files are not removed regardless of the \setting{Remove Options} such as | |||
56 | \item[Backdrop.] | 52 | \item[Backdrop.] |
57 | Specifies how the backdrop \fname{.bmp} file belonging to a theme \fname{.cfg} file is handled. | 53 | Specifies how the backdrop \fname{.bmp} file belonging to a theme \fname{.cfg} file is handled. |
58 | }% | 54 | }% |
59 | \opt{lcd_bitmap}{ | ||
60 | \item[Iconset.] | 55 | \item[Iconset.] |
61 | Specifies how the iconset \fname{.bmp} file belonging to a theme \fname{.cfg} file is handled. | 56 | Specifies how the iconset \fname{.bmp} file belonging to a theme \fname{.cfg} file is handled. |
62 | \item[Viewers Iconset.] | 57 | \item[Viewers Iconset.] |
63 | Specifies how the viewers iconset \fname{.bmp} file belonging to a theme \fname{.cfg} file is handled. | 58 | Specifies how the viewers iconset \fname{.bmp} file belonging to a theme \fname{.cfg} file is handled. |
64 | }% | ||
65 | \opt{HAVE_REMOTE_LCD}{ | 59 | \opt{HAVE_REMOTE_LCD}{ |
66 | \item[Remote Iconset.] | 60 | \item[Remote Iconset.] |
67 | Specifies how the remote iconset \fname{.bmp} file belonging to | 61 | Specifies how the remote iconset \fname{.bmp} file belonging to |
diff --git a/manual/rockbox_interface/main.tex b/manual/rockbox_interface/main.tex index 33dae2f62f..27c6b56e8f 100644 --- a/manual/rockbox_interface/main.tex +++ b/manual/rockbox_interface/main.tex | |||
@@ -749,10 +749,8 @@ The default directory structure that is assumed by some parts of Rockbox | |||
749 | your music organized in a way different than they assume when attempting to | 749 | your music organized in a way different than they assume when attempting to |
750 | guess the Artist and Album names from your filetree. | 750 | guess the Artist and Album names from your filetree. |
751 | }% | 751 | }% |
752 | \opt{swcodec}{ | ||
753 | See \reference{ref:Supportedaudioformats} for a list of supported audio | 752 | See \reference{ref:Supportedaudioformats} for a list of supported audio |
754 | formats. | 753 | formats. |
755 | } | ||
756 | 754 | ||
757 | \subsection{The first contact} | 755 | \subsection{The first contact} |
758 | 756 | ||
@@ -817,13 +815,11 @@ is discussed in more detail in \reference{ref:manage_settings}. | |||
817 | The Rockbox distribution comes with some themes that should look nice on | 815 | The Rockbox distribution comes with some themes that should look nice on |
818 | your \dap{}. | 816 | your \dap{}. |
819 | 817 | ||
820 | \opt{lcd_bitmap}{ | ||
821 | \note{Some of the themes shipped with Rockbox need additional | 818 | \note{Some of the themes shipped with Rockbox need additional |
822 | fonts from the fonts package, so make sure you installed them. | 819 | fonts from the fonts package, so make sure you installed them. |
823 | Also, if you downloaded additional themes from the Internet make sure you | 820 | Also, if you downloaded additional themes from the Internet make sure you |
824 | have the needed fonts installed as otherwise the theme may not display | 821 | have the needed fonts installed as otherwise the theme may not display |
825 | properly.} | 822 | properly.} |
826 | } | ||
827 | 823 | ||
828 | \opt{usb_power}{ | 824 | \opt{usb_power}{ |
829 | \section{USB Charging} | 825 | \section{USB Charging} |
diff --git a/manual/rockbox_interface/tagcache.tex b/manual/rockbox_interface/tagcache.tex index 8be9a1bd53..3fae3c5c04 100644 --- a/manual/rockbox_interface/tagcache.tex +++ b/manual/rockbox_interface/tagcache.tex | |||
@@ -3,9 +3,8 @@ | |||
3 | 3 | ||
4 | \subsection{Introduction} | 4 | \subsection{Introduction} |
5 | This chapter describes the Rockbox music database system. Using the information | 5 | This chapter describes the Rockbox music database system. Using the information |
