diff options
Diffstat (limited to 'manual/configure_rockbox')
-rw-r--r-- | manual/configure_rockbox/bookmarking.tex | 6 | ||||
-rwxr-xr-x | manual/configure_rockbox/display_options.tex | 117 | ||||
-rw-r--r-- | manual/configure_rockbox/main.tex | 4 | ||||
-rw-r--r-- | manual/configure_rockbox/playback_options.tex | 234 | ||||
-rw-r--r-- | manual/configure_rockbox/recording_settings.tex | 27 | ||||
-rw-r--r-- | manual/configure_rockbox/sound_settings.tex | 16 | ||||
-rwxr-xr-x | manual/configure_rockbox/system_options.tex | 40 | ||||
-rw-r--r-- | manual/configure_rockbox/theme_settings.tex | 52 |
8 files changed, 226 insertions, 270 deletions
diff --git a/manual/configure_rockbox/bookmarking.tex b/manual/configure_rockbox/bookmarking.tex index 8147715ace..a429b63d21 100644 --- a/manual/configure_rockbox/bookmarking.tex +++ b/manual/configure_rockbox/bookmarking.tex | |||
@@ -1,9 +1,9 @@ | |||
1 | % $Id$ % | 1 | % $Id$ % |
2 | \section{\label{ref:Bookmarkconfigactual}Bookmarking} | 2 | \section{\label{ref:Bookmarkconfigactual}Bookmarking} |
3 | Bookmarks allow you to save your current position within a track so that | 3 | Bookmarks allow you to save your current position within a track so that |
4 | you can return to it at a later time. \opt{swcodec}{Bookmarks also store | 4 | you can return to it at a later time. Bookmarks also store rate, pitch |
5 | rate, pitch and speed information from the \setting{Pitch Screen} (see | 5 | and speed information from the \setting{Pitch Screen} (see |
6 | \reference{sec:pitchscreen}).} Bookmarks are saved on a per directory | 6 | \reference{sec:pitchscreen}). Bookmarks are saved on a per directory |
7 | basis or for individual (saved) playlists. You can store multiple bookmarks, | 7 | basis or for individual (saved) playlists. You can store multiple bookmarks, |
8 | even for the same track. When there's already a bookmark for a directory or | 8 | even for the same track. When there's already a bookmark for a directory or |
9 | playlist, new bookmarks are added before existing ones. | 9 | playlist, new bookmarks are added before existing ones. |
diff --git a/manual/configure_rockbox/display_options.tex b/manual/configure_rockbox/display_options.tex index 33ddc3e18c..f00b0a2da9 100755 --- a/manual/configure_rockbox/display_options.tex +++ b/manual/configure_rockbox/display_options.tex | |||
@@ -173,11 +173,9 @@ | |||
173 | \item[Scroll Start Delay.] | 173 | \item[Scroll Start Delay.] |
174 | Controls how many milliseconds Rockbox should wait before a new | 174 | Controls how many milliseconds Rockbox should wait before a new |
175 | text begins automatically scrolling. | 175 | text begins automatically scrolling. |
176 | \opt{lcd_bitmap}{ | ||
177 | \item[Scroll Step Size.] | 176 | \item[Scroll Step Size.] |
178 | Defines the number of pixels the text should move for each step, as used | 177 | Defines the number of pixels the text should move for each step, as used |
179 | by the Scroll Speed setting. | 178 | by the Scroll Speed setting. |
180 | } | ||
181 | \opt{remote}{ | 179 | \opt{remote}{ |
182 | \item[Remote Scrolling Options.] | 180 | \item[Remote Scrolling Options.] |
183 | The options here have the same effect on the remote LCD as the options | 181 | The options here have the same effect on the remote LCD as the options |
@@ -191,22 +189,20 @@ | |||
191 | Rockbox chooses which method it should use depending of how much it has to | 189 | Rockbox chooses which method it should use depending of how much it has to |
192 | scroll to the left. This setting lets you tell Rockbox where that limit | 190 | scroll to the left. This setting lets you tell Rockbox where that limit |
193 | is, expressed in percentage of the line length. | 191 | is, expressed in percentage of the line length. |
194 | \opt{lcd_bitmap}{ | 192 | \item[Screen Scrolls Out of View.] |
195 | \item[Screen Scrolls Out of View.] | 193 | Screens can be manually scrolled horizontally by pressing |
196 | Screens can be manually scrolled horizontally by pressing | 194 | \opt{IRIVER_H10_PAD}{Long \ButtonRew/\ButtonFF}% |
197 | \opt{IRIVER_H10_PAD}{Long \ButtonRew/\ButtonFF}% | 195 | \opt{IRIVER_H10_PAD,XDUOO_X3_PAD}{Long \ButtonPrev/\ButtonNext}% |
198 | \opt{IRIVER_H10_PAD,XDUOO_X3_PAD}{Long \ButtonPrev/\ButtonNext}% | 196 | \nopt{IRIVER_H10_PAD,MPIO_HD200_PAD,MPIO_HD300_PAD,XDUOO_X3_PAD% |
199 | \nopt{IRIVER_H10_PAD,MPIO_HD200_PAD,MPIO_HD300_PAD,XDUOO_X3_PAD% | 197 | ,touchscreen}{% |
200 | ,touchscreen}{% | 198 | Long \ButtonRight/\ButtonLeft}. |
201 | Long \ButtonRight/\ButtonLeft}. | 199 | Setting this option to \setting{Yes} |
202 | Setting this option to \setting{Yes} | 200 | will keep the list entries at their fixed positions and allow them to be |
203 | will keep the list entries at their fixed positions and allow them to be | 201 | scrolled out of view, whereas \setting{No} will only scroll those entries |
204 | scrolled out of view, whereas \setting{No} will only scroll those entries | 202 | which surpass the right margin. |
205 | which surpass the right margin. | 203 | \item[Screen Scroll Step Size.] |
206 | \item[Screen Scroll Step Size.] | 204 | Defines the number of pixels the horizontal manual screen scroll should move |
207 | Defines the number of pixels the horizontal manual screen scroll should move | 205 | for each step. |
208 | for each step. | ||
209 | } | ||
210 | \item[Paged Scrolling.] | 206 | \item[Paged Scrolling.] |
211 | When set to \setting{Yes} scrolling vertically on pages that surpass the | 207 | When set to \setting{Yes} scrolling vertically on pages that surpass the |
212 | screen size will page up/down instead of simply changing lines. This can be | 208 | screen size will page up/down instead of simply changing lines. This can be |
@@ -227,50 +223,49 @@ | |||
227 | } | 223 | } |
