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Diffstat (limited to 'manual')
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-rw-r--r-- | manual/configure_rockbox/main.tex | 105 |
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diff --git a/manual/configure_rockbox/main.tex b/manual/configure_rockbox/main.tex index 5305a0781e..7e14c3c573 100644 --- a/manual/configure_rockbox/main.tex +++ b/manual/configure_rockbox/main.tex | |||
@@ -1,75 +1,58 @@ | |||
1 | \chapter{Configuring Rockbox} | 1 | \chapter{Configuring Rockbox} |
2 | 2 | ||
3 | \section{Sound Settings} | 3 | \section{Sound Settings} |
4 | {\centering\itshape | 4 | \begin{center} |
5 | [Warning: Image ignored] % Unhandled or unsupported graphics: | 5 | \includegraphics[width=4cm]{configure_rockbox/images/ss-sound-setting-\genericimg.png} |
6 | %\includegraphics[width=4.15cm,height=2.371cm]{images/rockbox-manual-img32.png} | 6 | \end{center} |
7 | \textmd{ } [Warning: Image ignored] | ||
8 | % Unhandled or unsupported graphics: | ||
9 | %\includegraphics[width=4.15cm,height=1.951cm]{images/rockbox-manual-img33.png} | ||
10 | \newline | ||
11 | Recorder sound settings Player sound settings | ||
12 | \par} | ||
13 | 7 | ||
14 | This menu offers a selection of sound properties you may change to | 8 | This menu offers a selection of sound properties you may change to improve your sound experience. |
15 | improve your sound experience. | ||
16 | 9 | ||
17 | \begin{itemize} | 10 | \begin{itemize} |
18 | \item \textbf{Volume} | 11 | \item \textbf{Volume} |
19 | 12 | The sound volume your music is played at. | |
20 | The sound volume your music is played at. Although settable range is | 13 | \opt{recorder,recorderv2fm,player,ondio}{\textbf{TODO fix text} |
21 | 0{}-100\%, many units don't produce audible output | 14 | Although settable range is 0{}-100\%, many units don't produce audible output below 40\%. On Recorders, volume settings above 92\% will cause distortion (clipping) and are not recommended.} |
22 | below 40\%. On Recorders, volume settings above 92\% will cause | 15 | \opt{h1xx,h300,ipodcolor,ipodnano,ipodvideo}{\textbf{TODO write target specific text}} |
23 | distortion (clipping) and are not recommended. | ||
24 | |||
25 | \item \textbf{Bass} | 16 | \item \textbf{Bass} |
26 | This emphasises or suppresses the lower | 17 | This emphasises or suppresses the lower (bass) sounds in the track. 0 means that bass sounds are unaltered (flat response). |
27 | (bass) sounds in the track. 0 means that bass sounds are unaltered | ||
28 | (flat response). | ||
29 | |||
30 | \item \textbf{Treble} | 18 | \item \textbf{Treble} |
31 | This emphasises or suppresses the higher | 19 | This emphasises or suppresses the higher (treble) sounds in the track. 0 means that treble sounds are unaltered (flat response). |
32 | (treble) sounds in the track. 0 means that treble sounds are unaltered | ||
33 | (flat response). | ||
34 | |||
35 | \item \textbf{Balance} | 20 | \item \textbf{Balance} |
36 | How much of the volume is generated by the left or right channel of the | 21 | How much of the volume is generated by the left or right channel of the sound. The default, 0, means that the left and right outputs are equal in volume. Negative numbers increase the volume of the left channel relative to the right, positive numbers increase the volume of the right channel relative to the left. |
37 | sound. The default, 0, means that the left and right outputs are equal | ||
38 | in volume. Negative numbers increase the volume of the left channel | ||
39 | relative to the right, positive numbers increase the volume of the | ||
40 | right channel relative to the left. | ||
41 | |||
42 | \item \textbf{Channels} | 22 | \item \textbf{Channels} |
43 | 23 | ||
44 | This option controls the on{}-board mixing | 24 | \opt{player,recorder,recorderv2fm,ondio}{ |
45 | facilities of the Jukebox. A stereo audio signal consists of two | 25 | This option controls the on{}-board mixing facilities of the Jukebox. A stereo audio signal consists of two channels, left and right. Available options are |
46 | channels, left and right. Available options are | 26 | \begin{itemize} |
47 | 27 | \item \textbf{Mono Left: }Plays the left channel in both stereo channels. | |
48 | \begin{itemize} | 28 | \item \textbf{Mono Right:} Plays the right channel in both stereo channels. |
49 | \item \textbf{Mono Left: }Plays the left channel in both stereo channels. | 29 | \item \textbf{Mono:} Mix both channels down to mono and send the mixed signal |
50 | \item \textbf{Mono Right:} Plays the right channel in both stereo channels. | 30 | back to both. |
51 | \item \textbf{Mono:} Mix both channels down to mono and send the mixed signal | 31 | \item \textbf{Stereo:} Do not mix the signal |
52 | back to both. | 32 | \item \textbf{Stereo Narrow: }Mixes small amounts of the opposite channel into |
53 | \item \textbf{Stereo:} Do not mix the signal | 33 | the left and right channels, thus making the sound seem closer |
54 | \item \textbf{Stereo Narrow: }Mixes small amounts of the opposite channel into | 34 | together. |