6 | contained in the tags (ID3v1, ID3v2% | 6 | contained in the tags (ID3v1, ID3v2, Vorbis Comments, Apev2, etc.) in your |
7 | \opt{swcodec}{, Vorbis Comments, Apev2, etc.}% | 7 | audio files, Rockbox builds and maintains a database of the music |
8 | ) in your audio files, Rockbox builds and maintains a database of the music | ||
9 | files on your player and allows you to browse them by Artist, Album, Genre, | 8 | files on your player and allows you to browse them by Artist, Album, Genre, |
10 | Song Name, etc. The criteria the database uses to sort the songs can be completely | 9 | Song Name, etc. The criteria the database uses to sort the songs can be completely |
11 | customised. More information on how to achieve this can be found on the Rockbox | 10 | customised. More information on how to achieve this can be found on the Rockbox |
@@ -63,12 +62,10 @@ its subdirectories will be scanned and added to the database. | |||
63 | 62 | ||
64 | \item[Update Now] | 63 | \item[Update Now] |
65 | \setting{Update now} causes the database to detect new and deleted files | 64 | \setting{Update now} causes the database to detect new and deleted files |
66 | \opt{swcodec}{ | ||
67 | \note{Unlike the \setting{Auto Update} function, \setting{Update Now} | 65 | \note{Unlike the \setting{Auto Update} function, \setting{Update Now} |
68 | will update the database regardless of whether the \setting{Directory Cache} | 66 | will update the database regardless of whether the \setting{Directory Cache} |
69 | is enabled. Thus, an update using \setting{Update now} may take a long | 67 | is enabled. Thus, an update using \setting{Update now} may take a long |
70 | time. | 68 | time. |
71 | } | ||
72 | } | 69 | } |
73 | Unlike \setting{Initialize Now}, the \setting{Update Now} function | 70 | Unlike \setting{Initialize Now}, the \setting{Update Now} function |
74 | does not remove runtime database information. | 71 | does not remove runtime database information. |
diff --git a/manual/rockbox_interface/wps.tex b/manual/rockbox_interface/wps.tex index 3729590e36..e20ed6737d 100644 --- a/manual/rockbox_interface/wps.tex +++ b/manual/rockbox_interface/wps.tex | |||
@@ -3,26 +3,24 @@ | |||
3 | The While Playing Screen (WPS) displays various pieces of information about the | 3 | The While Playing Screen (WPS) displays various pieces of information about the |
4 | currently playing audio file. | 4 | currently playing audio file. |
5 | % | 5 | % |
6 | \opt{lcd_bitmap}{% | 6 | The appearance of the WPS can be configured using WPS configuration files. |
7 | The appearance of the WPS can be configured using WPS configuration files. | 7 | The items shown depend on your configuration -- all items can be turned on |
8 | The items shown depend on your configuration -- all items can be turned on | 8 | or off independently. Refer to \reference{ref:wps_tags} for details on how |
9 | or off independently. Refer to \reference{ref:wps_tags} for details on how | 9 | to change the display of the WPS. |
10 | to change the display of the WPS. | 10 | \begin{itemize} |
11 | \begin{itemize} | 11 | \item Status bar: The Status bar shows Battery level, charger status, |
12 | \item Status bar: The Status bar shows Battery level, charger status, | 12 | volume, play mode, repeat mode, shuffle mode\opt{rtc}{ and clock}. |
13 | volume, play mode, repeat mode, shuffle mode\opt{rtc}{ and clock}. | 13 | In contrast to all other items, the status bar is always at the top of |
14 | In contrast to all other items, the status bar is always at the top of | 14 | the screen. |
15 | the screen. | 15 | \item (Scrolling) path and filename of the current song. |