228 | \end{description} | 224 | \end{description} |
229 | % | 225 | % |
230 | \opt{lcd_bitmap}{ | 226 | \item[Peak Meter.] |
231 | \item[Peak Meter.] | 227 | The peak meter can be configured with a number of parameters. |
232 | The peak meter can be configured with a number of parameters. | 228 | \begin{description} |
233 | \begin{description} | 229 | \item[Peak Release.] |
234 | \item[Peak Release.] | 230 | This determines how fast the bar shrinks when the music becomes |
235 | This determines how fast the bar shrinks when the music becomes | 231 | softer. Lower values make the peak meter look smoother. |
236 | softer. Lower values make the peak meter look smoother. | 232 | Expressed in scale units per 10~ms. |
237 | Expressed in scale units per 10~ms. | 233 | \item[Peak Hold Time.] |
238 | \item[Peak Hold Time.] | 234 | Specifies the time after which the peak indicator will reset. |
239 | Specifies the time after which the peak indicator will reset. | 235 | For example, if you set this value to 5~s, the peak indicator displays |
240 | For example, if you set this value to 5~s, the peak indicator displays | 236 | the loudest volume value that occurred within the last 5 seconds. |
241 | the loudest volume value that occurred within the last 5 seconds. | 237 | Larger values are useful if you want to find the peak level of a song, |
242 | Larger values are useful if you want to find the peak level of a song, | 238 | which might be of interest when copying music from the \dap\ via the |
243 | which might be of interest when copying music from the \dap\ via the | 239 | analogue output to some other recording device. |
244 | analogue output to some other recording device. | 240 | \item[Clip Hold Time.] |
245 | \item[Clip Hold Time.] | 241 | The number of seconds that the clipping indicator will be visible |
246 | The number of seconds that the clipping indicator will be visible | 242 | after clipping is detected. |
247 | after clipping is detected. | 243 | \opt{recording}{ |
248 | \opt{recording}{ | 244 | \item[Clip Counter.] |
249 | \item[Clip Counter.] | 245 | Show the number of times the clip indicator went active during |
250 | Show the number of times the clip indicator went active during | 246 | recording in front of the peak meters. |
251 | recording in front of the peak meters. | ||
252 | } | ||
253 | \item[\label{ref:Peakmetersetting}Scale.] | ||
254 | Select whether the peak meter displays linear or logarithmic values. | ||
255 | The human ear perceives loudness on a logarithmic scale. If the Scale | ||
256 | setting is set to \setting{Logarithmic} (dB) scale, the volume values | ||
257 | are scaled logarithmically. The volume meters of digital audio | ||
258 | devices usually are scaled this way. On the other hand, if you | ||
259 | are interested in the power level that is applied to your headphones | ||
260 | you should choose \setting{Linear} display. This setting cannot be | ||
261 | displayed in units like volts or watts because such units depend | ||
262 | on your headphones. | ||
263 | \item[Minimum and maximum range.] | ||
264 | These two options define the full value range that the peak meter | ||
265 | displays. Recommended values for the \setting{Logarithmic} (dB) setting | ||
266 | are {}-40~dB for minimum and 0~dB for maximum. Recommended values | ||
267 | for \setting{Linear} display are 0 and 100\%. Note that {}-40~dB is | ||
268 | approximately 1\% in linear value, but if you change the minimum | ||
269 | setting in linear mode slightly and then change to the dB scale, | ||
270 | there will be a large change. You can use these values for `zooming' | ||
271 | into the peak meter. | ||
272 | \end{description} | ||
273 | } | 247 | } |
248 | \item[\label{ref:Peakmetersetting}Scale.] | ||
249 | Select whether the peak meter displays linear or logarithmic values. | ||
250 | The human ear perceives loudness on a logarithmic scale. If the Scale | ||
251 | setting is set to \setting{Logarithmic} (dB) scale, the volume values | ||
252 | are scaled logarithmically. The volume meters of digital audio | ||
253 | devices usually are scaled this way. On the other hand, if you | ||
254 | are interested in the power level that is applied to your headphones | ||
255 | you should choose \setting{Linear} display. This setting cannot be | ||
256 | displayed in units like volts or watts because such units depend | ||
257 | on your headphones. | ||
258 | \item[Minimum and maximum range.] | ||
259 | These two options define the full value range that the peak meter | ||
260 | displays. Recommended values for the \setting{Logarithmic} (dB) setting | ||
261 | are {}-40~dB for minimum and 0~dB for maximum. Recommended values | ||
262 | for \setting{Linear} display are 0 and 100\%. Note that {}-40~dB is | ||
263 | approximately 1\% in linear value, but if you change the minimum | ||
264 | setting in linear mode slightly and then change to the dB scale, | ||
265 | there will be a large change. You can use these values for `zooming' | ||
266 | into the peak meter. | ||
267 | \end{description} | ||
268 | |||
274 | \item[\label{ref:Defaultcodepage}Default Codepage.] | 269 | \item[\label{ref:Defaultcodepage}Default Codepage.] |
275 | A codepage describes the way extended characters that are not available | 270 | A codepage describes the way extended characters that are not available |
276 | within the ASCII character set are encoded. ID3v1 tags do not have a | 271 | within the ASCII character set are encoded. ID3v1 tags do not have a |
diff --git a/manual/configure_rockbox/main.tex b/manual/configure_rockbox/main.tex index 83089b6d4e..b0711e5b71 100644 --- a/manual/configure_rockbox/main.tex +++ b/manual/configure_rockbox/main.tex | |||
@@ -16,9 +16,9 @@ | |||
16 | \input{configure_rockbox/system_options.tex} | 16 | \input{configure_rockbox/system_options.tex} |
