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diff --git a/manual/configure_rockbox/sound_settings.tex b/manual/configure_rockbox/sound_settings.tex
index faec0b810e..8b1d0bd499 100644
--- a/manual/configure_rockbox/sound_settings.tex
+++ b/manual/configure_rockbox/sound_settings.tex
@@ -1,7 +1,7 @@
1% $Id$ % 1% $Id$ %
2\screenshot{configure_rockbox/images/ss-sound-settings}{The sound settings screen}{} 2\screenshot{configure_rockbox/images/ss-sound-settings}{The sound settings screen}{}
3 3
4The Sound Settings menu offers a selection of sound properties you may 4The sound settings menu offers a selection of sound settings you may
5change to customise your listening experience. 5change to customise your listening experience.
6 6
7\section{\label{ref:volume}Volume} 7\section{\label{ref:volume}Volume}
@@ -28,22 +28,15 @@ change to customise your listening experience.
28 \opt{ipod3g,ipod4g,gigabeatf,mrobe100}{\fixme{add correct volume range.}} 28 \opt{ipod3g,ipod4g,gigabeatf,mrobe100}{\fixme{add correct volume range.}}
29 29
30\section{Bass} 30\section{Bass}
31 \opt{player,recorder,recorderv2fm,ondio}{This emphasises or suppresses the 31 This setting emphasises
32 lower (bass) frequencies in the track. 0 means that bass sounds are unaltered 32 \nopt{h1xx,h300}{or suppresses}
33 (flat response).} 33 the lower (bass) frequencies in the sound. A value of 0 dB means that bass
34 \opt{h1xx,h300}{The bass setting can be used to increase (but not decrease) 34 sounds are unaltered (flat response).
35 frequencies below 300Hz. Bass boost can be set from 0 to 24 dB in 35 \opt{player,recorder,recorderv2fm,ondio}{}
36 increments of 2 dB. A setting of 0 means that low frequencies are unaltered 36 \opt{h1xx,h300}{The minimum setting is 0 dB and the maximum is 24 dB.}
37 (flat response).} 37 \opt{ipodnano,ipodcolor}{The minimum setting is -6 dB and the maximum is 9 dB.}
38 \opt{ipodnano,ipodcolor}{This emphasises or suppresses the 38 \opt{ipodvideo}{The minimum setting is -12 dB and the maximum is 12 dB.}
39 lower frequency (bass) sounds in the track. 0dB means that bass in unaltered 39 \opt{x5,sansa,h10,h10_5gb}{The minimum setting is -24 dB and the maximum is 24 dB.}
40 (flat response). The minimum setting is -6dB and the maximum is 9dB.}
41 \opt{ipodvideo}{This emphasises or suppresses the
42 lower frequency (bass) sounds in the track. 0dB means that bass in unaltered
43 (flat response). The minimum setting is -12dB and the maximum is 12dB.}
44 \opt{x5,sansa,h10,h10_5gb}{This emphasises or suppresses the
45 lower frequency (bass) sounds in the track. 0dB means that bass in unaltered
46 (flat response). The minimum setting is -24dB and the maximum is 24dB.}
47 40
48\opt{ipodvideo}{ 41\opt{ipodvideo}{
49\section{Bass Cutoff} 42\section{Bass Cutoff}
@@ -53,24 +46,16 @@ change to customise your listening experience.
53 value will vary with sample rate. 46 value will vary with sample rate.
54} 47}
55 48
56
57\section{Treble} 49\section{Treble}
58 \opt{player,recorder,recorderv2fm,ondio}{This emphasises or suppresses the 50 This setting emphasises
59 higher (treble) sounds in the track. 0 means that treble sounds are 51 \nopt{h1xx,h300}{or suppresses}
60 unaltered (flat response).} 52 the higher (treble) frequencies in the sound. A value of 0 dB means that
61 \opt{h1xx,h300}{The Treble setting can be used to increase (but not decrease) 53 treble sounds are unaltered (flat response).