16 | \item (Scrolling) path and filename of the current song. | 16 | \item The ID3 track name. |
17 | \item The ID3 track name. | 17 | \item The ID3 album name. |
18 | \item The ID3 album name. | 18 | \item The ID3 artist name. |
19 | \item The ID3 artist name. | 19 | \item Bit rate. VBR files display average bitrate and ``(avg)'' |
20 | \item Bit rate. VBR files display average bitrate and ``(avg)'' | 20 | \item Elapsed and total time. |
21 | \item Elapsed and total time. | 21 | \item A slidebar progress meter representing where in the song you are. |
22 | \item A slidebar progress meter representing where in the song you are. | 22 | \item Peak meter. |
23 | \item Peak meter. | 23 | \end{itemize} |
24 | \end{itemize} | ||
25 | } | ||
26 | % | 24 | % |
27 | 25 | ||
28 | See \reference{ref:ConfiguringtheWPS} for details of customising | 26 | See \reference{ref:ConfiguringtheWPS} for details of customising |
@@ -138,44 +136,43 @@ your WPS (While Playing Screen). | |||
138 | \end{btnmap} | 136 | \end{btnmap} |
139 | 137 | ||
140 | 138 | ||
141 | \opt{lcd_bitmap}{ | 139 | \subsection{\label{ref:peak_meter}Peak Meter} |
142 | \subsection{\label{ref:peak_meter}Peak Meter} | 140 | The peak meter can be displayed on the While Playing Screen and consists of |
143 | The peak meter can be displayed on the While Playing Screen and consists of | 141 | several indicators. |
144 | several indicators. | 142 | \opt{recording}{ |
143 | For a picture of the peak meter, please see the While | ||
144 | Recording Screen in \reference{ref:while_recording_screen}. | ||
145 | } | ||
146 | \opt{ipodvideo}{ | ||
147 | \note{Especially the \playerman{} \playertype{}'s performance and battery runtime | ||
148 | suffers when this feature is enabled. For this \dap{} it is highly recommended | ||
149 | to not use peak meter.} | ||
150 | } | ||
151 | |||
152 | \begin{description} | ||
153 | \item [The bar:] | ||
154 | This is the wide horizontal bar. It represents the current volume value. | ||
155 | \item [The peak indicator:] | ||
156 | This is a little vertical line at the right end of the bar. It indicates | ||
157 | the peak volume value that occurred recently. | ||
158 | \item [The clip indicator:] | ||
159 | This is a little black block that is displayed at the very right of the | ||
160 | scale when an overflow occurs. It usually does not show up during normal | ||
161 | playback unless you play an audio file that is distorted heavily. | ||
145 | \opt{recording}{ | 162 | \opt{recording}{ |
146 | For a picture of the peak meter, please see the While | 163 | If you encounter clipping while recording, your recording will sound distorted. |
147 | Recording Screen in \reference{ref:while_recording_screen}. | 164 | You should lower the gain. |
148 | } | ||
149 | \opt{ipodvideo}{ | ||
150 | \note{Especially the \playerman{} \playertype{}'s performance and battery runtime | ||
151 | suffers when this feature is enabled. For this \dap{} it is highly recommended | ||
152 | to not use peak meter.} | ||
153 | } | 165 | } |
166 | \note{Note that the clip detection is not very precise. | ||
167 | Clipping might occur without being indicated.} | ||
168 | \item [The scale:] | ||
169 | Between the indicators of the right and left channel there are little dots. | ||
170 | These dots represent important volume values. In linear mode each dot is a | ||
171 | 10\% mark. In dBFS mode the dots represent the following values (from right | ||
172 | to left): 0~dB, {}-3~dB, {}-6~dB, {}-9~dB, {}-12~dB, {}-18~dB, {}-24~dB, {}-30~dB, | ||
173 | {}-40~dB, {}-50~dB, {}-60~dB. | ||
174 | \end{description} | ||
154 | 175 | ||
155 | \begin{description} | ||