17 | \input{configure_rockbox/startup_shutdown_options.tex} | 17 | \input{configure_rockbox/startup_shutdown_options.tex} |
18 | \input{configure_rockbox/bookmarking.tex} | 18 | \input{configure_rockbox/bookmarking.tex} |
19 | \opt{tagcache}{\opt{swcodec}{ | 19 | \opt{tagcache}{ |
20 | \input{configure_rockbox/autoresume.tex} | 20 | \input{configure_rockbox/autoresume.tex} |
21 | }} | 21 | } |
22 | \input{configure_rockbox/language.tex} | 22 | \input{configure_rockbox/language.tex} |
23 | \input{configure_rockbox/voice.tex} | 23 | \input{configure_rockbox/voice.tex} |
24 | \input{configure_rockbox/wps_context_plugin.tex} | 24 | \input{configure_rockbox/wps_context_plugin.tex} |
diff --git a/manual/configure_rockbox/playback_options.tex b/manual/configure_rockbox/playback_options.tex index 87f974800d..7ddd3c6907 100644 --- a/manual/configure_rockbox/playback_options.tex +++ b/manual/configure_rockbox/playback_options.tex | |||
@@ -68,10 +68,8 @@ you to configure settings related to audio playback. | |||
68 | This can happen if the \dap{} is knocked, shaken or jogged heavily while | 68 | This can happen if the \dap{} is knocked, shaken or jogged heavily while |
69 | Rockbox is trying to read the hard drive. | 69 | Rockbox is trying to read the hard drive. |
70 | 70 | ||
71 | \opt{swcodec}{ | 71 | The anti-skip buffer can be set to various values between |
72 | The anti-skip buffer can be set to various values between | 72 | 5 seconds and 10 minutes.\\ |
73 | 5 seconds and 10 minutes.\\ | ||
74 | } | ||
75 | 73 | ||
76 | \note{Having a large anti-skip buffer tends to use more power, and may | 74 | \note{Having a large anti-skip buffer tends to use more power, and may |
77 | reduce your battery life. It is recommended to always use the lowest | 75 | reduce your battery life. It is recommended to always use the lowest |
@@ -90,110 +88,108 @@ you to configure settings related to audio playback. | |||
90 | instead of being played immediately. Pausing and stopping playback is | 88 | instead of being played immediately. Pausing and stopping playback is |
91 | disabled as well as skipping songs and launching plugins. | 89 | disabled as well as skipping songs and launching plugins. |
92 | 90 | ||
93 | \opt{swcodec}{ | 91 | \opt{crossfade}{ |
94 | \opt{crossfade}{ | 92 | \section{Crossfade} |
95 | \section{Crossfade} | 93 | This section controls the behavior of the crossfader. The crossfader, when |
96 | This section controls the behavior of the crossfader. The crossfader, when | 94 | enabled, smoothly fades one track into the next. This can occur in two |
97 | enabled, smoothly fades one track into the next. This can occur in two | 95 | situations: an automatic track change or a manual track skip. An automatic |
98 | situations: an automatic track change or a manual track skip. An automatic | 96 | track change occurs at the end of the track, moving to the next track in the |
99 | track change occurs at the end of the track, moving to the next track in the | 97 | playlist without user intervention. A manual track skip goes to the next |
100 | playlist without user intervention. A manual track skip goes to the next | 98 | track immediately when the appropriate button is pressed.\\ |
101 | track immediately when the appropriate button is pressed.\\ | ||
102 | 99 | ||
103 | Options for crossfade settings are: | 100 | Options for crossfade settings are: |
104 | \begin{description} | 101 | \begin{description} |
105 | \item[Enable Crossfade.] If set to \setting{Off}, crossfade is disabled | 102 | \item[Enable Crossfade.] If set to \setting{Off}, crossfade is disabled |
106 | and all track changes are gapless. If set to | 103 | and all track changes are gapless. If set to |
107 | \setting{Automatic Track Change Only}, crossfade occurs for automatic | 104 | \setting{Automatic Track Change Only}, crossfade occurs for automatic |
108 | track changes, but not for manual track skips. The next setting, | 105 | track changes, but not for manual track skips. The next setting, |
109 | \setting{Manual Track Skip Only}, is the opposite: tracks will only | 106 | \setting{Manual Track Skip Only}, is the opposite: tracks will only |
110 | crossfade when manually skipped. If set to \setting{Shuffle}, crossfade | 107 | crossfade when manually skipped. If set to \setting{Shuffle}, crossfade |
111 | is enabled for all track changes, automatic or manual, when the shuffle | 108 | is enabled for all track changes, automatic or manual, when the shuffle |
112 | feature is set to \setting{Yes}, but disabled otherwise. If set to | 109 | feature is set to \setting{Yes}, but disabled otherwise. If set to |
113 | \setting{Shuffle or Manual Track Skip} then crossfade will be active | 110 | \setting{Shuffle or Manual Track Skip} then crossfade will be active |
114 | either when shuffle is set to \setting{Yes} or the track is manually | 111 | either when shuffle is set to \setting{Yes} or the track is manually |
115 | skipped. If set to \setting{Always}, tracks will always crossfade into | 112 | skipped. If set to \setting{Always}, tracks will always crossfade into |
116 | one another. | 113 | one another. |
117 | % | 114 | % |
118 | \item[Fade In Delay.] The ``fade in delay'' is the length of time between | 115 | \item[Fade In Delay.] The ``fade in delay'' is the length of time between |
119 | when the crossfade process begins and when the new track begins to fade | 116 | when the crossfade process begins and when the new track begins to fade |
120 | in. | 117 | in. |
121 | % | 118 | % |
122 | \item[Fade In Duration.] The length of time, in seconds, that it takes | 119 | \item[Fade In Duration.] The length of time, in seconds, that it takes |
123 | your music to fade in once the \setting{Fade In Delay} has ended. | 120 | your music to fade in once the \setting{Fade In Delay} has ended. |
