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author | Björn Stenberg <bjorn@haxx.se> | 2009-12-07 09:17:48 +0000 |
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committer | Björn Stenberg <bjorn@haxx.se> | 2009-12-07 09:17:48 +0000 |
commit | 36a81eb9b98ac7b1dff0d6658dba0255dd579f5f (patch) | |
tree | 81b81008c4cb69c276329ecd50200887c4da4838 /manual/configure_rockbox/recording_settings.tex | |
parent | 66fa5b578904f7df61293d6ce5c08966b5db13db (diff) | |
download | rockbox-36a81eb9b98ac7b1dff0d6658dba0255dd579f5f.tar.gz rockbox-36a81eb9b98ac7b1dff0d6658dba0255dd579f5f.zip |
Reverted r23881 mistakenly committed to branch.v3.4
git-svn-id: svn://svn.rockbox.org/rockbox/branches/v3_4@23882 a1c6a512-1295-4272-9138-f99709370657
Diffstat (limited to 'manual/configure_rockbox/recording_settings.tex')
-rw-r--r-- | manual/configure_rockbox/recording_settings.tex | 14 |
1 files changed, 7 insertions, 7 deletions
diff --git a/manual/configure_rockbox/recording_settings.tex b/manual/configure_rockbox/recording_settings.tex index e8f1fdac12..27db3e86ce 100644 --- a/manual/configure_rockbox/recording_settings.tex +++ b/manual/configure_rockbox/recording_settings.tex | |||
@@ -45,8 +45,8 @@ | |||
45 | \nopt{sansa}{ | 45 | \nopt{sansa}{ |
46 | Choose the recording frequency (sample rate). | 46 | Choose the recording frequency (sample rate). |
47 | \opt{masf}{48kHz, 44.1kHz, 32kHz, 24kHz, 22.05kHz, 16kHz} | 47 | \opt{masf}{48kHz, 44.1kHz, 32kHz, 24kHz, 22.05kHz, 16kHz} |
48 | \opt{iriverh100,iriverh300}{44.1kHz, 22.05kHz and 11.025kHz} | 48 | \opt{h100,h300}{44.1kHz, 22.05kHz and 11.025kHz} |
49 | \opt{iaudiox5}{88.2kHz, 44.1kHz, 22.05kHz and 11.025kHz} | 49 | \opt{x5}{88.2kHz, 44.1kHz, 22.05kHz and 11.025kHz} |
50 | are available. Higher sample rates use up more disk space, but give better | 50 | are available. Higher sample rates use up more disk space, but give better |
51 | sound quality. | 51 | sound quality. |
52 | \opt{swcodec}{\note{The 11.025kHz setting is not available when using% | 52 | \opt{swcodec}{\note{The 11.025kHz setting is not available when using% |
@@ -58,19 +58,19 @@ | |||
58 | MPEG v1 for 48, 44.1 and 32\\ | 58 | MPEG v1 for 48, 44.1 and 32\\ |
59 | MPEG v2 for 24, 22.05 and 16\\ | 59 | MPEG v2 for 24, 22.05 and 16\\ |
60 | } | 60 | } |
61 | \opt{archosrecorder,archosrecorderv2fm,iriverh100} | 61 | \opt{recorder,recorderv2fm,h100} |
62 | {\note{You cannot change the sample rate for digital recordings.} | 62 | {\note{You cannot change the sample rate for digital recordings.} |
63 | } | 63 | } |
64 | } % nopt e200 | 64 | } % nopt e200 |
65 | \opt{sansae200}{ | 65 | \opt{e200}{ |
66 | Recordings can only be made at a 22.05kHz frequency (sample rate) | 66 | Recordings can only be made at a 22.05kHz frequency (sample rate) |
67 | on this \dap. | 67 | on this \dap. |
68 | } % opt e200 | 68 | } % opt e200 |
69 | 69 | ||
70 | \section{Source} | 70 | \section{Source} |
71 | Choose the source of the recording. The options are: | 71 | Choose the source of the recording. The options are: |
72 | \opt{archosrecorder,archosrecorderv2fm,iriverh100}{\setting{SPDIF (digital)}, }% | 72 | \opt{recorder,recorderv2fm,h100}{\setting{SPDIF (digital)}, }% |
73 | \nopt{ipodnano1g,ipodvideo}{\setting{Mic}}% | 73 | \nopt{ipodnano,ipodvideo}{\setting{Mic}}% |
74 | \nopt{sansa}{, and {\setting{Line In}}}. % | 74 | \nopt{sansa}{, and {\setting{Line In}}}. % |
75 | \opt{radio}{For recording from the radio see \reference{ref:FMradio}.} | 75 | \opt{radio}{For recording from the radio see \reference{ref:FMradio}.} |
76 | 76 | ||
@@ -228,7 +228,7 @@ | |||
228 | 228 | ||
229 | More information can be found at \wikilink{VolumeTriggeredRecording}. | 229 | More information can be found at \wikilink{VolumeTriggeredRecording}. |
230 | 230 | ||
231 | \opt{iriverh100,iriverh300}{% | 231 | \opt{h100,h300}{% |
232 | \section{Automatic Gain Control} | 232 | \section{Automatic Gain Control} |
233 | The \setting{Automatic Gain Control} has five different presets for | 233 | The \setting{Automatic Gain Control} has five different presets for |
234 | automatically controlling the gain while recording. | 234 | automatically controlling the gain while recording. |