156 | \item [The bar:] | ||
157 | This is the wide horizontal bar. It represents the current volume value. | ||
158 | \item [The peak indicator:] | ||
159 | This is a little vertical line at the right end of the bar. It indicates | ||
160 | the peak volume value that occurred recently. | ||
161 | \item [The clip indicator:] | ||
162 | This is a little black block that is displayed at the very right of the | ||
163 | scale when an overflow occurs. It usually does not show up during normal | ||
164 | playback unless you play an audio file that is distorted heavily. | ||
165 | \opt{recording}{ | ||
166 | If you encounter clipping while recording, your recording will sound distorted. | ||
167 | You should lower the gain. | ||
168 | } | ||
169 | \note{Note that the clip detection is not very precise. | ||
170 | Clipping might occur without being indicated.} | ||
171 | \item [The scale:] | ||
172 | Between the indicators of the right and left channel there are little dots. | ||
173 | These dots represent important volume values. In linear mode each dot is a | ||
174 | 10\% mark. In dBFS mode the dots represent the following values (from right | ||
175 | to left): 0~dB, {}-3~dB, {}-6~dB, {}-9~dB, {}-12~dB, {}-18~dB, {}-24~dB, {}-30~dB, | ||
176 | {}-40~dB, {}-50~dB, {}-60~dB. | ||
177 | \end{description} | ||
178 | } | ||
179 | \subsection{\label{sec:contextmenu}The WPS Context Menu} | 176 | \subsection{\label{sec:contextmenu}The WPS Context Menu} |
180 | Like the context menu for the \setting{File Browser}, the \setting{WPS Context Menu} | 177 | Like the context menu for the \setting{File Browser}, the \setting{WPS Context Menu} |
181 | allows you quick access to some often used functions. | 178 | allows you quick access to some often used functions. |
@@ -267,7 +264,6 @@ This may even be the whole track. | |||
267 | The rate can be changed in two modes: procentual and semitone. | 264 | The rate can be changed in two modes: procentual and semitone. |
268 | Initially, procentual mode is active. | 265 | Initially, procentual mode is active. |
269 | 266 | ||
270 | \opt{swcodec}{ | ||
271 | If you've enabled the \setting{Timestretch} option in | 267 | If you've enabled the \setting{Timestretch} option in |
272 | \setting{Sound Settings} and have since rebooted, you can also use | 268 | \setting{Sound Settings} and have since rebooted, you can also use |
273 | timestretch mode. This allows you to change the playback speed | 269 | timestretch mode. This allows you to change the playback speed |
@@ -278,73 +274,43 @@ This may even be the whole track. | |||
278 | limitations of the algorithm, speed is limited to be between 35\% | 274 | limitations of the algorithm, speed is limited to be between 35\% |
279 | and 250\% of the current pitch value. Pitch must maintain the | 275 | and 250\% of the current pitch value. Pitch must maintain the |
280 | same ratio as well as remain between 50\% and 200\%. | 276 | same ratio as well as remain between 50\% and 200\%. |
281 | } | ||
282 | 277 | ||
283 | The value of the \opt{swcodec}{rate, pitch and speed}\nopt{swcodec}{rate} | 278 | The value of the rate, pitch and speed |
284 | is not persistent, i.e. after the \dap\ is turned on it will | 279 | is not persistent, i.e. after the \dap\ is turned on it will |
285 | always be set to 100\%. \opt{swcodec}{ However, the rate, pitch and speed | 280 | always be set to 100\%. However, the rate, pitch and speed |
286 | information will be stored in any bookmarks you may create | 281 | information will be stored in any bookmarks you may create |
287 | (see \reference{ref:Bookmarkconfigactual}) and will be restored upon | 282 | (see \reference{ref:Bookmarkconfigactual}) and will be restored upon |