124 | % | 121 | % |
125 | \item[Fade Out Delay.] The ``fade out delay'' is the length of time | 122 | \item[Fade Out Delay.] The ``fade out delay'' is the length of time |
126 | between when the crossfade process begins and when the old track begins | 123 | between when the crossfade process begins and when the old track begins |
127 | to fade out. | 124 | to fade out. |
128 | % | 125 | % |
129 | \item[Fade Out Duration.] The length of time, in seconds, that it takes | 126 | \item[Fade Out Duration.] The length of time, in seconds, that it takes |
130 | your music to fade out once the \setting{Fade Out Delay} has ended. | 127 | your music to fade out once the \setting{Fade Out Delay} has ended. |
131 | % | 128 | % |
132 | \item[Fade Out Mode.] If set to \setting{Crossfade}, one song will fade | 129 | \item[Fade Out Mode.] If set to \setting{Crossfade}, one song will fade |
133 | out and the next song will simultaneously fade in. If set to | 130 | out and the next song will simultaneously fade in. If set to |
134 | \setting{Mix}, the ending song will not fade out at all, and will | 131 | \setting{Mix}, the ending song will not fade out at all, and will |
135 | continue to play as normal until its end with the starting song fading | 132 | continue to play as normal until its end with the starting song fading |
136 | in from under it. \setting{Mix} mode is not used for manual track skips, | 133 | in from under it. \setting{Mix} mode is not used for manual track skips, |
137 | even if it is selected here. | 134 | even if it is selected here. |
138 | \end{description} | 135 | \end{description} |
139 | 136 | ||
140 | \note{The rules above apply except in the instance where | 137 | \note{The rules above apply except in the instance where |
141 | \setting{Fade Out Delay} plus \setting{Fade Out Duration} is less then | 138 | \setting{Fade Out Delay} plus \setting{Fade Out Duration} is less then |
142 | \setting{Fade In Delay} (which would create a gap in the audio). In this case, | 139 | \setting{Fade In Delay} (which would create a gap in the audio). In this case, |
143 | the \setting{Fade In Delay} is reduced to eliminate the gap.\\} | 140 | the \setting{Fade In Delay} is reduced to eliminate the gap.\\} |
144 | 141 | ||
145 | The graphic below illustrates how the different settings work in practice. | 142 | The graphic below illustrates how the different settings work in practice. |
146 | 143 | ||
147 | \includegraphics[width=14cm]{configure_rockbox/images/crossfade_graphic.png} | 144 | \includegraphics[width=14cm]{configure_rockbox/images/crossfade_graphic.png} |
148 | }%\opt{crossfade} | 145 | }%\opt{crossfade} |
149 | 146 | ||
150 | \section{\label{ref:ReplayGain}Replaygain} | 147 | \section{\label{ref:ReplayGain}Replaygain} |
151 | This allows you to control the replaygain function. | 148 | This allows you to control the replaygain function. |
152 | The purpose of replaygain is to adjust the volume of the music played | 149 | The purpose of replaygain is to adjust the volume of the music played |
153 | so that all songs (or albums, depending on your settings) have the | 150 | so that all songs (or albums, depending on your settings) have the |
154 | same apparent volume. This prevents sudden changes in volume when | 151 | same apparent volume. This prevents sudden changes in volume when |
155 | changing between songs recorded at different volume levels. | 152 | changing between songs recorded at different volume levels. |
156 | For replaygain to work, the songs must have been processed by a program | 153 | For replaygain to work, the songs must have been processed by a program |
157 | that adds replaygain information to the ID3 tags (or Vorbis tags).\\ | 154 | that adds replaygain information to the ID3 tags (or Vorbis tags).\\ |
158 | 155 | ||
159 | Options for replaygain are: | 156 | Options for replaygain are: |
160 | \begin{description} | 157 | \begin{description} |
161 | \item[Replaygain Type.] Choose the type of replaygain to apply: | 158 | \item[Replaygain Type.] Choose the type of replaygain to apply: |
162 | \begin{description} | 159 | \begin{description} |
163 | \item[Album Gain.] Maintain a constant volume level between | 160 | \item[Album Gain.] Maintain a constant volume level between |
164 | albums, but keep any intentional volume variations between | 161 | albums, but keep any intentional volume variations between |
165 | songs in an album. (If album gain value is not available, | 162 | songs in an album. (If album gain value is not available, |
166 | uses track gain information). | 163 | uses track gain information). |
167 | % | ||
168 | \item[Track Gain.] Maintain a constant volume level between | ||
169 | tracks. If track gain value is not available, no replaygain | ||
170 | is applied. | ||
171 | % | ||
172 | \item[Track Gain If Shuffling.] Maintains a constant volume | ||
173 | between tracks if \setting{Shuffle} is set to \setting{Yes}. | ||
174 | Reverts to album mode if \setting{Shuffle} is set to \setting{No}. | ||
175 | % | ||
176 | \item[Off.] Do not process replaygain information, i.e. turn off | ||
177 | the replaygain function. | ||
178 | \end{description} | ||
179 | % | 164 | % |
180 | \item[Prevent Clipping.] Avoid clipping of a song's waveform. | 165 | \item[Track Gain.] Maintain a constant volume level between |
181 | If a song would clip during playback, the volume is lowered for | 166 | tracks. If track gain value is not available, no replaygain |
182 | that song. Replaygain information is needed for this to work. | 167 | is applied. |
183 | % | 168 | % |
184 | \item[Pre-amp.] This allows you to adjust the volume when replaygain | 169 | \item[Track Gain If Shuffling.] Maintains a constant volume |