55 | the left and right channels, thus making the sound seem closer | 35 | \item \textbf{Stereo Wide:} Elements of one channel that are present in the |
56 | together. | 36 | opposite channel are removed from the latter. This results in the |
57 | \item \textbf{Stereo Wide:} Elements of one channel that are present in the | 37 | sound seeming further apart. |
58 | opposite channel are removed from the latter. This results in the | 38 | \item \textbf{Karaoke:} Removes all sound that is the same in both channels. |
59 | sound seeming further apart. | 39 | Since most vocals are recorded in this way to make the artist sound |
60 | \item \textbf{Karaoke:} Removes all sound that is the same in both channels. | 40 | central, this often (but not always) has the effect of removing the |
61 | Since most vocals are recorded in this way to make the artist sound | 41 | voice track from a song. |
62 | central, this often (but not always) has the effect of removing the | 42 | \end{itemize} |
63 | voice track from a song. | 43 | } |
64 | \end{itemize} | 44 | \opt{h1xx,h300,ipodnano,ipodcolor,ipodvideo}{\textbf{TODO write for sw-platform} |
65 | 45 | ||
66 | \item \textbf{Loudness (Recorder only)} | 46 | \opt{recorder,recorderv2fm}{ |
47 | \item \textbf{Loudness} | ||
67 | Loudness is an effect which emphasises bass and treble. This makes the | 48 | Loudness is an effect which emphasises bass and treble. This makes the |
68 | track seem louder by amplifying the frequencies that the human ear | 49 | track seem louder by amplifying the frequencies that the human ear |
69 | finds hard to hear. Frequencies in the vocal range are unaffected, | 50 | finds hard to hear. Frequencies in the vocal range are unaffected, |
70 | since the human ear picks these up very easily. | 51 | since the human ear picks these up very easily. |
52 | } | ||
71 | 53 | ||
72 | \item \textbf{Auto Volume (Recorder only)} | 54 | \opt{recorder,recorderv2fm}{ |
55 | \item \textbf{Auto Volume} | ||
73 | Auto volume is a feature that automatically lowers the volume on loud | 56 | Auto volume is a feature that automatically lowers the volume on loud |
74 | parts, and then slowly restores the volume to the previous level over a | 57 | parts, and then slowly restores the volume to the previous level over a |
75 | time interval. That time interval is configurable here. Short values | 58 | time interval. That time interval is configurable here. Short values |
@@ -78,15 +61,19 @@ other applications where background noise makes a constant loudness | |||
78 | desirable. A longer timeout means that the change in volume back to | 61 | desirable. A longer timeout means that the change in volume back to |
79 | the previous level will be smoother, so there will be less sharp | 62 | the previous level will be smoother, so there will be less sharp |
80 | changes in volume level. | 63 | changes in volume level. |
64 | } | ||
81 | 65 | ||
82 | \item \textbf{Super Bass (Recorder Only)} | 66 | \opt{recorder,recorderv2fm}{ |
67 | \item \textbf{Super Bass} | ||
83 | This setting changes the threshold at which bass frequencies are | 68 | This setting changes the threshold at which bass frequencies are |
84 | affected by the \textbf{Loudness} setting, making the sound of drums | 69 | affected by the \textbf{Loudness} setting, making the sound of drums |
85 | and bass guitar louder in comparison to the rest of the track. This | 70 | and bass guitar louder in comparison to the rest of the track. This |
86 | setting only has an effect if \textbf{Loudness} is set to a value | 71 | setting only has an effect if \textbf{Loudness} is set to a value |
87 | larger than 0dB. | 72 | larger than 0dB. |
73 | } | ||
88 | 74 | ||
89 | \item \textbf{MDB {}- Micronas Dynamic Bass (Recorder Only)} | 75 | \opt{recorder,recorderv2fm}{ |
76 | \item \textbf{MDB {}- Micronas Dynamic Bass} | ||
90 | The rest of the parameters on this menu relate to the Micronas Dynamic | 77 | The rest of the parameters on this menu relate to the Micronas Dynamic |
91 | Bass (MDB) function. This is designed to enable the user to hear bass | 78 | Bass (MDB) function. This is designed to enable the user to hear bass |
92 | notes that the headphones and/or speakers are not capable of | 79 | notes that the headphones and/or speakers are not capable of |
@@ -128,7 +115,6 @@ For most users, the defaults should provide an improvement in sound | |||
128 | quality and can be safely left as they are. For reference, the | 115 | quality and can be safely left as they are. For reference, the |
129 | defaults Rockbox uses are: | 116 | defaults Rockbox uses are: |
130 | 117 | ||
131 | |||
132 | \begin{table}[h!] | 118 | \begin{table}[h!] |
133 | \begin{center} | 119 | \begin{center} |
134 | \begin{tabular}{@{}lc@{}}\toprule | 120 | \begin{tabular}{@{}lc@{}}\toprule |
@@ -143,6 +129,7 @@ defaults Rockbox uses are: | |||
143 | 129 | ||
144 | \end{itemize} | 130 | \end{itemize} |
145 | \end{itemize} | 131 | \end{itemize} |
132 | } | ||
146 | 133 | ||
147 | \section{\label{ref:GeneralSettings}General Settings} | 134 | \section{\label{ref:GeneralSettings}General Settings} |
148 | {\centering\mdseries\itshape | 135 | {\centering\mdseries\itshape |