288 | playing back those bookmarks.} | 283 | playing back those bookmarks. |
289 | |||
290 | \nopt{swcodec}{ | ||
291 | \begin{btnmap} | ||
292 | \ActionPsToggleMode | ||
293 | & Toggle pitch changing mode. \\ | ||
294 | % | ||
295 | \ActionPsIncSmall{} / \ActionPsDecSmall | ||
296 | & Increase~/ Decrease pitch by 0.1\% (in procentual mode) or by 0.1 | ||
297 | semitone (in semitone mode).\\ | ||
298 | % | ||
299 | \ActionPsIncBig{} / \ActionPsDecBig | ||
300 | & Increase~/ Decrease pitch by 1\% (in procentual mode) or a semitone | ||
301 | (in semitone mode).\\ | ||
302 | % | ||
303 | \ActionPsNudgeLeft{} / \ActionPsNudgeRight | ||
304 | & Temporarily change pitch by 2\% (beatmatch). \\ | ||
305 | % | ||
306 | \ActionPsReset | ||
307 | & Reset rate to 100\%. \\ | ||
308 | % | ||
309 | \ActionPsExit | ||
310 | & Leave the \setting{Pitch Screen}. \\ | ||
311 | % | ||
312 | \end{btnmap} | ||
313 | |||
314 | \warn{Changing the pitch can cause audible `Artifacts' or `Dropouts'.} | ||
315 | } | ||
316 | 284 | ||
317 | \opt{swcodec}{ | 285 | \begin{btnmap} |
318 | \begin{btnmap} | 286 | \ActionPsToggleMode |
319 | \ActionPsToggleMode | 287 | \opt{HAVEREMOTEKEYMAP}{& \ActionRCPsToggleMode} |
320 | \opt{HAVEREMOTEKEYMAP}{& \ActionRCPsToggleMode} | 288 | & Toggle pitch changing mode (cycle through all available modes).\\ |
321 | & Toggle pitch changing mode (cycle through all available modes).\\ | 289 | % |
322 | % | 290 | \ActionPsIncSmall{} / \ActionPsDecSmall |
323 | \ActionPsIncSmall{} / \ActionPsDecSmall | 291 | \opt{HAVEREMOTEKEYMAP}{& \ActionRCPsIncSmall{} / \ActionRCPsDecSmall} |
324 | \opt{HAVEREMOTEKEYMAP}{& \ActionRCPsIncSmall{} / \ActionRCPsDecSmall} | 292 | & Increase~/ Decrease pitch by 0.1\% (in procentual mode) or 0.1 |
325 | & Increase~/ Decrease pitch by 0.1\% (in procentual mode) or 0.1 | 293 | semitone (in semitone mode).\\ |
326 | semitone (in semitone mode).\\ | 294 | % |
327 | % | 295 | \nopt{PBELL_VIBE500_PAD}{ % there is no long scroll up or down because of slide |
328 | \nopt{PBELL_VIBE500_PAD}{ % there is no long scroll up or down because of slide | 296 | \ActionPsIncBig{} / \ActionPsDecBig |
329 | \ActionPsIncBig{} / \ActionPsDecBig | 297 | \opt{HAVEREMOTEKEYMAP}{& \ActionRCPsIncBig{} / \ActionRCPsDecBig} |
330 | \opt{HAVEREMOTEKEYMAP}{& \ActionRCPsIncBig{} / \ActionRCPsDecBig} | 298 | & Increase~/ Decrease pitch by 1\% (in procentual mode) or a semitone |
331 | & Increase~/ Decrease pitch by 1\% (in procentual mode) or a semitone | 299 | (in semitone mode).\\ |
332 | (in semitone mode).\\ | 300 | } |
333 | } | 301 | % |
334 | % | 302 | \ActionPsNudgeLeft{} / \ActionPsNudgeRight |
335 | \ActionPsNudgeLeft{} / \ActionPsNudgeRight | 303 | \opt{HAVEREMOTEKEYMAP}{& \ActionRCPsNudgeLeft{} / \ActionRCPsNudgeRight} |
336 | \opt{HAVEREMOTEKEYMAP}{& \ActionRCPsNudgeLeft{} / \ActionRCPsNudgeRight} | 304 | & Temporarily change pitch by 2\% (beatmatch), or modify speed (in timestretch mode).\\ |
337 | & Temporarily change pitch by 2\% (beatmatch), or modify speed (in timestretch mode).\\ | 305 | % |
338 | % | 306 | \ActionPsReset |
339 | \ActionPsReset | 307 | \opt{HAVEREMOTEKEYMAP}{& \ActionRCPsReset} |
340 | \opt{HAVEREMOTEKEYMAP}{& \ActionRCPsReset} | 308 | & Reset pitch and speed to 100\%. \\ |
341 | & Reset pitch and speed to 100\%. \\ | 309 | % |
342 | % | 310 | \ActionPsExit |
343 | \ActionPsExit | 311 | \opt{HAVEREMOTEKEYMAP}{& \ActionRCPsExit} |
344 | \opt{HAVEREMOTEKEYMAP}{& \ActionRCPsExit} | 312 | & Leave the \setting{Pitch Screen}. \\ |
345 | & Leave the \setting{Pitch Screen}. \\ | 313 | % |
346 | % | 314 | \end{btnmap} |
347 | \end{btnmap} | ||
348 | } | ||
349 | 315 | ||
350 | } | 316 | } |