185 | is applied. Replaygain often lowers the volume, sometimes quite | 170 | between tracks if \setting{Shuffle} is set to \setting{Yes}. |
186 | much, so here you can compensate for that. Please note that a | 171 | Reverts to album mode if \setting{Shuffle} is set to \setting{No}. |
187 | (large) positive pre-amp setting can cause clipping, unless | 172 | % |
188 | prevent clipping is enabled. The pre-amp can be set to any | 173 | \item[Off.] Do not process replaygain information, i.e. turn off |
189 | decibel (dB) value between -12~dB and +12~dB, in increments of 0.5~dB. | 174 | the replaygain function. |
190 | \end{description} | 175 | \end{description} |
176 | % | ||
177 | \item[Prevent Clipping.] Avoid clipping of a song's waveform. | ||
178 | If a song would clip during playback, the volume is lowered for | ||
179 | that song. Replaygain information is needed for this to work. | ||
180 | % | ||
181 | \item[Pre-amp.] This allows you to adjust the volume when replaygain | ||
182 | is applied. Replaygain often lowers the volume, sometimes quite | ||
183 | much, so here you can compensate for that. Please note that a | ||
184 | (large) positive pre-amp setting can cause clipping, unless | ||
185 | prevent clipping is enabled. The pre-amp can be set to any | ||
186 | decibel (dB) value between -12~dB and +12~dB, in increments of 0.5~dB. | ||
187 | \end{description} | ||
191 | 188 | ||
192 | \section{Track Skip Beep} | 189 | \section{Track Skip Beep} |
193 | Controls the volume of the beep that is heard when | 190 | Controls the volume of the beep that is heard when |
194 | skipping forward or backward between tracks. The beep is disabled when | 191 | skipping forward or backward between tracks. The beep is disabled when |
195 | set to \setting{Off}. | 192 | set to \setting{Off}. |
196 | }%\opt{swcodec} | ||
197 | 193 | ||
198 | \opt{spdif_power}{ | 194 | \opt{spdif_power}{ |
199 | \section{\label{ref:SPDIF_OnOff}Optical Output} | 195 | \section{\label{ref:SPDIF_OnOff}Optical Output} |
@@ -294,32 +290,28 @@ you to configure settings related to audio playback. | |||
294 | if a track ends, which can be achieved by combining this option with | 290 | if a track ends, which can be achieved by combining this option with |
295 | \setting{Repeat} set to \setting{One} | 291 | \setting{Repeat} set to \setting{One} |
296 | 292 | ||
297 | \opt{swcodec}{ | 293 | \section{Rewind Before Resume}\index{Rewind Before Resume} |
298 | \section{Rewind Before Resume}\index{Rewind Before Resume} | 294 | When restarting a track or a bookmark, a short rewind can be done before the |
299 | When restarting a track or a bookmark, a short rewind can be done before the | 295 | playback is started. This can be useful when listening to speech material, |
300 | playback is started. This can be useful when listening to speech material, | 296 | to help remember what was being said just before playback was stopped. |
301 | to help remember what was being said just before playback was stopped. | 297 | The size of the rewind can be set to various values between 0 (off) and |
302 | The size of the rewind can be set to various values between 0 (off) and | 298 | 60 seconds. |
303 | 60 seconds. | 299 | \note{This option does not apply to resuming a paused track. Use |
304 | \note{This option does not apply to resuming a paused track. Use | 300 | the next option for rewinding on pause.} |
305 | the next option for rewinding on pause.} | 301 | \note{The actual rewind distance may differ a little from the requested |
306 | \note{The actual rewind distance may differ a little from the requested | 302 | value, depending on the file in question.} |
307 | value, depending on the file in question.} | ||
308 | }%\opt{swcodec} | ||
309 | 303 | ||
310 | \section{Rewind on Pause}\index{Rewind on Pause} | 304 | \section{Rewind on Pause}\index{Rewind on Pause} |
311 | This option rewinds the current track by a small amount whenever it is | 305 | This option rewinds the current track by a small amount whenever it is |
312 | paused (not stopped). The amount to rewind can be set between 0 and | 306 | paused (not stopped). The amount to rewind can be set between 0 and |
313 | 15 seconds. | 307 | 15 seconds. |
314 | 308 | ||
315 | \opt{swcodec}{ | 309 | \opt{play_frequency}{ |
316 | \opt{play_frequency}{ | 310 | \section{Frequency}\index{Frequency} |
317 | \section{Frequency}\index{Frequency} | 311 | This is the sampling frequency used for the rockbox playback engine. Audio |
318 | This is the sampling frequency used for the rockbox playback engine. Audio | 312 | at a different sampling rate will be converted to this sampling rate prior to |
319 | at a different sampling rate will be converted to this sampling rate prior to | 313 | mixing using a cubic Hermite polynomial resampler. |
320 | mixing using a cubic Hermite polynomial resampler. | 314 | \note{For best quality and battery life, select the sampling rate used by |
321 | \note{For best quality and battery life, select the sampling rate used by | 315 | your audio. This is typically 44.1kHz.} |
322 | your audio. This is typically 44.1kHz.} | 316 | \note{Opus files are always 48kHz.} |
323 | \note{Opus files are always 48kHz.} | 317 | } |
324 | } | ||
325 | }%\opt{swcodec} | ||
diff --git a/manual/configure_rockbox/recording_settings.tex b/manual/configure_rockbox/recording_settings.tex index 9a5ddb30a6..1abd38c536 100644 --- a/manual/configure_rockbox/recording_settings.tex +++ b/manual/configure_rockbox/recording_settings.tex | |||
@@ -6,16 +6,14 @@ | |||
6 | where you want to store them in the \setting{File Browser} and select | 6 | where you want to store them in the \setting{File Browser} and select |
7 | \setting{Set As Recording Directory}.} | 7 | \setting{Set As Recording Directory}.} |
8 | 8 | ||
9 | \opt{swcodec}{ | 9 | \section{Format} |