62 frequencies above 1.5kHz. Treble boost can be set from 0 to 6 dB in 54 \opt{player,recorder,recorderv2fm,ondio}{}
63 increments of 2 dB. A setting of 0 means that high frequencies are unaltered 55 \opt{h1xx,h300}{The minimum setting is 0 dB and the maximum is 6 dB.}
64 (flat response).} 56 \opt{ipodnano,ipodcolor}{The minimum setting is -6 dB and the maximum is 9 dB.}
65 \opt{ipodnano,ipodcolor}{This setting emphasises or suppresses 57 \opt{ipodvideo}{The minimum setting is -12 dB and the maximum is 12 dB.}
66 the higher frequency (treble) sounds in the track. 0dB means that treble is 58 \opt{x5,sansa,h10,h10_5gb}{The minimum setting is -24 dB and the maximum is 24 dB.}
67 unaltered (flat response). The minimum setting -6dB and the maximum is 9dB.}
68 \opt{ipodvideo}{This setting emphasises or suppresses
69 the higher frequency (treble) sounds in the track. 0dB means that treble is
70 unaltered (flat response). The minimum setting -12dB and the maximum is 12dB.}
71 \opt{x5,sansa,h10,h10_5gb}{This setting emphasises or suppresses
72 the higher frequency (treble) sounds in the track. 0dB means that treble is
73 unaltered (flat response). The minimum setting -24dB and the maximum is 24dB.}
74 59
75\opt{ipodvideo}{ 60\opt{ipodvideo}{
76\section{Treble Cutoff} 61\section{Treble Cutoff}
@@ -89,7 +74,7 @@ change to customise your listening experience.
89 74
90\section{Channels} 75\section{Channels}
91 A stereo audio signal consists of two channels, left and right. The 76 A stereo audio signal consists of two channels, left and right. The
92 \setting{Channels} setting controls if these channels are to be combined in 77 \setting{Channels} setting determines if these channels are to be combined in
93 any way, and if so, in what manner they will be combined. 78 any way, and if so, in what manner they will be combined.
94 Available options are: 79 Available options are:
95 % 80 %
@@ -154,19 +139,19 @@ change to customise your listening experience.
154 values like 20ms are useful for ensuring a constant volume for in-car use and 139 values like 20ms are useful for ensuring a constant volume for in-car use and
155 other applications where background noise makes a constant loudness desirable. 140 other applications where background noise makes a constant loudness desirable.
156 A longer timeout means that the change in volume back to the previous level 141 A longer timeout means that the change in volume back to the previous level
157 will be smoother, so there will be less sharp changes in volume level. 142 will be smoother, so there will be fewer sharp changes in volume level.
158} 143}
159 144
160\opt{recorder,recorderv2fm}{ 145\opt{recorder,recorderv2fm}{
161\section{Super Bass} 146\section{Super Bass}
162 This setting changes the threshold at which bass frequencies are affected by 147 This setting changes the threshold at which bass frequencies are affected by
163 the \setting{Loudness} setting, making the sound of drums and bass guitar 148 the \setting{Loudness} setting, making the sound of drums and bass guitar
164 louder in comparison to the rest of the track. This setting only has an 149 louder in comparison to the rest of the sound. This setting only has an
165 effect if \setting{Loudness} is set to a value larger than 0dB. 150 effect if \setting{Loudness} is set to a value larger than 0dB.
166} 151}
167 152
168\opt{recorder,recorderv2fm}{ 153\opt{recorder,recorderv2fm}{
169\section{MDB {}- Micronas Dynamic Bass} 154\section{MDB {}-- Micronas Dynamic Bass}
170 The rest of the parameters in this menu relate to the Micronas Dynamic 155 The rest of the parameters in this menu relate to the Micronas Dynamic
171 Bass (MDB) function. MDB is designed to enable the user to hear bass 156 Bass (MDB) function. MDB is designed to enable the user to hear bass
172 notes that the headphones and/or speakers are not capable of reproducing. 157 notes that the headphones and/or speakers are not capable of reproducing.
@@ -177,8 +162,7 @@ change to customise your listening experience.
177 162
178 The practical upshot of this is that MDB produces a more authentic sounding 163 The practical upshot of this is that MDB produces a more authentic sounding
179 bass by tricking the brain into believing it is hearing tones that the 164 bass by tricking the brain into believing it is hearing tones that the
180 headphones or speakers are not capable of reproducing. Try it and see 165 headphones or speakers are not capable of reproducing.
181 what you think.
182 166
183 The MDB parameters are as follows: 167 The MDB parameters are as follows:
184 % 168 %
@@ -329,7 +313,7 @@ change to customise your listening experience.
329 except that it works on the high end of the frequency spectrum rather 313 except that it works on the high end of the frequency spectrum rather
330 than the low end. 314 than the low end.
331 \end{description} 315 \end{description}
332 As a general guide, EQ band 0 should be used for lows, EQ bands 1 316 As a general guide, EQ band 0 should be used for low frequencies, EQ bands 1
333 through 3 should be used for mids, and EQ band 4 should be used for highs. 317 through 3 should be used for mids, and EQ band 4 should be used for highs.
334 318
335\begin {description} 319\begin {description}