10 | \section{Format} | 10 | Choose which format to save your recording in. The available choices are |
11 | Choose which format to save your recording in. The available choices are | 11 | the two uncompressed formats \setting{PCM Wave} and \setting{AIFF}, the |
12 | the two uncompressed formats \setting{PCM Wave} and \setting{AIFF}, the | 12 | losslessly compressed \setting{WavPack} and the lossy |
13 | losslessly compressed \setting{WavPack} and the lossy | 13 | \setting{MPEG Layer~3}. |
14 | \setting{MPEG Layer~3}. | ||
15 | 14 | ||
16 | \section{Encoder Settings (MP3 only)} | 15 | \section{Encoder Settings (MP3 only)} |
17 | This sets the bitrate when using the \setting{MPEG Layer~3} format. | 16 | This sets the bitrate when using the \setting{MPEG Layer~3} format. |
18 | } | ||
19 | 17 | ||
20 | \section{Frequency} | 18 | \section{Frequency} |
21 | \nopt{ipodnano,ipodcolor,ipod4g}{ | 19 | \nopt{ipodnano,ipodcolor,ipod4g}{ |
@@ -39,9 +37,8 @@ | |||
39 | 22.05~kHz, 16~kHz, 12~kHz, 11.025~kHz and 8~kHz} | 37 | 22.05~kHz, 16~kHz, 12~kHz, 11.025~kHz and 8~kHz} |
40 | are available. Higher sample rates use up more disk space, but give better | 38 | are available. Higher sample rates use up more disk space, but give better |
41 | sound quality. | 39 | sound quality. |
42 | \opt{swcodec}{\note{The 11.025~kHz setting is not available when using % | 40 | \note{The 11.025~kHz setting is not available when using % |
43 | \setting{MPEG Layer~3} format.} | 41 | \setting{MPEG Layer~3} format.} |
44 | } | ||
45 | \opt{recording_digital} | 42 | \opt{recording_digital} |
46 | {\note{You cannot change the sample rate for digital recordings.} | 43 | {\note{You cannot change the sample rate for digital recordings.} |
47 | } | 44 | } |
@@ -80,11 +77,9 @@ | |||
80 | for mono recording, only the left channel is recorded. Mono recordings | 77 | for mono recording, only the left channel is recorded. Mono recordings |
81 | are usually somewhat smaller than stereo. | 78 | are usually somewhat smaller than stereo. |
82 | 79 | ||
83 | \opt{swcodec}{ | 80 | \section{Mono Mode} |
84 | \section{Mono Mode} | 81 | When configured to record to mono and the source is a stereo signal, use this |
85 | When configured to record to mono and the source is a stereo signal, use this | 82 | setting to configure how the mono signal is created. Options are L, R and L+R. |
86 | setting to configure how the mono signal is created. Options are L, R and L+R. | ||
87 | } | ||
88 | 83 | ||
89 | \section{File Split Options} | 84 | \section{File Split Options} |
90 | This sub menu contains options for file splitting, which can be used to split | 85 | This sub menu contains options for file splitting, which can be used to split |
diff --git a/manual/configure_rockbox/sound_settings.tex b/manual/configure_rockbox/sound_settings.tex index c4ef325689..63a5770c41 100644 --- a/manual/configure_rockbox/sound_settings.tex +++ b/manual/configure_rockbox/sound_settings.tex | |||
@@ -197,7 +197,6 @@ change to customise your listening experience. | |||
197 | }% | 197 | }% |
198 | } | 198 | } |
199 | 199 | ||
200 | \opt{swcodec}{ | ||
201 | \section{Crossfeed} | 200 | \section{Crossfeed} |
202 | Crossfeed attempts to make the experience of listening to music on | 201 | Crossfeed attempts to make the experience of listening to music on |
203 | headphones more similar to listening to music with stereo speakers. When you | 202 | headphones more similar to listening to music with stereo speakers. When you |
@@ -250,9 +249,7 @@ change to customise your listening experience. | |||
250 | % http://www.ohl.to/interests-in-audio/crossfeed-and-eq-for-headphones/ | 249 | % http://www.ohl.to/interests-in-audio/crossfeed-and-eq-for-headphones/ |
251 | Beware that the crossfeed function is capable of making the audio distort | 250 | Beware that the crossfeed function is capable of making the audio distort |
252 | if you choose settings which result in a too high output level. | 251 | if you choose settings which result in a too high output level. |
253 | } | ||
254 | 252 | ||
255 | \opt{swcodec}{ | ||
256 | \section{\label{ref:EQ}Equalizer} | 253 | \section{\label{ref:EQ}Equalizer} |
257 | \screenshot{configure_rockbox/images/ss-equalizer}{The graphical equalizer}{} | 254 | \screenshot{configure_rockbox/images/ss-equalizer}{The graphical equalizer}{} |
258 | Rockbox features a parametric equalizer (EQ). In contrast to non-parametric | 255 | Rockbox features a parametric equalizer (EQ). In contrast to non-parametric |
@@ -472,9 +469,7 @@ configure the EQ, or use the presets for designing their own custom EQ | |||
472 | settings. | 469 | settings. |
473 | 470 | ||
474 | \end{description} | 471 | \end{description} |
475 | } | ||
476 | 472 | ||
477 | \opt{swcodec}{ | ||
478 | \section{Dithering} | 473 | \section{Dithering} |
479 | This setting controls the dithering and noise shaping functionality of Rockbox. | 474 | This setting controls the dithering and noise shaping functionality of Rockbox. |
480 | 475 | ||
@@ -500,9 +495,7 @@ and not easily noticable. | |||
500 | 495 | ||
501 | Rockbox uses highpass triangular distribution noise as the dithering noise | 496 | Rockbox uses highpass triangular distribution noise as the dithering noise |
502 | source, and a third order noise shaper. | 497 | source, and a third order noise shaper. |
503 | } | ||
504 | 498 | ||
505 | \opt{swcodec}{% | ||
506 | \opt{pitchscreen}{% | 499 | \opt{pitchscreen}{% |
507 | \section{Timestretch} | 500 | \section{Timestretch} |
508 | Enabling \setting{Timestretch} allows you to change the playback speed without | 501 | Enabling \setting{Timestretch} allows you to change the playback speed without |
@@ -512,9 +505,7 @@ intended for speech playback and may significantly dilute your listening | |||
512 | experience with more complex audio. See \reference{sec:pitchscreen} for more | 505 | experience with more complex audio. See \reference{sec:pitchscreen} for more |
513 | details about how to use the feature. | 506 | details about how to use the feature. |
514 | } | 507 | } |
515 | } | ||
516 | 508 | ||
517 | \opt{swcodec}{ | ||
518 | \section{Haas Surround} | 509 | \section{Haas Surround} |
519 | This setting implements the Haas effect with adjustable delay time to enhance | 510 | This setting implements the Haas effect with adjustable delay time to enhance |
520 | the stereo effect of the sound. A full range Haas effect creates the impression | 511 | the stereo effect of the sound. A full range Haas effect creates the impression |
@@ -526,25 +517,19 @@ and \setting{f(x2)} to set frequencies which are not affected. The \setting{SIDE | |||
526 | setting uses mid-side processing to determine and apply effect to the side channel only. | 517 | setting uses mid-side processing to determine and apply effect to the side channel only. |
527 | Finally, the \setting{Dry/Wet Mix} setting adjusts the proportion mixed from the | 518 | Finally, the \setting{Dry/Wet Mix} setting adjusts the proportion mixed from the |
528 | original (dry) and 'effected' (wet) signals. | 519 | original (dry) and 'effected' (wet) signals. |
529 | } | ||
530 | 520 | ||
531 | \opt{swcodec}{ | ||
532 | \section{Perceptual Bass Enhancement} | 521 | \section{Perceptual Bass Enhancement} |
533 | This setting implements a group delay correction and an additional biophonic EQ to | 522 | This setting implements a group delay correction and an additional biophonic EQ to |
534 | emphasize to boost bass perception. The \setting{precut} setting provides | 523 | emphasize to boost bass perception. The \setting{precut} setting provides |
535 | negative overall gain to prevent possible audio distortion due to the EQ | 524 | negative overall gain to prevent possible audio distortion due to the EQ |
536 | gain. The defult precut value is set to -2.5 dB and can be adjust from 0 dB to -4.5 dB. | 525 | gain. The defult precut value is set to -2.5 dB and can be adjust from 0 dB to -4.5 dB. |
537 | Note that this effect will stack with any other EQ applied. | 526 | Note that this effect will stack with any other EQ applied. |
538 | } | ||
539 | 527 | ||
540 | \opt{swcodec}{ | ||
541 | \section{Auditory Fatigue Reduction} | 528 | \section{Auditory Fatigue Reduction} |
542 | Human hearing is more senstive to some frequency bands. This setting applies additional | 529 | Human hearing is more senstive to some frequency bands. This setting applies additional |
543 | equalization and bi-shelf filtering to reduce signals in these bands to minimize | 530 | equalization and bi-shelf filtering to reduce signals in these bands to minimize |
544 | the chance that temporary threshold shift (auditory fatigue) occurs. | 531 | the chance that temporary threshold shift (auditory fatigue) occurs. |
545 | } | ||
546 | 532 | ||
547 | \opt{swcodec}{ | ||
548 | \section{Compressor} | 533 | \section{Compressor} |
549 | The \setting{Compressor} reduces, or compresses, the dynamic range of the audio | 534 | The \setting{Compressor} reduces, or compresses, the dynamic range of the audio |
550 | signal. This makes the quieter and louder sections closer to the same volume | 535 | signal. This makes the quieter and louder sections closer to the same volume |
@@ -592,4 +577,3 @@ the input signal is reduced appropriately, but the gain isn't allowed to | |||
592 | immediately return to normal levels. This is necessary to reduce artifacts | 577 | immediately return to normal levels. This is necessary to reduce artifacts |
593 | such as ``pumping.'' Instead, the gain is allowed to return to normal at the | 578 | such as ``pumping.'' Instead, the gain is allowed to return to normal at the |
594 | chosen rate. Release Time is the time for the gain to recover by 10~dB. | 579 | chosen rate. Release Time is the time for the gain to recover by 10~dB. |
595 | } | ||
diff --git a/manual/configure_rockbox/system_options.tex b/manual/configure_rockbox/system_options.tex index f9e09a91b1..bf82b8c074 100755 --- a/manual/configure_rockbox/system_options.tex +++ b/manual/configure_rockbox/system_options.tex | |||
@@ -203,27 +203,25 @@ therefore result in better runtime. | |||
203 | } | 203 | } |
204 | } | 204 | } |
205 | 205 | ||
206 | \opt{swcodec}{ | 206 | \subsection{Keyclick} |
207 | \subsection{Keyclick} | 207 | This menu controls key clicks on button presses. |
208 | This menu controls key clicks on button presses. | 208 | \begin{description} |
209 | \begin{description} | 209 | \opt{hardware_click}{ |
210 | \opt{hardware_click}{ | 210 | \item [Headphone Keyclick. ]This setting controls how strong the keyclicks |
211 | \item [Headphone Keyclick. ]This setting controls how strong the keyclicks | 211 | played through the headphones are. If set to \setting{Off}, the keyclicks |
212 | played through the headphones are. If set to \setting{Off}, the keyclicks | 212 | will be disabled. |
213 | will be disabled. | 213 | \item [Speaker Keyclick. ]This setting turns playing of keyclicks through |
214 | \item [Speaker Keyclick. ]This setting turns playing of keyclicks through | 214 | the built in speaker \setting{On} or \setting{Off}. |
215 | the built in speaker \setting{On} or \setting{Off}. | 215 | } |
216 | } | 216 | \nopt{hardware_click}{ |
217 | \nopt{hardware_click}{ | 217 | \item [Keyclick. ]This setting controls how strong the keyclicks are. |
218 | \item [Keyclick. ]This setting controls how strong the keyclicks are. | 218 | If set to \setting{Off}, the keyclicks will be disabled. |
219 | If set to \setting{Off}, the keyclicks will be disabled. | 219 | } |
220 | } | 220 | \item [Keyclick repeats.] This setting turns keyclick repeats \setting{On} |
221 | \item [Keyclick repeats.] This setting turns keyclick repeats \setting{On} | 221 | and \setting{Off}. If set to \setting{On}, the keyclicks will be |
222 | and \setting{Off}. If set to \setting{On}, the keyclicks will be | 222 | repeated when you hold down a button. If set to \setting{Off}, you will |
223 | repeated when you hold down a button. If set to \setting{Off}, you will | 223 | hear only one click. |
224 | hear only one click. | 224 | \end{description} |
225 | \end{description} | ||
226 | } | ||
227 | 225 | ||
228 | \opt{touchpad}{ | 226 | \opt{touchpad}{ |
229 | \subsection{Touchpad} | 227 | \subsection{Touchpad} |
diff --git a/manual/configure_rockbox/theme_settings.tex b/manual/configure_rockbox/theme_settings.tex index 2cbe57b014..a04646f479 100644 --- a/manual/configure_rockbox/theme_settings.tex +++ b/manual/configure_rockbox/theme_settings.tex | |||
@@ -47,11 +47,9 @@ customize the visual appearance of Rockbox. | |||
47 | headphones and when connected to an external amplifier. See | 47 | headphones and when connected to an external amplifier. See |
48 | \reference{ref:CreateYourOwnWPS} for more details.} | 48 | \reference{ref:CreateYourOwnWPS} for more details.} |
49 | 49 | ||
50 | \opt{lcd_bitmap}{ | ||
51 | \item[Font.] | 50 | \item[Font.] |
52 | Browse the installed fonts on your \dap{}. Selecting one will activate it. | 51 | Browse the installed fonts on your \dap{}. Selecting one will activate it. |
53 | See \reference{ref:Loadingfonts} for further details about fonts. | 52 | See \reference{ref:Loadingfonts} for further details about fonts. |
54 | } | ||
55 | 53 | ||
56 | \item[While Playing Screen.] | 54 | \item[While Playing Screen.] |
57 | Opens the \setting{File Browser} in the \fname{/.rockbox/wps} directory and | 55 | Opens the \setting{File Browser} in the \fname{/.rockbox/wps} directory and |
@@ -75,10 +73,8 @@ customize the visual appearance of Rockbox. | |||
75 | Rockbox has the ability to display an icon to the left of the file | 73 | Rockbox has the ability to display an icon to the left of the file |
76 | in the \setting{File Browser}. For details of these icons, see | 74 | in the \setting{File Browser}. For details of these icons, see |
77 | \reference{ref:Supportedfileformats}. | 75 | \reference{ref:Supportedfileformats}. |
78 | \opt{lcd_bitmap}{ | 76 | These icons can also be customised. See the \wikilink{IconSets} |
79 | These icons can also be customised. See the \wikilink{IconSets} | 77 | and \wikilink{CustomIcons} Wiki pages for details. |
80 | and \wikilink{CustomIcons} Wiki pages for details. | ||
81 | } | ||
82 | 78 | ||
83 | \opt{lcd_non-mono}{% | 79 | \opt{lcd_non-mono}{% |
84 | \item[Clear Backdrop.] | 80 | \item[Clear Backdrop.] |
@@ -87,30 +83,27 @@ customize the visual appearance of Rockbox. | |||
87 | This option allows you to clear the backdrops that you set. | 83 | This option allows you to clear the backdrops that you set. |
88 | } | 84 | } |
89 | % | 85 | % |
90 | \opt{lcd_bitmap}{ | 86 | \item[Status/Scrollbar.] |
91 | \item[Status/Scrollbar.] | 87 | Settings related to on screen status display and the scrollbar. |
92 | Settings related to on screen status display and the scrollbar. | 88 | \begin{description} |
93 | \begin{description} | 89 | \item[Scroll Bar.] Allows you to choose where the vertical scroll bar |
94 | \item[Scroll Bar.] Allows you to choose where the vertical scroll bar | 90 | should appear. |
95 | should appear. | 91 | \item[Scroll Bar Width.] Allows you to choose the width of the |
96 | \item[Scroll Bar Width.] Allows you to choose the width of the | 92 | scroll bar (in pixels). Default value is 6. |
97 | scroll bar (in pixels). Default value is 6. | 93 | \item[Status Bar.] Allows you to choose where to display the |
98 | \item[Status Bar.] Allows you to choose where to display the | 94 | statusbar\opt{remote}{ on the main display}. |
99 | statusbar\opt{remote}{ on the main display}. | 95 | \opt{remote}{ |
100 | \opt{remote}{ | 96 | \item[Remote Status Bar.] Allows you to choose where to display the |
101 | \item[Remote Status Bar.] Allows you to choose where to display the | 97 | statusbar on the remote display. |
102 | statusbar on the remote display. | 98 | } |
103 | } | 99 | \item[Volume Display.] Controls whether the volume is displayed as a |
104 | \item[Volume Display.] Controls whether the volume is displayed as a | 100 | graphic or a numeric value on the Status Bar. If you select a numeric |
105 | graphic or a numeric value on the Status Bar. If you select a numeric | 101 | display, volume is displayed in decibels. See \reference{ref:volume} |
106 | display, volume is displayed in decibels. See \reference{ref:volume} | 102 | for more on the volume setting. |
107 | for more on the volume setting. | 103 | \item[Battery Display.] Controls whether the battery charge status is |
108 | \item[Battery Display.] Controls whether the battery charge status is | 104 | displayed as a graphic or numerical percentage value on the Status Bar. |
109 | displayed as a graphic or numerical percentage value on the Status Bar. | 105 | \end{description} |
110 | \end{description} | ||
111 | } | ||
112 | % | 106 | % |
113 | \opt{lcd_bitmap}{ | ||
114 | \item[Line Selector Type.] | 107 | \item[Line Selector Type.] |
115 | This option allows you to select which type of line selector to use. | 108 | This option allows you to select which type of line selector to use. |
116 | \begin{description} | 109 | \begin{description} |
@@ -127,7 +120,6 @@ customize the visual appearance of Rockbox. | |||
127 | submenu. | 120 | submenu. |
128 | } | 121 | } |
129 | \end{description} | 122 | \end{description} |
130 | } | ||
131 | 123 | ||
132 | \opt{lcd_color}{ | 124 | \opt{lcd_color}{ |
133 | \item[Colours.] | 125 | \item[Colours.] |